What's Going On
1971 · From What's Going On
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
★ 9.9
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1970s
1970 – 1979
Showing 312 songs from the 1970s
Bridge Over Troubled Water
1970
Garfunkel's voice climbing a gospel staircase, the last verse arriving like the cavalry.
★ 9.5
Stayin' Alive
1977 · From Saturday Night Fever Soundtrack
Barry Gibb's falsetto over a drum loop so metronomic that paramedics still use it to time chest compressions.
★ 9.4
Born to Run
1975 · From Born to Run
Months of wall-of-sound overdubs poured into one getaway car, and every word still sounds like escape.
★ 9.4
Stairway to HeavenLed Zeppelin
Stairway to Heaven
1971 · From Led Zeppelin IV
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.
★ 9.3
I Feel LoveDonna Summer
I Feel Love
1977
Moroder's pulsing synth track, Summer floating above it, and the record Eno reportedly called the sound of the future.
★ 9.3
JoleneDolly Parton
Jolene
1973 · From Jolene
Dolly pleading with her rival rather than fighting her, written the same day as "I Will Always Love You."
★ 9.3
London Calling
1979 · From London Calling
Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.
★ 9.2
Bohemian Rhapsody
1975 · From A Night at the Opera
Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.
★ 9.1
Superstition
1972 · From Talking Book
Wonder wrote that clavinet riff for Jeff Beck, heard it back, and sensibly kept it for himself.
★ 9.1
Dancing Queen
1976 · From Gold: Greatest Hits
Seventeen and gliding across the floor, the rare disco record that sounds like joy and ache at once.
★ 9.1
HeroesDavid Bowie
Heroes
1977 · From "Heroes"
Recorded beside the Berlin Wall, Fripp's feedback howling while Bowie sings himself hoarse over a single defiant day.
★ 9.1
Rapper's Delight
1979
Big Bank Hank auditioned outside the pizzeria where he worked, rapping lines borrowed from Grandmaster Caz's notebook.
★ 9.0
Baba O'Riley
1971 · From Who's Next
That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.
★ 9.0
Dreams (Fleetwood Mac)Fleetwood Mac
Dreams (Fleetwood Mac)
1977 · From Rumours
Nicks wrote it in a black velvet studio room at Sausalito's Record Plant; it remains the band's only US number one.
★ 8.9
Let it Be
1970 · From Let It Be
McCartney dreamed of his mother Mary telling him it would be all right; Harrison cut two different solos.
★ 8.9
Comfortably Numb
1979 · From The Wall
A tranquilizer shot before a 1977 Philadelphia show gave Waters the lyric; Gilmour brought the chords and the solo.
★ 8.9
No Woman, No Cry
1974 · From Natty Dread
Marley credited it to Tata Ford, whose Trenchtown soup kitchen the royalties kept running; the title means woman, don't cry.
★ 8.9
Hotel CaliforniaThe Eagles
Hotel California
1977 · From Hotel California
Felder demoed it on a four-track in Malibu, and his Les Paul duels Walsh's Telecaster through the outro.
★ 8.8
Layla
1971 · From Layla and Other Assorted Love Songs
Clapton wanted his friend's wife; Duane Allman's slide answers every line, then Jim Gordon's piano coda changes everything.
★ 8.7
Blitzkrieg Bop
1976 · From Ramones
Tommy wanted a Bay City Rollers chant; the album around it cost $6,400 and took seven days.
★ 8.7
Kashmir
1975 · From Physical Graffiti
Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.
★ 8.6
Let's Stay TogetherAl Green
Let's Stay Together
1971 · From Greatest Hits
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.
★ 8.6
ParanoidBlack Sabbath
Paranoid
1970 · From Paranoid
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.
★ 8.5
Imagine
1971 · From Imagine
Grapefruit, Ono's book of poems, supplied the idea; Lennon supplied the piano; in 2017 she finally got the credit.
★ 8.5
Go Your Own Way
1977 · From Rumours
Buckingham aimed Mick Fleetwood at the Street Fighting Man groove, then sang a breakup line Nicks demanded he cut.
★ 8.5
Let's Get It On
1973 · From Let's Get It On
Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
★ 8.4
Changes (David Bowie)
1971 · From Hunky Dory
Rick Wakeman's piano, Bowie's own saxophone, and a stutter on the title that flopped before it defined him.
★ 8.3
God Save the QueenThe Sex Pistols
God Save the Queen
1977 · From Never Mind the Bollocks, Here's the Sex Pistols
Written as "No Future," banned by the BBC, and stuck at number two amid loud suspicion of chart rigging.
★ 8.3
Lean On Me
1972
Withers bought a small piano, ran his fingers up the keys, and found the coal-town kinship he missed.
★ 8.3
Papa Was a Rollin' Stone
1972
Nearly four minutes of bass, hi-hat and lone trumpet before anyone sings, and the groove never sags.
★ 8.3
September
1978
Willis wanted real words instead of ba-dee-ya; White refused, and the groove outlived any lyric she could have written.
★ 8.3
Thunder Road
1975 · From Born to Run
Bittan's piano, a harmonica, and a screen door slamming; Springsteen lifted the title from a Robert Mitchum film poster.
★ 8.3
One LoveBob Marley and the Wailers
One Love
1977 · From Exodus
A 1965 Studio One ska tune rebuilt for Exodus, with Mayfield credited to keep the borrowing legal.
★ 8.3
Don't Stop 'Til You Get Enough
1979 · From Off the Wall
Jackson wrote it himself and steered the session; a whisper, a water-bottle rattle, then Louis Johnson's bass takes over.
★ 8.3
Anarchy in the UK
1976 · From Never Mind the Bollocks, Here's the Sex Pistols
Lydon picked anarchist because it rhymed with antichrist; EMI dropped the band six weeks later and punk was loose.
★ 8.2
Tangled Up in Blue
1975 · From Blood on the Tracks
Dylan recut it in Minneapolis with his brother producing, then spent decades rewriting a story already told out of order.
★ 8.2
War PigsBlack Sabbath
War Pigs
1970 · From Paranoid
Called Walpurgis until the label balked at the witchcraft, and Butler aimed the lyric at politicians who start wars.
★ 8.1
Walk on the Wild Side
1972 · From Transformer
Herbie Flowers doubled upright and electric bass for a session fee, and Bowie's old sax teacher played the closing solo.
★ 8.1
We Will Rock You
1977 · From Greatest Hits
May came home from a Stafford gig where the crowd sang back, and built a chorus from stomps and claps.
★ 8.1
Trans Europa Express
1977
Kraftwerk's rhythm rode a train across Europe, name-checked Bowie and Iggy Pop, then turned up inside Afrika Bambaataa's Planet Rock.
