The Movies canon

Sourced and screened.

Every film chosen by hand and annotated for why it matters.
Browse all 731 films or filter by genre, director, place, and year.

Dr. Strangelove

Directed by Stanley Kubrick
1964

Nuclear annihilation has never been this funny, and never will be again: Kubrick worked out that the strategy was already absurd, and simply let his generals talk.

★ 9.6

Fight Club

Directed by David Fincher
1999

Twenty-five years of argument have still not settled what it is actually saying: Fincher made consumer despair look genuinely thrilling, which is either the joke or the problem.

★ 8.6

WALL-E

Directed by Andrew Stanton
2008

Pixar's bravest film: the first forty minutes have almost no dialogue at all, and a robot with two expressions carries more feeling than most live actors manage.

★ 8.5

Network

Directed by Sidney Lumet
1976

Written as satire in 1976 and now indistinguishable from television: Chayefsky imagined a network that would put a man's breakdown on air for ratings, and got everything right.

★ 8.2

The Truman Show

Directed by Peter Weir
1998

Psychiatrists named a delusion after it: a man begins to suspect his whole town is a set and everyone in his life is paid, and 1998 had no idea.

★ 7.6

Nashville

Directed by Robert Altman
1975

Altman's method arrives here fully formed: twenty-four characters, overlapping microphones, and five days of country music and politics that add up to a portrait of the whole country.

★ 7.5

Brazil

Directed by Terry Gilliam
1985

The bleakest comedy ever made about paperwork: Gilliam imagined a state that tortures you politely and misfiles the forms afterward, and had to fight his own studio to release it.

★ 7.4

The Long Goodbye

Directed by Robert Altman
1973

Altman dropped Chandler's detective into 1973 Los Angeles and let him be completely out of step with it: Elliott Gould mumbles through a city that has stopped caring.

★ 7.0

Blazing Saddles

Directed by Mel Brooks
1974

Brooks spent years saying it could not be made today and has since changed his mind: a Black sheriff arrives in a frontier town built on racism, and everybody gets hit.

★ 6.9

Contempt

Directed by Jean-Luc Godard
1963 · France

Godard put Brigitte Bardot and Fritz Lang together in a story about a marriage falling apart on a Capri terrace: the most beautiful thing he ever shot.

★ 6.9

MASH

Directed by Robert Altman
1970

Altman's overlapping dialogue turns up fully formed: army surgeons in Korea behave appallingly in order to stay sane, and the film was really about Vietnam all along.

★ 6.8

Borat

Directed by Larry Charles
2006

Baron Cohen stayed in character in front of real Americans who had no idea, and they told him what they actually thought: the funniest film of its decade and the most uncomfortable.

★ 6.3

The Producers

Directed by Mel Brooks
1968

A comedy built around a Nazi musical, released twenty-three years after the war: Brooks designed Springtime for Hitler to be unwatchable, and it remains the funniest sequence of the decade.

★ 6.2

Office Space

Directed by Mike Judge
1999

It died in theaters and then took over every office in America on video: Mike Judge got the cubicle exactly right, down to the stapler, the printer and the phrase about the memo.

★ 5.3

American Beauty

Directed by Sam Mendes
1999

Conrad Hall photographed suburbia like a crime scene and took the cinematography Oscar for it: Sam Mendes came from the theater and made the most contested Best Picture of its era.

★ 4.5

Chicago

Directed by Rob Marshall
2002

Bob Fosse spent years trying to film his own 1975 stage musical and never did: every number plays inside the head of a woman on trial, and the trial is staged as vaudeville.

★ 4.1

Spaceballs

Directed by Mel Brooks
1987

George Lucas allowed it on condition that no merchandise be sold, so Mel Brooks put a merchandising joke in the film: Star Wars parodied by someone who clearly loves it.

★ 3.0