
Pet Sounds
Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.

The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.

It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.

Andy Warhol's only real production instruction was to leave the mistakes in. It sold badly enough that the band were dropped soon afterwards.

The Nashville session men sat around for hours while Dylan finished writing. Sad Eyed Lady of the Lowlands was cut at four in the morning.

Hendrix cut it on four tracks in stolen studio hours between gigs, and nobody had heard a guitar do any of it before.

Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.

Ringo Starr quit for two weeks during the sessions and Paul played drums in his absence. The cover is plain white with a stamped serial number.

Coltrane recorded it in one December session and meant it as a prayer. On the last movement he plays a psalm he had written out.

Morrison sat in an isolation booth and barely spoke to the jazz players hired to back him. The whole thing was done in three sessions.

One side plugged in, one side not. A few months later Dylan took the electric half to Newport and the folk crowd turned on him.

Hendrix produced it himself, and spent so long in the studio that his manager walked out. One track is thirteen minutes of imagined underwater life.

Merry Clayton was called in at midnight, heavily pregnant, to sing on Gimme Shelter. Her voice cracks on the third take and Jagger whoops.

Cash's career was finished when he talked Columbia into letting him record for prisoners. The laughter after the Reno line was added afterward.

The title track modulates through three keys so fast that the pianist, Tommy Flanagan, audibly struggles through his solo on the finished take.

Written and recorded in snatched hours in studios across two continents while touring. Willie Dixon later sued over the words to Whole Lotta Love.

Guitarist Jimmy Page paid for the sessions himself and the record took about thirty-six hours of studio time. Nobody had heard drums recorded like that.

They wrote it in the basement of a pink house near Woodstock, and Bob Dylan painted the picture on the front.