★ 8.1
I Will SurviveGloria Gaynor
I Will Survive
1978
Buried as a B-side until DJs flipped it, and Gaynor cut the vocal in a back brace after spinal surgery.
★ 8.1
Good Times
1979
Edwards' bassline turned up on Rapper's Delight within months; the settlement put Chic's names on rap's first pop hit.
★ 8.1
Iron ManBlack Sabbath
Iron Man
1970 · From Paranoid
Osbourne heard Iommi's riff and called it a big iron bloke walking; Butler built the science fiction around that.
★ 8.0
Won't Get Fooled Again
1971 · From Who's Next
Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.
★ 8.0
Wish You Were Here (Pink Floyd)
1975 · From Wish You Were Here
Gilmour's twelve-string comes through a recorded car radio, and Grappelli's violin sits buried near the very end.
★ 8.0
Highway to Hell
1979 · From Highway to Hell
Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.
★ 8.0
Get Up (I Feel Like Being a) Sex MachineJames Brown
Get Up (I Feel Like Being a) Sex Machine
1970 · From Sex Machine
One of Brown's first dates with the new J.B.s, Bootsy Collins on bass at eighteen, Bobby Byrd answering every line.
★ 7.9
Another Brick in the Wall Part 2
1979 · From The Wall
Ezrin sent Gilmour to the discos, and twenty-three Islington schoolchildren got forty minutes to sing themselves onto a number one.
★ 7.9
Rocket Man
1972 · From Honky Chateau
Taupin borrowed the title from a Pearls Before Swine song, and Hentschel's ARP put the loneliness in orbit.
★ 7.9
Heart of Glass
1978
A demo kicked around since the mid-seventies, rebuilt on a Roland drum machine that appalled their punk friends.
★ 7.9
Theme from ShaftIsaac Hayes
Theme from Shaft
1971
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.
★ 7.8
Higher Ground
1973 · From Innervisions
Written and taped in a three-hour burst, Wonder on clavinet and drums, the keyboard snarling through a Mu-Tron filter.
★ 7.8
Living for the CItyStevie Wonder
Living for the CIty
1973 · From Innervisions
Wonder played most of it himself, then broke it open with a spoken street scene running past seven minutes.
★ 7.8
Smoke on the WaterDeep Purple
Smoke on the Water
1972 · From Machine Head
Blackmore's four notes in parallel fourths, written after a flare gun burned the Montreux Casino down during a Zappa show.
★ 7.8
Ain't No SunshineBill Withers
Ain't No Sunshine
1971
Withers was building airplane toilets when he cut this, and he left the unfinished bridge as twenty-six repeats.
★ 7.8
Killing Me Softly With His Song (Roberta Flack)
1973
Flack heard Lori Lieberman's version on a plane's in-flight audio, rewrote the chords, and took Record of the Year.
★ 7.8
Immigrant Song
1970 · From Led Zeppelin III
Zeppelin played Reykjavik in 1970, and Plant came back with Vikings, Valhalla, and that double-tracked wail.
★ 7.8
Your SongElton John
Your Song
1970 · From Elton John
Taupin scribbled the lyric over breakfast at a kitchen table, and Buckmaster's strings turned it into John's first Top 10.
★ 7.8
Family Affair (Sly and the Family Stone)
1971 · From There's a Riot Goin' On
A rhythm box edited into a heartbeat, Billy Preston on Pianet, and three weeks at number one.
★ 7.8
Sweet Home Alabama
1974 · From Second Helping
An answer record to Neil Young's "Southern Man," riding Ed King's riff and a name-check for the Muscle Shoals Swampers.
★ 7.8
Landslide (Fleetwood Mac)Fleetwood Mac
Landslide (Fleetwood Mac)
1975 · From Fleetwood Mac
Aspen in 1974, Nicks weighing whether to quit music, and Buckingham Travis-picking a Martin D-18 underneath.
★ 7.8
Wild HorsesThe Rolling Stones
Wild Horses
1971 · From Sticky Fingers
Cut at Muscle Shoals in December 1969, with Jim Dickinson on tack piano after Ian Stewart refused the minor chords.
★ 7.7
Ziggy Stardust
1971 · From The Rise and Fall of Ziggy Stardust
Cut at Trident in November 1971, never a single, and Ronson's riff draws the character as sharply as the words.
★ 7.7
Heart of Gold
1972 · From Harvest
A back injury kept Young seated with an acoustic guitar; Taylor and Ronstadt were in Nashville and sang behind him.
★ 7.7
We are the Champions
1977 · From Greatest Hits
Mercury wrote it with audience participation in mind, and a 2011 study named it the catchiest song in pop.
★ 7.7
Free Bird
1973 · From Pronounced Leh-nerd Skin-nerd
Collins's chords sat unused for two years until Van Zant found the melody; the long outro was his onstage rest.
★ 7.7
Give Up the FunkParliament
Give Up the Funk
1975
Bootsy Collins on bass, Fred Wesley and Maceo Parker newly arrived from James Brown, and Parliament's first gold single.
★ 7.7
The ChainFleetwood Mac
The Chain
1977 · From Rumours
Razor-blade tape splices turned rejected scraps into the one Rumours song credited to all five, McVie's bass ending it.
★ 7.7
Ohio
1970
Seventeen days between the Life photographs from Kent State and four voices cutting it live in a Los Angeles room.
★ 7.7
Get Up, Stand Up
1973 · From Burnin'
Written with Tosh after Marley toured Haiti, and the last song he ever sang onstage, Pittsburgh, September 1980.
★ 7.7
Take it EasyThe Eagles
Take it Easy
1972 · From Eagles
Browne could not finish the second verse, Frey did, and Leadon's double-time banjo drives the Eagles' debut single.
★ 7.7
Money
1973 · From The Dark Side of the Moon
Seven beats to the bar, a tape loop of coins and cash registers, and Pink Floyd's first American hit.
★ 7.7
I'll Be There
1970
Hal Davis cut it at Hitsville West in June 1970, and Michael, eleven years old, made the ballad sound lived-in.
★ 7.7
Goodbye Yellow Brick Road
1973 · From Goodbye Yellow Brick Road
Sessions collapsed in Kingston, so the band regrouped at a French chateau and Taupin traded Oz for a Lincolnshire farm.
★ 7.7
Sir Duke
1977 · From Songs in the Key of Life
Wonder built it for Ellington after his death in 1974, then handed the melody to horns playing in unison.
★ 7.7
Walk This Way (Aerosmith)
1975 · From Toys in the Attic
Perry built the riff at a Honolulu soundcheck; Tyler wrote the words on a Record Plant stairwell wall.
