
Pet Sounds
Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

Davis handed the players sketches on the day and most of what you hear is a first take. Two sessions, and it was done.

Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.

Berry Gordy called it the worst thing he had ever heard and refused to release it until Gaye said he would never record for Motown again.

The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.

The baby on the cover was paid two hundred dollars. Four months after release it knocked Michael Jackson off the top of the chart.

It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.

Quincy Jones and Jackson remixed the whole record because the first version sounded thin, and Eddie Van Halen played his solo for free.

Dylan finished it, then rerecorded half the songs in Minneapolis with local musicians his brother rounded up, days before it was due out.

They asked people around the studio questions on cue cards and used the answers. It then stayed on the American chart for fourteen years.

Andy Warhol's only real production instruction was to leave the mistakes in. It sold badly enough that the band were dropped soon afterwards.

Recorded in a fifteenth-century mansion the band rented from an actress, with one track narrated entirely by the computer voice on a Macintosh.

The Nashville session men sat around for hours while Dylan finished writing. Sad Eyed Lady of the Lowlands was cut at four in the morning.

Noise from the 1913 premiere audience drowned out the orchestra, so Nijinsky stood in the wings shouting the counts at his dancers.

Hendrix cut it on four tracks in stolen studio hours between gigs, and nobody had heard a guitar do any of it before.

Ten tracks, under forty minutes, made by a twenty-year-old with the best producers in New York each giving him one beat.

There is no title and no band name anywhere on the sleeve, just four symbols the members chose. The label thought it was commercial suicide.

Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.

It took so long that Wonder and the band took to wearing T-shirts reading We're Almost Finished. Twenty-one songs, and no filler.