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1979

Showing 112 works across all media from 1979

London Calling

1979 · From London Calling

Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.

★ 9.2

Alien

Directed by Ridley Scott
1979

Giger's creature is still the most frightening thing anyone has designed for a screen: Scott fused haunted house and space opera, and put a woman at the center of both.

★ 9.0

London Calling

1979

Their producer motivated the sessions by swinging ladders around the studio and pouring wine into the piano. The sleeve copies Elvis's first album.

★ 8.8

The Wall

1979

Roger Waters got the idea after spitting at a fan in Montreal and being appalled at himself. A school near the studio supplied the children's choir.

★ 8.8

Stalker

Directed by Andrei Tarkovsky
1979

Nothing else in cinema moves this slowly and holds this completely: Tarkovsky walks three men into a forbidden zone for nearly three hours, and almost nothing happens.

★ 8.3

Good Times

1979

Edwards' bassline turned up on Rapper's Delight within months; the settlement put Chic's names on rap's first pop hit.

★ 8.1

Highway to Hell

1979 · From Highway to Hell

Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.

★ 8.0

Poems

1979 · 352 pages

Bishop looks at a fish, a filling station, a moose in the road, and never tells you what to feel. In "One Art" she calls losing things an art you can master.

★ 7.8

My My, Hey Hey

1979 · From Rust Never Sleeps

Recorded live at San Francisco's Boarding House in 1978, and Devo's Mothersbaugh handed Young the phrase that titled the album.

★ 7.4

Hot Stuff

1979

Moroder's four-on-the-floor, Jeff Baxter's rock guitar solo bolted on, and the first female rock vocal Grammy.

★ 7.2

Godel, Escher, Bach

An Eternal Golden Braid
1979 · 824 pages

How does a self arise from parts that have none? Hofstadter answers by braiding Godel's proof that no system can prove all its truths with Escher's staircases and Bach's canons into strange loops.

★ 6.9

The Culture of Narcissism

American Life in An Age of Diminishing Expectations
1979 · 320 pages

Americans stopped building selves and started managing images, Lasch argued in 1979: competence and civic obligation traded away for therapy, celebrity, and a permanent hunger to be admired by strangers.

★ 6.9

Sophie's Choice

1979 · 562 pages

In a Brooklyn rooming house in 1947, a Southern writer falls in with Sophie, a Polish Catholic who survived Auschwitz, and her violent lover. The title is now English for an impossible decision.

★ 6.8
Train in VainThe Clash

Train in Vain

1979 · From London Calling

Mick Jones wrote it overnight for an NME flexi-disc that fell through, and the printed sleeves never listed it.

★ 6.7

The Postmodern Condition

A Report on Knowledge
1979 · 110 pages

Grand stories that once justified science, progress, and human emancipation have lost their credibility, Lyotard argues. His phrase for the condition, incredulity toward metanarratives, carried postmodernism from the arts into philosophy.

★ 6.6

Kindred

1979 · 287 pages

Dana, a Black writer in 1976 Los Angeles, is pulled to a Maryland plantation and made to keep alive the white boy who will father her line. Each return costs her more.

★ 6.4

Distinction

1979 · 640 pages

Taste is class in disguise, Bourdieu argues, and his survey of French preferences in music, food, and interiors proves it. The pure aesthetic judgment Kant called universal is a privilege of the comfortable.

★ 6.4
Oliver's ArmyElvis Costello

Oliver's Army

1979 · From Armed Forces

Steve Nieve's piano lifts its shimmer from "Dancing Queen," and Costello's biggest UK hit smuggles Belfast into a singalong.

★ 6.2

Cruisin'

1979

Tarplin handed over the guitar melody, and Robinson spent years finding words sensual enough to deserve it.

★ 6.2

The Joys of Motherhood

1979 · 230 pages

Nnu Ego's value is measured in sons, and she spends herself raising them in colonial Lagos while her husband launders clothes for an English family. Emecheta counts every cost the title conceals.

★ 6.0

Mad Max

Directed by George Miller
1979 · Australia

Made in Australia for four hundred thousand dollars and held a record for return on investment: George Miller was an emergency room doctor, and the crashes look like things he had seen.

★ 5.9

The White Album

1979 · 222 pages

"We tell ourselves stories in order to live," the title essay begins, then takes the story apart: the Manson trial, a Doors session going nowhere, and a psychiatric report on Didion herself.

★ 5.9
Dancing BarefootPatti Smith

Dancing Barefoot

1979 · From Wave

Written with Ivan Kral and dedicated to women like Jeanne Hebuterne, Modigliani's mistress; Rundgren produced and played the bass.

★ 5.9

The Right Stuff

1979 · 448 pages

Chuck Yeager broke the sound barrier with two cracked ribs hidden from the flight surgeon. Wolfe named the code such men flew by, and America still tells the space race in his words.

★ 5.9

The Bloody Chamber

1979 · 176 pages

Carter opened the old fairy tales and took out what was always inside: appetite, blood, and women who want things. Her Bluebeard is a French Marquis, and her Beauty walks toward the tiger.

★ 5.8

Breaking Away

Directed by Peter Yates
1979

No sports film is sweeter, and the sport barely matters: an Indiana teenager pretends to be Italian because he loves bicycle racing, and the town's class divide does the rest.

★ 5.7

Escape from Alcatraz

Directed by Don Siegel
1979

Shot on the actual island, in the actual cells: Don Siegel films a 1962 escape as pure method, spoons and paint and papier-mache heads, and explains nothing to anyone.

★ 5.6

Kramer vs. Kramer

Directed by Robert Benton
1979

Meryl Streep rewrote her own courtroom speech because she thought the script had the mother wrong: a custody fight filmed at kitchen-table level, where the child is the only honest party.

★ 5.5

Honesty

1979 · From 52nd Street

Number twenty-four on the Hot 100, and still a Song of the Year nominee; Ramone cut it at A&R.

★ 5.0

The B-52s

1979

John Lennon heard Rock Lobster in a club, decided Yoko finally had company, and went back into the studio after five years off.

★ 4.9

Sail On

1979

Richie handed a funk band a country ballad, rode it to number four, and re-cut it with Tim McGraw.

★ 4.2

Norma Rae

Directed by Martin Ritt
1979

Sally Field took Best Actress and the union organizing is filmed as actual work: a North Carolina textile mill, a hired organizer from New York, and a millhand who starts asking questions.

★ 4.1

The Jerk

Directed by Carl Reiner
1979

Steve Martin's first starring role opens with him claiming to have been born a poor black child, and never stops that far from the line: pure stupidity performed with total commitment.

★ 4.1