★ 7.7
Lust for Life
1977
Bowie found the beat in an Armed Forces Network call sign; Hunt Sales hammered it out in Berlin.
★ 7.7
Search and DestroyThe Stooges
Search and Destroy
1973 · From Raw Power
Pop lifted the title from a Time column on Vietnam, and Bowie's mix made Williamson's guitar a threat.
★ 7.6
Rock With You
1979 · From Off the Wall
Rod Temperton offered it to Karen Carpenter first; Quincy Jones and Jackson took it to number one.
★ 7.6
Black Dog
1971 · From Led Zeppelin IV
Jones wrote the riff, Page took the stop-start idea from Fleetwood Mac, and a stray labrador supplied the title.
★ 7.6
Me and Bobby McGee
1971 · From Pearl
Joplin taped the vocal days before her death; Kristofferson did not hear it until the day after.
★ 7.6
Shine on You Crazy DiamondPink Floyd
Shine on You Crazy Diamond
1975 · From Wish You Were Here
Four notes known as Syd's theme, and Barrett himself turning up at Abbey Road mid-session, unrecognized by the band.
★ 7.6
I Wanna Be Sedated
1978 · From Road to Ruin
Joey wrote it stranded in a shut-down London at Christmas, and Johnny's solo is one note, repeated.
★ 7.6
Roxanne
1978 · From Outlandos d'Amour
Copeland turned Sting's bossa nova into a tango, and the piano clang at the top was an accident they kept.
★ 7.6
Brown Sugar (The Rolling Stones)
1971 · From Sticky Fingers
Cut at Muscle Shoals days before Altamont, Bobby Keys on tenor, and a lyric Jagger later said he would censor.
★ 7.6
New York, New York
1979 · From Trilogy: Past Present Future
De Niro called the first theme too weak, so Kander and Ebb wrote this one in anger.
★ 7.6
Midnight Train to Georgia
1973
Cissy Houston's version turned Weatherly's midnight plane to Houston into a train to Georgia.
★ 7.6
Rhiannon (Will You Ever Win)Fleetwood Mac
Rhiannon (Will You Ever Win)
1975 · From Fleetwood Mac
A novel called Triad set Nicks going; years later she learned she had described a Welsh goddess exactly.
★ 7.6
Maggie MayRod Stewart
Maggie May
1971 · From Every Picture Tells a Story
Released as a B-side until DJs flipped it, with a mandolin credited only to a name Stewart said slipped his mind.
★ 7.6
American Girl
1977 · From Tom Petty and the Heartbreakers
Petty cut it on the Fourth of July, 1976, and Roger McGuinn heard the Byrds so clearly he covered it.
★ 7.6
Psycho Killer
1977 · From Talking Heads: 77
A ballad first, written at art school, until Weymouth's French bridge and bassline turned it feral.
★ 7.6
Sweet Jane
1970 · From Loaded
Tucker was pregnant, so Yule played bass and drums, and the bridge stayed missing from the mix for twenty-five years.
★ 7.5
All the Young DudesMott the Hoople
All the Young Dudes
1972
Mott were splitting up when Bowie offered them this, written within hours of hearing the band was finished.
★ 7.5
Knocking on Heaven's Door
1973 · From Pat Garrett & Billy the Kid
Two short verses written for a dying sheriff in Pat Garrett, with Roger McGuinn on guitar and Jim Keltner drumming.
★ 7.5
Marquee Moon
1977 · From Marquee Moon
Ten minutes captured in one take; Ficca thought it was a rehearsal and Verlaine refused Andy Johns another go.
★ 7.5
Time (Pink Floyd)
1974 · From The Dark Side of the Moon
Alan Parsons taped antique-shop clocks as a quadraphonic test; Mason's rototoms follow, and the alarms still land like panic.
★ 7.5
The PassengerIggy Pop
The Passenger
1977
Gardiner found the riff wandering under apple blossom, and Bowie sings behind Iggy at Hansa by the Wall.
★ 7.5
Into the Mystic
1970 · From Moondance
Written first as 'Into the Misty', recorded at A&R in New York, and the warmest thing Morrison ever sang.
★ 7.5
I'll Take You ThereThe Staple Singers
I'll Take You There
1972
Al Bell lifted the bassline from a Jamaican instrumental, and Mavis Staples turned Muscle Shoals into a pulpit.
★ 7.5
The Harder They Come
1972 · From Original Soundtrack (The Harder They Come)
Cliff coined the phrase on set, Henzell made it the film's title, and the Dynamic Sounds session was filmed.
★ 7.5
Flash LightParliament
Flash Light
1977
Bootsy passed on the bass part, so Worrell chained three Minimoogs together and gave Parliament its first R&B number one.
★ 7.5
Love and Happiness
1972 · From Greatest Hits
The tap opening it is Teenie Hodges counting time on a crate by his foot, and Green takes over.
★ 7.5
Tumbling Dice
1972 · From Exile on Main St.
Taylor on bass, Jimmy Miller drumming the coda, and a lyric Jagger got from a housekeeper who played dice.
★ 7.5
Piano ManBilly Joel
Piano Man
1973 · From Piano Man
A lounge gig, a fake name, Bill Martin, and every regular at the Executive Room written into a verse.
★ 7.5
My Sweet LordGeorge Harrison
My Sweet Lord
1970
Harrison started it backstage in Copenhagen, gave it to Billy Preston first, then took the first ex-Beatle number one.
★ 7.4
My My, Hey Hey
1979 · From Rust Never Sleeps
Recorded live at San Francisco's Boarding House in 1978, and Devo's Mothersbaugh handed Young the phrase that titled the album.
★ 7.4
Somebody to Love (Queen)
1976 · From Greatest Hits
Mercury wrote it at the piano, then three voices were multitracked into something the size of a gospel choir.
★ 7.4
Three Little BirdsBob Marley and the Wailers
Three Little Birds
1977 · From Exodus
Reportedly inspired by canaries at his Hope Road windowsill, cut in London, and the gentlest reassurance in reggae.
★ 7.4
Maybe I'm AmazedPaul McCartney
Maybe I'm Amazed
1970
Booked into Abbey Road as Billy Martin, McCartney played every instrument in a day and declined to release a single.
★ 7.4
Just My Imagination
1971
By Otis Williams's account Kendricks stayed for hours of takes; his final Temptations single spent two weeks at number one.
★ 7.4
One Nation Under a Groove
1978 · From One Nation Under a Groove
Clinton, Shider and Junie Morrison cut it at United Sound; six weeks at R&B number one, 1978's longest run.
★ 7.4
I Shot the SheriffBob Marley and the Wailers
I Shot the Sheriff
1973 · From Burnin'
Marley swapped police for sheriff to avoid a government fuss, and Clapton's 1974 cover became his only American number one.
