
Fight the Power
Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.

Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.

Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.

Priscilla Presley's memoir gave Gore the idea, Flood cut it in Milan, and Cash later called it evangelical.

Two days of writing with Jeff Lynne, Mike Campbell's twelve-string, and Ventura Boulevard turned into the whole San Fernando Valley.

Sampedro joked about the free world after a Soviet tour collapsed, and Young debuted the song in Seattle unrehearsed.
Prince Paul flipped Funkadelic's Knee Deep; De La Soul resisted the beat, then got their only R&B number one.

Madonna and Stephen Bray built it on horns and handclaps; Fincher's Metropolis video cost a reported five million dollars.

Don Was suggested welding a fifteen-minute jam to a shouted chorus, and Cindy Wilson's tin-roof ad-lib stayed in.

Gil Norton brought in two cellos and two violins, and Black Francis rhymed ocean pollution with borrowed numerology.

A house fire left Smith with photographs of Mary salvaged from his wallet, and one became the single's sleeve.

Harrison on acoustic guitar and harmonies, Lynne producing, and Petty answering the arsonist who burned his house down.

Mike Campbell's fuzz riff, then a closing solo of nearly two minutes he nailed in a single take.

Tony Arata's lyric works as a breakup song or an elegy, and Brooks' video chose the elegy.

Freddie Scott's "(You) Got What I Need" rebuilt on piano, with Markie singing the hook himself, flat and irresistible.

A teenage demo the band mocked as their Tom Petty song, until Gil Norton talked it onto Doolittle.

Bottum, Gould and Bordin had the riff before Patton arrived; the bass and that piano coda did the rest.

Bonnie Tyler recorded it first; Turner asked Holly Knight for the bridge and key change it lacked.

Tyler spent nine months on the lyric, Fincher directed the video, and the Grammy went to Aerosmith's bleakest hit.
Diane Warren got on her knees begging Cher to cut it; the video was shot aboard the USS Missouri.

Cut at Paisley Park with David Z, the snare a drumhead struck with a wooden ruler under Gift's falsetto.