
Like a Rolling Stone
A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.

A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.

Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.

Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.

Two unfinished songs bolted together, an orchestra climbing to nothing, and the last piano chord in pop.

On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.

Kubrick took the audience from the first bone tool to the far side of Jupiter, explained almost nothing, and made every science fiction film since look domestic by comparison.
Keith dreamt the fuzz riff, taped it half-asleep, and woke up holding the sound of teenage frustration.

Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.

Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.

There is no better argument for seeing a film on the largest screen you can find: Lean's desert swallows the frame, and a British officer dissolves inside it over nearly four hours.

Two takes in different keys and tempos spliced into one, a Mellotron haze over Lennon's Liverpool childhood.
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.

The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.

Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.

Handclaps, that leaping chord under "I can't hide," and five weeks later America belonged to them.

Nuclear annihilation has never been this funny, and never will be again: Kubrick worked out that the strategy was already absurd, and simply let his generals talk.

It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.

Harrison wrote it in Clapton's garden while skipping a business meeting, and it sounds exactly like that relief.