★ 7.3
Isn't She Lovely
1976 · From Songs in the Key of Life
Wonder cut it for his newborn daughter Aisha, harmonica and all, and refused to shorten it for a single.
★ 7.3
Tiny Dancer
1971 · From Madman Across the Water
Taupin wrote it about Maxine Feibelman, the seamstress who toured with the band, and Almost Famous made it a singalong.
★ 7.3
Superfly
1972 · From The Anthology 1961-1977
The soundtrack took three days at RCA Chicago; Johnny Pate arranged, Henry Gibson's rototoms set the strut.
★ 7.3
Take Me Home, Country Roads
1971
Danoff and Nivert finished it with Denver one December night, and they premiered it hours later at the Cellar Door.
★ 7.3
Blue Eyes Crying in the Rain
1975 · From Red Headed Stranger
Fred Rose wrote it in the forties; Nelson's Texas version had Columbia's boss asking why he'd sent a demo.
★ 7.3
Message in a Bottle
1979 · From Reggatta de Blanc
Summers' arpeggiated riff, Sting's castaway pleading over it, and the first of the Police's five UK number ones.
★ 7.3
More Than a FeelingBoston
More Than a Feeling
1976 · From Boston
Five years in Scholz's basement, a hundred-dollar Yamaha twelve-string on the intro, and Delp stacking harmonies over the top.
★ 7.3
Mr. Blue Sky
1977
Two weeks of Alpine fog broke, and Lynne wrote this and thirteen more songs, closing it with a vocoder.
★ 7.3
Have You Ever Seen the Rain?
1970 · From Chronicle: The 20 Greatest Hits
Fogerty said the rain falling on a sunny day was Creedence breaking up around him; the record aches accordingly.
★ 7.3
Behind Blue EyesThe Who
Behind Blue Eyes
1971 · From Who's Next
Townshend's theme for the villain of his abandoned Lifehouse, and Daltrey sings the self-pity straight before Moon wrecks it.
★ 7.3
(Don't Fear) the Reaper
1976
An irregular heartbeat diagnosis sent Dharma writing about mortality and lasting love, and the cowbell did the rest.
★ 7.3
Fire and RainJames Taylor
Fire and Rain
1970 · From Sweet Baby James
Kunkel's brushes, Carole King's piano, and three verses that hold a death, an addiction and a band's collapse.
★ 7.3
Pressure DropToots and the Maytals
Pressure Drop
1970
Leslie Kong cut it in 1969, Hibbert called the subject karma, and The Harder They Come carried it worldwide.
★ 7.3
Lady Marmalade (Labelle)
1974
The Meters on rhythm at Sea-Saint, Toussaint producing, and Patti LaBelle singing a French hook she did not understand.
★ 7.3
Band on the RunPaul McCartney
Band on the Run
1973
Wings lost two members on the eve of Lagos, so McCartney played the drums and built a three-part escape.
★ 7.2
Dream On
1973 · From Aerosmith
Tyler had the tune on his family's New Hampshire lodge piano years before Aerosmith; a reissue reached number six.
★ 7.2
Alison
1977 · From My Aim is True
Costello glimpsed a supermarket checkout girl, Clover backed him before the Attractions existed, and one line titled his debut.
★ 7.2
It's Too Late
1971 · From Tapestry
Toni Stern wrote the words in a day after her romance with James Taylor ended, and Curtis Amy's sax answers.
★ 7.2
Cars
1979
By Numan's account a road-rage scare in London started it; a bass riff, a Polymoog, and a UK number one.
★ 7.2
Move On Up
1970 · From Curtis
Master Henry Gibson's congas drive it, the horns arrive like good news, and Britain sent it top twelve.
★ 7.2
White Man in Hammersmith Palais
1978
Strummer expected roots rebellion at an all-night Palais reggae bill, got showbiz, and slipped reggae bass into punk.
★ 7.2
Cortez the Killer
1975 · From Zuma
Young's tone in double drop D, a blown console that erased the last verse, and a Franco-era Spanish ban.
★ 7.2
Oye Como Va
1970
Tito Puente wrote it as a 1962 cha-cha-cha; Gregg Rolie's Hammond organ replaced the horn section.
★ 7.2
Hot Stuff
1979
Moroder's four-on-the-floor, Jeff Baxter's rock guitar solo bolted on, and the first female rock vocal Grammy.
★ 7.2
School's Out
1972
Buxton's riff, a children's chorus, a school bell fade; Cooper wanted the last three minutes of term on tape.
★ 7.1
RoadrunnerThe Modern Lovers
Roadrunner
1976
Richman borrowed two chords from Sister Ray and turned Route 128 after midnight into the happiest song about driving.
★ 7.1
Bennie and the Jets
1973 · From Goodbye Yellow Brick Road
Gus Dudgeon overdubbed crowd noise from old concerts, and the fake live track topped the Hot 100.
★ 7.1
MoondanceVan Morrison
Moondance
1970 · From Moondance
A melody Morrison worked out on soprano sax first, then Jack Schroer's alto solo swinging over Jef Labes' piano.
★ 7.1
Big Yellow Taxi
1970 · From Ladies of the Canyon
Mitchell threw back a Hawaii hotel curtain, saw mountains above a parking lot, and wrote pop's sunniest protest song.
★ 7.1
Miss You (The Rolling Stones)
1978 · From Some Girls
Four-on-the-floor from a Billy Preston jam, harmonica by Sugar Blue, found busking in Paris, and their last American number one.
★ 7.1
Sweet Emotion
1975 · From Toys in the Attic
Three sounds in that intro: Hamilton's bass riff, Perry's talk box, a bass marimba. Aerosmith's first Top 40 single.
★ 7.1
Because the Night
1978 · From Easter
Springsteen abandoned the demo, Iovine passed Smith the cassette, and she wrote the verses waiting on a phone call.
★ 7.0
Lovely Day
1977
Withers holds the last note for eighteen seconds, Ray Parker Jr. plays guitar, and morning suddenly looks survivable.
★ 7.0
The Boys are Back in Town
1976
Gorham and Robertson's twin leads on a track the band nearly left off Jailbreak; Kentucky radio saved it.
★ 7.0
Like a HurricaneNeil Young
Like a Hurricane
1977 · From American Stars 'n Bars
Young wrote it on doctor-ordered voice rest, whistling the melody, then chased Sampedro's Stringman chords for eight electric minutes.
★ 7.0
After the Gold RushNeil Young
After the Gold Rush
1970 · From After the Gold Rush
Piano and Bill Peterson's flugelhorn, cut at Young's Topanga home studio, written for a Dean Stockwell screenplay.
