
Pet Sounds
Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.

Andy Warhol's only real production instruction was to leave the mistakes in. It sold badly enough that the band were dropped soon afterwards.

Hendrix cut it on four tracks in stolen studio hours between gigs, and nobody had heard a guitar do any of it before.

Hendrix produced it himself, and spent so long in the studio that his manager walked out. One track is thirteen minutes of imagined underwater life.

Arthur Lee was convinced he was about to die and wrote it as a goodbye. Session players were hired when the band could not play.

Hendrix left the finished master of side one in a taxi and had to mix the whole thing again overnight.

Light My Fire was mostly written by guitarist Robby Krieger, who had been in the band a matter of months and had never written a song.

Side one runs from childhood to old age, and the voices in the middle of it are real people Garfunkel recorded in nursing homes.

The title came from a roadie getting derailleur gears wrong. They recorded the whole thing in New York in under a week.

Jerry Garcia played on it and is credited only as the band's spiritual adviser. The whole record took thirteen days.

David Crosby was fired partway through the sessions, and the horse on the cover has been read ever since as a joke at his expense.

The band was falling apart while they made it, recording their songs separately. Neil Young quit twice before it was finished.

Recorded in studio time left over from a Sonny and Cher session, in secret, using whatever instruments the previous band had left behind.

They wrote the hits partly as a joke about wanting to be famous, and then the joke worked and made them famous.

The last track lays a Christmas carol over a real news broadcast, so the two get harder to separate as it goes on.

Their producer added drums and electric guitar to an old acoustic track without telling them. It became a hit and the duo reformed.

Jim James recorded the earlier albums in a grain silo on his grandfather's farm for the echo. This is the first made in a real studio.

Jack Bruce and Ginger Baker had already been throwing things at each other in a previous band. Baker's drum solo takes up five minutes.