
It Takes a Nation of Millions to Hold Us Back
The producers used sirens, squeals and feedback as rhythm instruments, which is why it sounds less like music than like an emergency.

The producers used sirens, squeals and feedback as rhythm instruments, which is why it sounds less like music than like an emergency.

The FBI wrote to their record label objecting to one of the songs, which did more for sales than any advertising could.

A Gerhard Richter candle painting on the sleeve, a double album made on almost no money, and the last thing before they signed to a major.

Kane was already ghostwriting for half the Juice Crew when he made it, and Marley Marl gave him beats built from single drum hits.

Chapman was busking in Boston a year before this came out. A last-minute set at the Mandela concert at Wembley sent it to number one.

Both of them rap in the same flat monotone, over Zapp and Eric Clapton records, and somehow the lack of energy is the appeal.

Ced-Gee had already programmed half of Criminal Minded for Boogie Down Productions before making this, and Kool Keith raps like nobody else at all.

The cover has his girlfriend in a swimsuit holding a shotgun, which got the record removed from a number of shops.

Steve Albini recorded the drums in a bathroom to get the echo, taped studio chat between songs, and finished the whole thing in ten days.