
Whole Lotta Love
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.

Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.

Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.

A tranquilizer shot before a 1977 Philadelphia show gave Waters the lyric; Gilmour brought the chords and the solo.

Clapton wanted his friend's wife; Duane Allman's slide answers every line, then Jim Gordon's piano coda changes everything.

Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
Hilton Valentine's arpeggio, one take at De Lane Lea, and four and a half minutes when singles ran two.
Named for the gardener who woke them up, and cut with an acoustic guitar recorded into a Philips cassette recorder.
Cut May 3, 1968 with an ABC film crew rolling, and it became Hendrix's only British number one, posthumously.

Seven beats to the bar, a tape loop of coins and cash registers, and Pink Floyd's first American hit.

Perry built the riff at a Honolulu soundcheck; Tyler wrote the words on a Record Plant stairwell wall.

Jones wrote the riff, Page took the stop-start idea from Fleetwood Mac, and a stray labrador supplied the title.

Joplin taped the vocal days before her death; Kristofferson did not hear it until the day after.

Erma Franklin had it first in 1967, then Joplin tore the same Ragovoy and Berns song wide open.
Four notes known as Syd's theme, and Barrett himself turning up at Abbey Road mid-session, unrecognized by the band.

Priscilla Presley's memoir gave Gore the idea, Flood cut it in Milan, and Cash later called it evangelical.
Bruce came home from a Hendrix show carrying the riff, and Baker answered it by drumming on one and three.

Hendrix took Tim Rose's slow arrangement off a jukebox, Chandler hired the Breakaways, and Britain answered at number six.

Chandler's bass walks in alone, Burdon arrives furious, and GIs in Vietnam claimed a Brill Building demo.
Young wrote it in bed with a 103-degree fever, and Crazy Horse stretched it to nine ragged minutes.

Tyler had the tune on his family's New Hampshire lodge piano years before Aerosmith; a reissue reached number six.