★ 7.0
Moonage Daydream
1972 · From The Rise and Fall of Ziggy Stardust
Bowie first threw it away on a fake band called Arnold Corns, then rebuilt it at Trident around Ronson.
★ 7.0
Disco Inferno
1976
Jimmy Ellis over eleven minutes of Philadelphia rhythm, a flop in 1976 until Saturday Night Fever made it a hit.
★ 7.0
Live and Let DiePaul McCartney
Live and Let Die
1973
McCartney read the Fleming novel in a day and wrote it that afternoon; Martin's orchestra did the rest at AIR.
★ 7.0
(What's So Funny 'Bout) Peace Love and Understanding?
1978 · From Armed Forces
Nick Lowe wrote it for a pub-rock flop, produced Costello's B-side version, then got rich when The Bodyguard covered it.
★ 7.0
How Deep Is Your Love
1977 · From Saturday Night Fever Soundtrack
Seventeen weeks in the American top ten, and a ballad Stigwood refused to let them hand to Yvonne Elliman.
★ 6.9
White Riot
1977 · From The Clash
Strummer and Simonon were in the 1976 Notting Hill Carnival riot; the single ran under two minutes and reached thirty-eight.
★ 6.9
Truckin'
1970 · From American Beauty
Hunter's lyric folds in a 1970 New Orleans bust, and the Library of Congress declared the record a national treasure.
★ 6.9
Old Man
1972 · From Harvest
James Taylor picked up a six-string banjo he had never played, Ronstadt harmonised, and Young's ranch caretaker got a song.
★ 6.9
Candle in the Wind
1973 · From Goodbye Yellow Brick Road
Taupin lifted the phrase from a Janis Joplin tribute and pointed it at Marilyn Monroe; the chorus does the mourning.
★ 6.8
Sound and Vision
1977 · From Low
The BBC ran its long instrumental intro under programme trailers, and Bowie's ultimate retreat song went to number three.
★ 6.8
Night MovesBob Seger
Night Moves
1976 · From Night Moves
Seger walked out of American Graffiti with a story of his own, and took six months finding the words.
★ 6.8
Solsbury Hill
1977 · From Peter Gabriel
Seven-four time, Steve Hunter's Martin triple-tracked at three tape speeds, and Gabriel's first record after walking out of Genesis.
★ 6.8
Shining Star (Earth, Wind and Fire)
1975
A night walk at Caribou Ranch gave White the title, and the band their only Hot 100 number one.
★ 6.8
Tired of Being AloneAl Green
Tired of Being Alone
1971 · From Greatest Hits
Green wrote it inside an hour by his account, then spent days getting Willie Mitchell to listen.
★ 6.8
Rock Lobster
1978 · From The B-52s
A baritone Mosrite missing its two middle strings, and a party record that talked Lennon out of retirement.
★ 6.7
Train in VainThe Clash
Train in Vain
1979 · From London Calling
Mick Jones wrote it overnight for an NME flexi-disc that fell through, and the printed sleeves never listed it.
★ 6.7
Cecilia
1970
Friends banged on a piano bench at a party; Simon and Halee looped the thumping into a rhythm track.
★ 6.7
Who Are YouThe Who
Who Are You
1978 · From Who Are You
Townshend woke in a Soho doorway after drinking with two Sex Pistols, and Keith Moon's last album took the title.
★ 6.7
Pink Moon
1972 · From Pink Moon
Voice, guitar, and a single overdubbed piano line, taped after eleven at night with only an engineer present.
★ 6.7
The Needle and the Damage DoneNeil Young
The Needle and the Damage Done
1972 · From Harvest
Two minutes on addiction, taped live at UCLA's Royce Hall in January 1971 and placed unchanged on Harvest.
★ 6.7
Carry On Wayward Son
1976
Kerry Livgren's last-minute addition to Leftoverture opens a cappella, then hands Kansas their first top forty hit.
★ 6.7
Ripple
1970 · From American Beauty
David Grisman's mandolin threading Hunter's London lyrics, a benediction the Dead tucked onto the B-side of "Truckin'".
★ 6.7
That Lady
1973
Recorded at the Record Plant in LA, with Ernie Isley's Hendrix-drenched guitar rebuilding a song the brothers cut in 1964.
★ 6.7
Pretty Vacant
1977 · From Never Mind the Bollocks, Here's the Sex Pistols
Matlock's riff, lifted off ABBA's "SOS", and the sound of a generation deciding not to care.
★ 6.7
Brass in Pocket
1979 · From Pretenders
Honeyman-Scott's guitar lick came first, and Hynde told her producer he could release the thing over her dead body.
★ 6.7
Sweet Baby James
1970 · From Sweet Baby James
Taylor wrote it driving through the Carolinas to meet his newborn nephew, a cowboy lullaby in waltz time.
★ 6.6
Take Me to the River
1974 · From Al Green Explores Your Mind
Baptism imagery over Willie Mitchell's Memphis groove, and Hi Records never bothered to release Green's version as a single.
★ 6.6
SurrenderCheap Trick
Surrender
1978
Two deliberate key changes raise the temperature under a teenager discovering his parents are cooler than he is.
★ 6.6
Help Me
1974 · From Court and Spark
Her only American top ten hit, cut with Tom Scott's L.A. Express as she swung folk toward jazz.
★ 6.6
Video Killed the Radio StarThe Buggles
Video Killed the Radio Star
1979
Sixteen national number ones, then a second life at 12:01 a.m. on 1 August 1981 as MTV's first video.
★ 6.6
Who'll Stop the Rain
1970 · From Chronicle: The 20 Greatest Hits
A B-side to "Travelin' Band" that outgrew it, Fogerty's unhurried strum and a question about Vietnam still hanging.
★ 6.6
Watching the Detectives
1977 · From My Aim is True
Costello wrote it after a night with the first Clash album; Nieve's piano stalks it like Bernard Herrmann.
★ 6.6
You Are the Sunshine of My Life
1973 · From Talking Book
Wonder hands the first four lines to Jim Gilstrap and Lani Groves, then walks in over his own Fender Rhodes.
★ 6.5
Apache
1973
Michael Viner cut Jerry Lordan's tune in Vancouver, and Kool Herc turned its long percussion break into hip hop's foundation.
★ 6.5
One Way or AnotherBlondie
One Way or Another
1979
Harry turned a 1973 stalker into a chase song, and Nigel Harrison's riff supplies the relentless forward motion.
★ 6.5
Simple Man
1973 · From Pronounced Leh-nerd Skin-nerd
Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.
★ 6.5
Beast of Burden
1978 · From Some Girls
A thank-you note to Jagger for shouldering the band, by Richards' account, with Wood taking the solo.
