
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.

Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.

Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.
Bambaataa welded Kraftwerk's Trans-Europe Express to a Roland 808, and Tommy Boy paid Kraftwerk a dollar per record.

Gaye programmed the TR-808 himself in a Belgian studio, and it finally won him the first Grammys of his career.

The Runaways passed, so Jett recorded it twice herself; the second version spent seven weeks at number one.

Topper Headon cut the drums, piano and bass himself, and Strummer finished the lyrics in the studio bathroom.

Nearly seven minutes, Rory Dodd's voice answering Tyler on the refrain, and Steinman's vampire love song became number one.

Spanish backing vocals translated by the tape operator's mother over the phone, and a jeans advert made it number one.

Haggard passed on it at the Pancho and Lefty sessions, so Nelson stayed behind and cut it himself after hours.

Mick Ronson suggested the baby rattles and sang the "let it rock" hook; the handclaps were only a guide track.

Hynde cut it weeks after Honeyman-Scott's death, with Rockpile's Bremner on guitar and a Sam Cooke chant behind her.

Steve Porcaro's demo reached Quincy Jones only because a cassette auto-reversed, and it took Carousel's place on Thriller.

Rhodes had the backing track in mind before reaching the studio; the Sri Lanka video carried it to number three.

A swan song by Ferry's own account, with a wordless vocal from Yanick Etienne, found in the next studio.

Steve Stevens' guitar cutting through Keith Forsey's production, and Idol sneering his way through somebody else's wedding.

Fiddle, banjo and a tempo shifting gears, then one week at number one between Billie Jean and Beat It.

Ferry's voice drops out almost two minutes before the end, leaving a synthesizer to finish the thought.