
Billie Jean
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.

Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.

Written on a tour bus in Norway and premiered at Alexander McQueen's last show, all nonsense syllables and appetite.

Beyonce found Bob Fosse's Mexican Breakfast on YouTube; three Grammys and a decade of wedding receptions followed.

Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.

Minogue passed on it; Bloodshy and Avant hung a Bollywood string sample over surf guitar for Spears's only Grammy.

Max Martin built it at Cheiron in Stockholm after TLC and the Backstreet Boys passed, and Spears was sixteen.

Robert Hazard wrote it in 1979 from a man's point of view, and Lauper flipped it into female solidarity.

A Steinberg and Kelly demo Rodgers disliked at first, six weeks at number one, and a seventeen-foot wedding cake.

Jackson took the chorus line from a CPR dummy named Annie, and the anti-gravity lean later earned a patent.
Gore wrote it as a harmonium ballad; Wilder and Flood put a dance beat under it over his objections.

Walden thought the demo too country, funked it up, and Houston cut it while shaking off a bronchial infection.

RedOne produced it at Record Plant, Gaga's mum-mum-mum-mah hook nodding to Boney M, and 2009's best-selling single worldwide.

Six studios, eighty-two takes at the guitar part, Ronson collapsing in the studio, and fourteen weeks at number one.
Dennis and Davis wrote it in three and a half hours, and Minogue committed after twenty seconds of the demo.

Scorsese shot eighteen minutes in a Brooklyn subway station, and the brass hits point straight back at James Brown.

Written for another singer, rebuilt with Stephen Bray for a Desperately Seeking Susan dance scene, then buried on a B-side.

Madonna and Stephen Bray built it on horns and handclaps; Fincher's Metropolis video cost a reported five million dollars.

Calvin Harris wrote and produced it alone, and Rihanna rode ten weeks at number one, 2011's longest run.