★ 6.5
You've Got a Friend
1971 · From Mud Slide Slim and the Blue Horizon
King wrote it during the Tapestry sessions; Taylor cut it with Joni Mitchell behind him for his only number one.
★ 6.5
Use Me
1972
Ray Jackson's clavinet vamp and James Gadson's drums; it stopped at number two, blocked by Michael Jackson's "Ben".
★ 6.5
Free Man in Paris
1974 · From Court and Spark
Mitchell wrote it for David Geffen after a Paris trip, then set his escape to Jose Feliciano's guitar.
★ 6.5
Respect Yourself
1971
Mack Rice built it from a line Luther Ingram tossed off, and Pops and Mavis trade the sermon.
★ 6.5
Personality Crisis
1973 · From New York Dolls
Eight days at the Record Plant with Rundgren, and Johansen's strut arrived years before punk had a name.
★ 6.5
Pusherman
1972 · From The Anthology 1961-1977
Master Henry Gibson's percussion over Lucky Scott's bass, Mayfield indicting the drug trade where the film saw only glamour.
★ 6.5
Jungle Boogie
1973
Don Boyce, the band's roadie, shouted the vocal and got a writing credit; Pulp Fiction did the rest.
★ 6.5
Blank GenerationRichard Hell and the Voidoids
Blank Generation
1977
A rewrite of a 1959 novelty called "The Beat Generation", with Quine and Julian's guitars turning parody into manifesto.
★ 6.4
Last Dance
1978
Jabara reportedly locked Summer in a hotel bathroom with a cassette until she agreed; it won the Academy Award.
★ 6.4
Rock and Roll All Nite
1975 · From Dressed to Kill
Casablanca's Neil Bogart asked for a party song; Stanley wrote the chorus, and the live take beat the studio single.
★ 6.4
Complete Control
1977
Lee Perry produced it after CBS released a single without the band's consent; Topper Headon's first Clash session.
★ 6.4
Helpless
1970 · From Deja Vu
One of three Deja Vu tracks the four cut together, Young keening about the Ontario town of his childhood.
★ 6.4
I Want You to Want Me
1977
Nielsen's studio take on In Color went nowhere; the live Japanese version, crowd and all, hit number seven.
★ 6.4
Is This Love (Bob Marley)Bob Marley and the Wailers
Is This Love (Bob Marley)
1978 · From Kaya
Kaya's warmest track went top ten in Britain, and its London video gave a young Naomi Campbell her debut.
★ 6.4
I'm Eighteen
1970
Ezrin cut an eight-minute jam down to three, and John Lydon mimed along to it to join the Sex Pistols.
★ 6.4
Brick House
1977
Drummer Walter Orange stepped out front, LaPread's bass line did the rest, and funk got a permanent floor-filler.
★ 6.4
Happy Christmas (War Is Over)
1971
Two years after Lennon and Ono's billboards declared the war over, Spector cut it with a Harlem children's choir.
★ 6.3
Easy
1977
Richie traced that Sunday-morning ease to the small Alabama town he grew up in; the singer is walking away relieved.
★ 6.3
Ramblin' ManThe Allman Brothers Band
Ramblin' Man
1973 · From Brothers and Sisters
Betts wrote and sang it, borrowing Hank Williams' title; Oakley's bass line was among his last recordings.
★ 6.3
The JokerSteve Miller Band
The Joker
1973
A lyric lifted from "Lovey Dovey", a misheard doo-wop coinage, and a Levi's ad that made it Britain's number one.
★ 6.3
If You Want Me to Stay
1973 · From Fresh
Number twelve on the Hot 100, the band's last pop top twenty, and a bass line hip hop still raids.
★ 6.3
Radio RadioElvis Costello
Radio Radio
1978 · From This Year's Model
Booked after the Sex Pistols' visas fell through, Costello halted his SNL performance mid-song to play this unreleased attack instead.
★ 6.3
Funeral For a Friend Love Lies Bleeding
1973 · From Goodbye Yellow Brick Road
John wrote the instrumental half imagining music for his own funeral; Hentschel's ARP 2500 overdubs did the rest.
★ 6.3
Virginia Plain
1972
Ferry lifted the title from his own art-school painting of a giant cigarette packet, Eno's VCS3 shrieking behind him.
★ 6.3
JessicaThe Allman Brothers Band
Jessica
1973 · From Brothers and Sisters
A Django Reinhardt tribute written to be playable with two fingers, named for the infant daughter bouncing to it.
★ 6.3
Sheena is a Punk RockerThe Ramones
Sheena is a Punk Rocker
1977 · From Rocket to Russia
Joey Ramone spliced a jungle-comics heroine with punk's primal charge, and Britain sent it to number twenty-two.
★ 6.3
Oliver's ArmyElvis Costello
Oliver's Army
1979 · From Armed Forces
Steve Nieve's piano lifts its shimmer from "Dancing Queen," and Costello's biggest UK hit smuggles Belfast into a singalong.
★ 6.2
Take a Chance on Me
1978 · From Gold: Greatest Hits
Ulvaeus chanted "tck-a-ch" to pace his jogging; it became the a cappella hook on ABBA's seventh UK number one.
★ 6.2
Just the Way You Are (Billy Joel)
1977 · From The Stranger
Bebop alto player Phil Woods takes the solo, and the melody Joel dreamed won Record and Song of the Year.
★ 6.2
Cruisin'
1979
Tarplin handed over the guitar melody, and Robinson spent years finding words sensual enough to deserve it.
★ 6.2
25 or 6 to 4
1970
Lamm looked at his watch at 3:35 a.m. and had a title; Cetera sang it with his jaw wired together.
★ 6.2
December, 1963 (Oh What a Night)
1975
Gaudio first wrote it about Prohibition's repeal, then Judy Parker rewrote the lyric and drummer Gerry Polci sang lead.
★ 6.2
Birdland
1977
Zawinul named it for the club where he heard Basie, Ellington and Miles, then made an instrumental a hit.
★ 6.1
Ooh Child
1970
Stan Vincent's song sat on a B-side until it broke out in Philadelphia and Detroit and climbed to number eight.
★ 6.1
Wild World
1970
Stevens called it his parting song for Patti D'Arbanville, and Jimmy Cliff took it into the UK top ten.
★ 6.1
DesperadoThe Eagles
Desperado
1973 · From Their Greatest Hits (1971-1975)
Never released as a single; Henley's piano sketch dated to 1968, and Jim Ed Norman's strings turned it monumental.
★ 6.1
Express Yourself (Charles Wright)
1970
Wright wrote and produced it, took it to number three R&B, and nineteen years later N.W.A sampled the groove.
