
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Nile Rodgers on rhythm guitar, an unknown Stevie Ray Vaughan on lead, and Bowie's biggest-selling single by a distance.

A vocoder hello, Philip Bailey's falsetto, and eight weeks at the top of the soul chart.

Recorded in a New Jersey studio with Deodato producing, and adopted everywhere from ballparks to the hostages' homecoming.

Michael programmed the LinnDrum in an evening, wrote the vocal next morning, and turned marital dread into a groove.

Anita Pointer takes the lead, Richard Perry produced, and a 1984 reissue lifted a number thirty single to nine.

Deodato's production strips it to bassline and handclaps, and J.T. Taylor asks the only question a dancefloor needs.

Breakbot got a songwriting credit after the fact, and Mars turned late-seventies disco into a top-five American hit.

A LinnDrum, five Boston teenagers, and a spoken bridge calling out Ronnie, Bobby, Ricky and Mike by name.

Casey and Finch's first ballad after a run of dance hits, and the first American number one of the 1980s.