
Born in the USA
Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.

Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.

A Steinberg and Kelly demo Rodgers disliked at first, six weeks at number one, and a seventeen-foot wedding cake.

Cliff Richard turned it down, Bucks Fizz shelved it, and Turner at forty-four took it to number one.

Written at seventeen on a bus, scrapped at Muscle Shoals, saved by Steve Gregory's saxophone in one breath.

The Edge's chords came out of a soundcheck in Japan; Bono fixed the third verse's timeline on record only in 2023.
Campbell built the track on a LinnDrum, Petty passed, and Henley wrote middle age onto somebody else's demo.

Lauper lifted the title from a TV Guide film listing, and Rob Hyman's harmony makes the chorus ache.

Marr's melody came from a New York hotel room, the title from Sandie Shaw, and misery never sounded so cheerful.

A Tim Pope video with no lip-syncing, BBC wildlife footage, and Talk Talk's only American top forty.

Michael programmed the LinnDrum in an evening, wrote the vocal next morning, and turned marital dread into a groove.

Deacon's song, Fred Mandel's Jupiter-8 solo in a single take, and a video of Queen in Coronation Street drag.

A twelve-string riff swapped for six and doubled for thickness, then a chorus about a summer Adams never actually had.

Richie thought the opening line corny until Carmichael told him to finish it; six weeks at UK number one followed.

Seventeen weeks climbing to a UK number one, the first for Stock Aitken Waterman, and Burns devours it.
Jimmy Webb woke from a dream with four verses about one soul; Nelson, Kristofferson, Jennings and Cash took one each.
Two days on a dance version, scrapped for synth pads and a Cold War fear of growing old.

Ridgeley scrawled a note to his parents, doubled a word by mistake, and George Michael built a number one on it.

Every voice on the record is Joel's, stacked over Doug Stegmeyer's bass; doo-wop rebuilt by one man.