★ 6.1
It Makes No DifferenceThe Band
It Makes No Difference
1975 · From Northern Lights - Southern Cross
Robertson wrote it expressly for Danko's voice, and at their own Shangri-La studio the Band gave loss room to breathe.
★ 6.1
Return of the Grievous Angel
1974 · From Grievous Angel
A Boston fan's poem, reworked by Parsons, Emmylou Harris on harmony, and an album out four months after his death.
★ 6.1
Rich Girl
1977
Hall wrote it about a fast-food heir, changed Rich Boy to Rich Girl, and took the duo to number one.
★ 6.0
That's The Way (I Like It)
1975
Casey and Finch's call-and-response chant for TK in Hialeah topped the Hot 100 in two separate runs.
★ 6.0
Rock and RollThe Velvet Underground
Rock and Roll
1970 · From Loaded
Tucker was pregnant, so Doug Yule played drums, bass and the solo; Reed's Jenny finds her life on the radio.
★ 6.0
Best of My Love
1977
Maurice White and Al McKay wrote it, Earth Wind and Fire's rhythm section played it, and the Hutchinson sisters soared.
★ 6.0
Tupelo Honey
1971 · From Tupelo Honey
Written in Woodstock, cut in San Francisco with Modern Jazz Quartet drummer Connie Kay behind Morrison's warmest melody.
★ 6.0
Fly Like an Eagle (Steve Miller Band)
1976
Miller ran a Stratocaster through an Echoplex for that staggered triplet echo, and the synthesizer drifts like weather.
★ 5.9
Northern Sky
1970 · From Bryter Layter
Boyd handed Cale the demo and he improvised celeste, piano and organ around Drake's most openly loving song.
★ 5.9
Dust in the Wind
1977
A fingerpicking exercise Livgren's wife overheard and told him to finish, now Kansas's only American top ten.
★ 5.9
Will You Love Me Tomorrow (Carole King)Carole King
Will You Love Me Tomorrow (Carole King)
1971 · From Tapestry
A decade after the Shirelles made it the first girl-group number one, King slowed it down with Taylor and Mitchell.
★ 5.9
You're No Good
1974 · From Heart Like a Wheel
Ronstadt rejected the first take as the wrong groove; four days later Andrew Gold's solo sealed her only number one.
★ 5.9
Dancing BarefootPatti Smith
Dancing Barefoot
1979 · From Wave
Written with Ivan Kral and dedicated to women like Jeanne Hebuterne, Modigliani's mistress; Rundgren produced and played the bass.
★ 5.9
Running on EmptyJackson Browne
Running on Empty
1978
Cut live at Merriweather Post Pavilion, 1977, David Lindley's lap steel riding a song Browne wrote on his commute.
★ 5.9
How Can You Mend a Broken Heart
1972 · From Let's Stay Together
Willie Mitchell let a Bee Gees ballad run past six minutes at Royal Studios, and Green sings the whole ache.
★ 5.9
Scarlet Begonias
1974 · From From the Mars Hotel
Hunter set his lyric in Grosvenor Square, and from 1977 the Dead ran it straight into Fire on the Mountain.
★ 5.9
I'll Be Around
1972
Norman Harris's octave guitar riff, a B-side that DJs flipped, and five weeks atop the R&B chart.
★ 5.8
Is She Really Going Out With Him?
1978
Graham Maby's bass carries the whole thing, a 1978 flop until reissue, and Jackson insisted it was a funny song.
★ 5.8
Holidays in the Sun
1977 · From Never Mind the Bollocks, Here's the Sex Pistols
Marching boots open the record, and a collapsed Jersey holiday sent the band to Berlin for their subject.
★ 5.8
Rainy Night in Georgia
1970
Toots Thielemans on harmonica, Cornell Dupree on guitar, Arif Mardin producing, and Benton sounding like the rain itself.
★ 5.8
Get Down Tonight
1975
A guitar solo recorded slow and played back at double speed opens KC's first American number one.
★ 5.8
Margaritaville
1977
Norbert Putnam moved the sessions to Miami for the beachfront air, and Buffett turned one ruined afternoon into the chorus.
★ 5.7
Levon
1971 · From Madman Across the Water
Cut in February 1971 with Paul Buckmaster conducting, a character sketch about a balloon seller and the son who leaves.
★ 5.7
Could it Be I'm Falling in Love
1972
Thom Bell's arrangement at Sigma Sound, MFSB behind him, and Bobby Smith singing soft where anyone else would push.
★ 5.7
Only the Good Die Young
1977 · From The Stranger
Liberty DeVitto hated reggae, so the demo's lilt became a shuffle; the radio bans only sold more copies.
★ 5.7
See No Evil
1977 · From Marquee Moon
Verlaine hired Andy Johns off Goats Head Soup, cut the two guitars to separate channels, and punk got counterpoint.
★ 5.7
Trenchtown RockBob Marley and the Wailers
Trenchtown Rock
1977
Self-produced by the Wailers, and the track that opened the Lyceum nights Island taped in July 1975.
★ 5.7
P-Funk (Wants to Get Funked Up)Parliament
P-Funk (Wants to Get Funked Up)
1975
Mothership Connection opens as a pirate broadcast from space, with Maceo Parker and Fred Wesley newly defected from James Brown.
★ 5.7
We've Only Just Begun
1970 · From Close to You
Richard Carpenter recognized Paul Williams singing a bank commercial and asked whether a whole song existed underneath.
★ 5.7
Wonderful Tonight
1977
Clapton wrote it on a Martin D-28 while Pattie Boyd got ready for a Buddy Holly party, by his account.
★ 5.7
Whole Lotta RosieAC/DC
Whole Lotta Rosie
1977 · From Let There Be Rock
Vanda and Young cut it at the Let There Be Rock sessions, reworking a 1976 outtake called Dirty Eyes.
★ 5.7
Sail AwayRandy Newman
Sail Away
1972
A slave trader's sales pitch set to strings and Newman's warmest melody; Bobby Darin later sang it straight.
★ 5.6
Love RollercoasterOhio Players
Love Rollercoaster
1975
Number one in January 1976, and the murder rumor attached to that shriek was only Billy Beck reaching high.
★ 5.6
Whiskey River
1973 · From Shotgun Willie
A Johnny Bush song Nelson borrowed for Shotgun Willie, then used to open nearly every concert since 1974.
★ 5.6
Mr. Big Stuff
1971
Wardell Quezergue brought five artists to Malaco in a borrowed school bus; Stax passed, then Knight's put-down sold millions.
★ 5.6
Come Sail Away
1977
A piano ballad at first, then a synthesizer break, then guitars, angels and a starship headed skyward.
★ 5.5
What I Like About You
1979
Jimmy Marinos sang it from behind the drum kit; the single stalled at 49 and never went away.
