
Whole Lotta Love
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.

Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.

Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.

Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.

Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.

That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.

Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.

Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.

Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.

Johnson was told the Bon Scott tribute could not be morbid, so he wrote a celebration over Angus Young's riff.

Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
Dave Davies took a razor blade to his little Elpico amp's speaker cone, and distortion arrived on British radio.
Named for the gardener who woke them up, and cut with an acoustic guitar recorded into a Philips cassette recorder.
Harrison opened a book at random, saw "gently weeps", and Clapton came in uncredited to play the solo.

Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.

Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.
Cut May 3, 1968 with an ABC film crew rolling, and it became Hendrix's only British number one, posthumously.
Blackmore's four notes in parallel fourths, written after a flare gun burned the Montreux Casino down during a Zappa show.
Producer Jimmy Miller opens it on cowbell, and the single arrived in Britain the day after Brian Jones died.