What's Going On
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.

That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.

Clapton wanted his friend's wife; Duane Allman's slide answers every line, then Jim Gordon's piano coda changes everything.
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.

Grapefruit, Ono's book of poems, supplied the idea; Lennon supplied the piano; in 2017 she finally got the credit.

Rick Wakeman's piano, Bowie's own saxophone, and a stutter on the title that flopped before it defined him.

Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.
Withers was building airplane toilets when he cut this, and he left the unfinished bridge as twenty-six repeats.

A rhythm box edited into a heartbeat, Billy Preston on Pianet, and three weeks at number one.
Cut at Muscle Shoals in December 1969, with Jim Dickinson on tack piano after Ian Stewart refused the minor chords.

Cut at Trident in November 1971, never a single, and Ronson's riff draws the character as sharply as the words.

Jones wrote the riff, Page took the stop-start idea from Fleetwood Mac, and a stray labrador supplied the title.

Joplin taped the vocal days before her death; Kristofferson did not hear it until the day after.

Cut at Muscle Shoals days before Altamont, Bobby Keys on tenor, and a lyric Jagger later said he would censor.
Released as a B-side until DJs flipped it, with a mandolin credited only to a name Stewart said slipped his mind.

By Otis Williams's account Kendricks stayed for hours of takes; his final Temptations single spent two weeks at number one.

Taupin wrote it about Maxine Feibelman, the seamstress who toured with the band, and Almost Famous made it a singalong.

Danoff and Nivert finished it with Denver one December night, and they premiered it hours later at the Cellar Door.