
Lose Yourself
Written between takes on a film set, delivered like a man with exactly one shot at everything.

Written between takes on a film set, delivered like a man with exactly one shot at everything.

Yauch's bass line started it, Ad-Rock turned a joke about their producer into a scream, and Jonze filmed the rest.
Rick Rubin's first rap production in years, a Billy Squier drum break, and a second verse about a traffic stop.

Rubin had to talk Run-DMC into it; Tyler smashed through the video's wall and Aerosmith got a career back.

Six and a half hours in Stephenson's house, a slide guitar loop, and a hook mocking Beck's own rapping.
Shinoda's piano figure under Bennington's chorus took nu metal to number two, and the RIAA finally certified it diamond.

Nina Hagen handed Kiedis a jacket from her closet, and Frusciante ran his solo backwards over Flea's jam-session riff.

The Dust Brothers built it around a Mantronix sample, and Beck's two turntables and a microphone became a catchphrase.

Conceived as a satire of party songs, it became the band's only top ten hit, the joke unnoticed.

Slayer's Kerry King plays the solo, the title bends Motorhead's, and Rubin welds rap to metal without apology.

Frusciante back in the band and playing deliberately spare, while Flea's bass run opens Californication at a sprint.

Young MC wrote the words, an uncredited Van Halen sample carried them, and Tone Loc's rasp did the rest.
Foreigner's riff, a Funkadelic drum break, and a phrase borrowed from Flavor Flav, built into a top-three hit.