★ 5.5
The Rubberband Man
1976
Started life as "The Fat Man", written by Bell for his teased son, and Philippe Wynne made it fly.
★ 5.5
Mama Told Me Not to ComeThree Dog Night
Mama Told Me Not to Come
1970
Newman wrote it for Eric Burdon in 1966, and Cory Wells sings the bewildered party guest straight to number one.
★ 5.4
So Far AwayCarole King
So Far Away
1971 · From Tapestry
Acoustic guitar from James Taylor, a flute solo from Curtis Amy, and King mourning a world where nobody stays put.
★ 5.4
Tuesday's GoneLynyrd Skynyrd
Tuesday's Gone
1973 · From Pronounced Leh-nerd Skin-nerd
A Mellotron faking the strings, producer Al Kooper credited as Roosevelt Gook, and Van Zant's rambling farewell.
★ 5.4
Band of Gold
1970
Holland-Dozier-Holland hid behind the pseudonym Edythe Wayne, Dennis Coffey added electric sitar, and Britain gave it six weeks on top.
★ 5.4
Peaceful Easy Feeling
1972 · From Eagles
Tempchin wrote it on a poster back while sleeping on a club floor; Leadon's B-bender guitar does the rest.
★ 5.4
Blue Sky
1972 · From Eat a Peach
Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.
★ 5.3
Get Up Offa That ThingJames Brown
Get Up Offa That Thing
1976 · From Get Up Offa That Thing
Brown put the writing credit in his wife's and daughters' names over IRS debts, then cut it live in two takes.
★ 5.3
Mercedes BenzJanis Joplin
Mercedes Benz
1970 · From Pearl
Joplin cut this satirical prayer for luxury goods a cappella in one take, three days before she died.
★ 5.3
Uptown Top Ranking
1977
Two Jamaican teenagers, seventeen and eighteen, answering Trinity over Alton Ellis's riddim, number one in Britain within months.
★ 5.3
Acadian Driftwood
1975 · From Northern Lights - Southern Cross
Manuel, Helm and Danko trade verses on Robertson's account of the 1755 Acadian expulsion, Byron Berline's fiddle overdubbed above.
★ 5.3
Play That Funky Music
1975
A club patron asked the band's drummer for funky music; Parissi wrote the answer on an order pad.
★ 5.2
Hold the Line
1978
Paich's pounding piano intro, Porcaro's triplet hi-hat, and Lukather's solo, all on a debut single that hit number five.
★ 5.2
Sex & Drugs & Rock & Roll
1977
Jankel lifted the bass figure from Ornette Coleman's "Ramblin'"; the BBC banned the single, and Peel played it anyway.
★ 5.1
Trouble (Cat Stevens)
1970
Stevens wrote it flat on his back recovering from tuberculosis; Hal Ashby later gave it to Maude's death scene.
★ 5.1
Fly
1970 · From Bryter Layter
John Cale's viola and harpsichord circle Drake's plea for a second chance, and Wes Anderson later borrowed it.
★ 5.1
Someone Saved My Life Tonight
1975 · From Captain Fantastic and the Brown Dirt Cowboy
Baldry talked Elton out of a wedding in 1968, and Taupin wrote him into the chorus as Sugar Bear.
★ 5.0
Hot BloodedForeigner
Hot Blooded
1978
One riff played idly in Jones's apartment, and Gramm making him stop and play it again.
★ 5.0
Cold as Ice
1977
A piano riff hammered like a warning, written by Gramm and Jones, later sampled wholesale by M.O.P.
★ 5.0
Honesty
1979 · From 52nd Street
Number twenty-four on the Hot 100, and still a Song of the Year nominee; Ramone cut it at A&R.
★ 5.0
Goodbye Stranger
1979
Davies wrote and sang it, Hodgson answered in falsetto, and that Wurlitzer figure runs the whole drifter's farewell.
★ 4.9
You Wear It Well
1972 · From Never a Dull Moment
A letter to an ex, sung over acoustic guitar, fiddle and McLagan's Hammond, and another UK number one.
★ 4.9
Everybody Plays the Fool (The Main Ingredient)The Main Ingredient
Everybody Plays the Fool (The Main Ingredient)
1972
Cuba Gooding Sr. stepped up after Donald McPherson's death and turned heartbreak into the warmest consolation soul ever offered.
★ 4.9
Madman Across the Water
1971 · From Madman Across the Water
Buckmaster spilled ink across his orchestral score and rewrote all of it in a day; Spedding's electric guitar prowls underneath.
★ 4.8
Summer Breeze
1972
Larry Knechtel on piano, Jim Gordon on drums, and a chorus that arrives like the evening it describes.
★ 4.8
Working My Way Back to You
1979
A 1966 Four Seasons song rebuilt as a medley, John Edwards out front, and two weeks at British number one.
★ 4.7
Baby I Love Your Way
1975
Stalled at 43 as a studio single until the live version on Frampton Comes Alive! reached the top twelve.
★ 4.7
Santa Claus Is Coming to Town
1975
Cut live at C. W. Post College in 1975, shelved six years, then loosed on every December radio playlist since.
★ 4.7
Don't Go Breaking My HeartElton John
Don't Go Breaking My Heart
Elton John and Kiki Dee
1976
Ann Orson and Carte Blanche on the credits, a Motown duet pastiche that held British number one for six weeks.
★ 4.7
Love Hurts
1975
A 1960 Boudleaux Bryant song the Everly Brothers cut first, remade by McCafferty's rasp into the version everyone knows.
★ 4.6
Oh! Sweet NothingThe Velvet Underground
Oh! Sweet Nothing
1970 · From Loaded
Reed's parade of characters with nothing to their names, sung by Doug Yule over seven closing minutes of Loaded.
★ 4.6
Do Ya Think I'm Sexy?
1978 · From Blondes Have More Fun
Stewart heard Jorge Ben's Taj Mahal at Rio Carnival, absorbed the melody unwittingly, and signed the royalties over to UNICEF.
★ 4.5
If You Leave Me NowChicago
If You Leave Me Now
1976
Parazaider heard it on the radio while cleaning his pool and assumed McCartney, not his own band.
★ 4.5
Feels Like the First Time
1977
One of four songs on the demo that got Foreigner signed, and Gramm sang it at his audition.
★ 4.4
Mona Lisas and Mad Hatters
1972 · From Honky Chateau
Taupin's first New York, gunfire outside the hotel window, a rose borrowed from Spanish Harlem, all cut in France.
★ 4.3
Little Drummer Boy, Peace on Earth
1977
Bowie balked at the carol, so writers built the Peace on Earth counterpoint in an hour; Crosby died weeks later.
★ 4.3