
Respect
Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.

Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.

That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.

Motown shelved Gaye's version for over a year; it came out sounding like paranoia set to a Funk Brothers groove.

A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.

Redding cut the vocal three days before the plane crash, and Cropper finished it into the first posthumous American number one.
Spector printed 3:05 on the label of a 3:45 record, and it became the century's most-played song on American radio.

Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.

A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.

Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.

Gaye co-wrote it and cut an early version; Reeves heard block parties in it and needed two takes.

Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.

Withers bought a small piano, ran his fingers up the keys, and found the coal-town kinship he missed.

Nearly four minutes of bass, hi-hat and lone trumpet before anyone sings, and the groove never sags.
Mark James flopped with it first, in the same Memphis studio; Moman then handed Presley his last American number one.

Hoagy Carmichael's 1930 tune, remade as Charles's first Billboard number one and adopted as Georgia's state song in 1979.

Parton wrote it to leave Porter Wagoner; Houston opened a cappella and held the Hot 100 for fourteen weeks.