
Straight Outta Compton
Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.

Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.
Structured as a mock trial with Dre presiding, and it drew a warning letter from an FBI assistant director.
Stevie Wonder's gear failed at the Mandela tribute, Chapman went on with a guitar, and the record went top ten.

Francis traced the lyric to a fish that followed him diving; Albini taped Deal's vocal in a bathroom.

Garrett and Ballard's demo won Quincy Jones over within hours, and the Andraé Crouch Choir carries Jackson home.

The Think break from a 1972 Lyn Collins single, and two Harlem kids made the party record of 1988.

KRS-One produced it himself over a Stanley Turrentine loop, from the first album made after Scott La Rock's murder.

Stipe's father served in Vietnam, and the title nods to Agent Orange; eight weeks atop Modern Rock.

Michael muted the snare while mixing a mid-tempo dance track and, by his account, suddenly had a gospel record.

More Bounce to the Ounce plus a Jungle Boogie sample, cut in West Babylon, and EPMD sounding utterly unhurried.
A Native Tongues posse cut, Q-Tip and the Jungle Brothers guesting, the remix riding Taana Gardner's Heartbeat bassline.

Brown flew to New York with Gene Griffin for the aggressive song his album lacked, and new jack swing arrived.

Three generations of moonshine, Vietnam and the drug trade, named an official Tennessee state song in 2023.

Jam and Lewis wrote and produced it for Johnny Gill's first New Edition album, and it topped the R&B chart.

Craig and Charlie Reid wrote it in an Edinburgh flat, sang it in undisguised Scottish accents, America followed in 1993.

By Michaels' account a bad phone call from a Dallas laundromat wrote itself into Poison's only number one.

Elliot Wolff wrote and programmed it alone, Fincher shot the video in black and white, three weeks at number one.

Herb Ritts shot the mermen in Malibu surf, and Leonard's doo-wop bounce makes the Romeo and Juliet line land.
Two producers, one vocal barely above a whisper, and new jack swing's smoothest debut single went top ten.

Number two in America, three weeks atop the rock chart, and the video that closed Palmer's mannequin trilogy.

Jam and Lewis rebuilt the group as grown men, Johnny Gill's first single with them, Tresvant on lead.
A father's blessing written for the kids Stewart missed while touring, and similar enough to Dylan's song that they share royalties.

Young MC wrote the words, an uncredited Van Halen sample carried them, and Tone Loc's rasp did the rest.
Cut at EMI Studios in Stockholm, Gessle's deliberate pastiche of overblown American FM rock, and it hit number one.

Eight tracks at Fantasy Studios, every sound McFerrin's own voice, and the first a cappella number one ever.

Rutherford and B.A. Robertson had both just lost their fathers; Carrack, who lost his young, sang it.

Written in a garden shed at Farrington's father's house, stalled at fifty-eight in Britain, then Napoleon Dynamite happened.

Turned down for Whitney Houston and passed over by Belinda Carlisle, so the writers cut it themselves and reached number five.

Mike Love's chorus of island names over Ry Cooder's guitar, and the Beach Boys' first number one in twenty-two years.

A 1797 Clementi sonatina rondo underneath, lyrics written in about twenty minutes, and Collins taking it to number one.

Maurice Starr wrote and produced it, Jordan Knight and Donnie Wahlberg took the leads, and Britain crowned it a year later.