Billie Jean
1982 · From Thriller
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.
★ 9.8
Browse by time · decade
1980s
1980 – 1989
Showing 385 songs from the 1980s
The MessageGrandmaster Flash
The Message
1982
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.
★ 9.5
Beat It
1982 · From Thriller
Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.
★ 9.2
Thriller
1982 · From Thriller
Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.
★ 9.2
Once in a LifetimeTalking Heads
Once in a Lifetime
1980 · From Remain in Light
Byrne borrowed a preacher's cadence, Eno hummed the chorus melody, and the band looped its own jams like samplers.
★ 9.0
Fight the Power
1989 · From Fear of a Black Planet
Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.
★ 9.0
Love Will Tear Us Apart
1980
The title flips Captain and Tennille into its opposite, and the single arrived a month after Curtis's death.
★ 8.9
Straight Outta Compton
1988 · From Straight Outta Compton
Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.
★ 8.8
Born in the USA
1984 · From Born in the USA
Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.
★ 8.7
Sweet Child O' Mine
1987 · From Appetite for Destruction
Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.
★ 8.7
Fuck tha PoliceNWA
Fuck tha Police
1988 · From Straight Outta Compton
Structured as a mock trial with Dre presiding, and it drew a warning letter from an FBI assistant director.
★ 8.6
Back in Black
1980 · From Back in Black
Johnson was told the Bon Scott tribute could not be morbid, so he wrote a celebration over Angus Young's riff.
★ 8.6
Redemption SongBob Marley and the Wailers
Redemption Song
1980 · From Uprising
A single voice and acoustic guitar close Uprising, with a line lifted from Marcus Garvey and Marley already ill.
★ 8.5
Like a Prayer
1989 · From Like a Prayer
Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.
★ 8.5
Welcome to the Jungle
1987 · From Appetite for Destruction
Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
★ 8.4
Where the Streets Have No Name
1987 · From The Joshua Tree
Eno reckoned half the album's sessions went into it and nearly wiped the tape; the Edge's delay does the rest.
★ 8.4
Blue Monday
1983
A die-cut sleeve modelled on a floppy disk, an Oberheim drum machine, and the best-selling twelve-inch single ever pressed.
★ 8.4
Under PressureDavid Bowie
Under Pressure
David Bowie and Queen
1981 · From Hot Space
Bowie lived near Mountain Studios, dropped in, and one evening's jam became a UK number one with a disputed bassline.
★ 8.4
He Stopped Loving Her Today
1980
Jones thought nobody would play something so morbid; Sherrill spent eighteen months coaxing the vocal onto tape.
★ 8.3
There is a Light that Never Goes OutThe Smiths
There is a Light that Never Goes Out
1986 · From The Queen is Dead
Marr faked the strings on an Emulator, credited them to the Hated Salford Ensemble, and Britain waited six years.
★ 8.3
Planet RockAfrika Bambaataa & the Soulsonic Force
Planet Rock
1982
Bambaataa welded Kraftwerk's Trans-Europe Express to a Roland 808, and Tommy Boy paid Kraftwerk a dollar per record.
★ 8.2
Every Breath You Take
1983 · From Synchronicity
Sting woke at Fleming's Goldeneye with the melody; Summers cut that arpeggio in one take and made surveillance sound tender.
★ 8.2
How Soon is Now?The Smiths
How Soon is Now?
1985 · From Meat Is Murder
Marr's shudder came from four Fender Twins with their tremolos fighting, and Morrissey put a lonely man in a nightclub.
★ 8.1
With or Without YouU2
With or Without You
1987 · From The Joshua Tree
The Edge was sent a prototype Infinite Guitar by Michael Brook, and U2 had their first American number one.
★ 8.0
Sweet Dreams (Are Made of This)
1983
Recorded on a secondhand eight-track in a Chalk Farm attic, and an American number one by September.
★ 7.9
This Charming Man
1983
Marr stacked roughly fifteen guitar tracks and dropped a knife on the strings; Morrissey lifted a line from Sleuth.
★ 7.8
Fast CarTracy Chapman
Fast Car
1988 · From Tracy Chapman
Stevie Wonder's gear failed at the Mandela tribute, Chapman went on with a guitar, and the record went top ten.
★ 7.8
Sexual Healing
1982 · From Midnight Love
Gaye programmed the TR-808 himself in a Belgian studio, and it finally won him the first Grammys of his career.
★ 7.8
Paradise City
1987 · From Appetite for Destruction
Written in a rental van home from San Francisco, and the final two minutes simply double the tempo.
★ 7.8
You Shook Me All Night Long
1980 · From Back in Black
Recorded at Compass Point in Nassau with Mutt Lange, Johnson's first single, and a riff that swings rather than pounds.
★ 7.7
In The Air Tonight
1981
Padgham's talkback-microphone accident on Peter Gabriel's third album, a Roland CR-78 pattern, and pop's most anticipated drum entrance.
★ 7.7
Just Like Heaven
1987 · From Kiss Me, Kiss Me, Kiss Me
Smith traced it to a day at Beachy Head with Mary Poole; Williams sped the tempo, adding the opening fill.
★ 7.7
Girls Just Want to Have Fun
1983
Robert Hazard wrote it in 1979 from a man's point of view, and Lauper flipped it into female solidarity.
★ 7.7
Like a Virgin
1984 · From Like a Virgin
A Steinberg and Kelly demo Rodgers disliked at first, six weeks at number one, and a seventeen-foot wedding cake.
★ 7.7
Another One Bites the Dust
1980 · From Greatest Hits
Deacon's bassline owes Chic, Michael Jackson talked them into releasing it, and Queen landed their biggest-selling single.
★ 7.7
Let's Dance
1983 · From Let's Dance
Nile Rodgers on rhythm guitar, an unknown Stevie Ray Vaughan on lead, and Bowie's biggest-selling single by a distance.
★ 7.7
Fairytale of New York
1987
Two years in the making, with MacColl finally singing the woman's part, and it still stalled at number two.
★ 7.7
Where Is My Mind?
1988 · From Surfer Rosa
Francis traced the lyric to a fish that followed him diving; Albini taped Deal's vocal in a bathroom.
★ 7.7
What's Love Got To Do With It
1984 · From Private Dancer
Cliff Richard turned it down, Bucks Fizz shelved it, and Turner at forty-four took it to number one.
★ 7.7
Don't You Want Me
1981 · From Dare
Oakey thought it the weakest thing on Dare; it became Britain's best-selling single of 1981 and Christmas number one.
★ 7.6