Under Pressure
Bowie lived near Mountain Studios, dropped in, and one evening's jam became a UK number one with a disputed bassline.
Bowie lived near Mountain Studios, dropped in, and one evening's jam became a UK number one with a disputed bassline.

Padgham's talkback-microphone accident on Peter Gabriel's third album, a Roland CR-78 pattern, and pop's most anticipated drum entrance.

Oakey thought it the weakest thing on Dare; it became Britain's best-selling single of 1981 and Christmas number one.

Hib-Tone pressed about a thousand copies in 1981, and Stipe mumbled lyrics he hadn't finished writing.
A Northern soul flop from 1964 rebuilt on synthesizers at Advision, Marc Almond's first vocal take kept intact.

Three turntables, two mixers, ten to fifteen takes, and a record built entirely out of ten other records.

Cain lifted the title from his father's advice, and the chorus stays hidden until the last fifty seconds.

Cut in Leamington Spa on eight tracks, the flute squeezed onto full brass, number one while Britain burned.

Two rock takes buried under dozens of abandoned reggae versions, dug out of the vault while assembling Tattoo You.

The Temptations sang backup, and the bass line James dismissed as silly later won him a Grammy through Hammer's sample.

Four years in Sting's drawer before The Police cut it, and Jean Roussel's piano overdubs are why it soars.
MacDonald's track came first, Withers added the words, and Washington's saxophone carried it to number two in 1981.

Hall started with a Roland preset and a Korg bass line, the one Jackson borrowed for Billie Jean.

Written by post after Wiedlin and Hall's 1980 tour romance, and it still sounds like a secret being kept.

Daniel Miller sequenced it on a Roland MC-4, Vince Clarke's last single for the band and still a terrace chant.

A DeShannon album track from 1975 until Bill Cuomo's Prophet-5 riff arrived; nine non-consecutive weeks at number one followed.

A rare Yamaha CP-30 supplies the riff, and Oates traced the song to Delta blues jammed against Texas swing.

A vocoder hello, Philip Bailey's falsetto, and eight weeks at the top of the soul chart.

Trevor Horn's desk, Anne Dudley's strings, and Fry making his own jilting sound like the most glamorous thing available.