
The Shawshank Redemption
It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.

It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.

The best prison film of this century, and it works like a business education: an illiterate nineteen-year-old walks into a French jail and starts learning very fast.

American English took a line about failure to communicate from it, and Newman his best role: a man who will not be broken, on a chain gang that keeps trying.

Captivity has never looked like this much fun: Sturges rebuilt a real 1944 breakout from a German camp into tunnel engineering, forged papers and men who refuse to sit still.

Daniel Day-Lewis plays a man convicted of a bombing he had nothing to do with: the Guildford Four case, filmed while the wound in Britain was still fresh.

Shot on the actual island, in the actual cells: Don Siegel films a 1962 escape as pure method, spoons and paint and papier-mache heads, and explains nothing to anyone.

Darabont's second Stephen King prison film runs three hours and nobody notices: a death row guard in 1935 takes delivery of the largest, quietest inmate the block has ever held.

William Hurt took Best Actor and the film became the first independent production nominated for Best Picture: two cellmates in a Brazilian prison, one political and one who describes old movies.

Burt Reynolds played college football and you can see it in every collision: a disgraced quarterback in a Georgia prison is ordered to build a team out of the inmates.