
Fortunate Son
Twenty minutes of writing, and Fogerty had the sound of every draft board sending someone else's son.

Twenty minutes of writing, and Fogerty had the sound of every draft board sending someone else's son.

An answer record to Neil Young's "Southern Man," riding Ed King's riff and a name-check for the Muscle Shoals Swampers.

Collins's chords sat unused for two years until Van Zant found the melody; the long outro was his onstage rest.

Eight months on one lyric, Helm doing the library research, and a drummer from Arkansas singing the defeat.
An ironing board cover, charcoal from spent matches, and Berry Oakley's bass counting the intro in eleven menacing beats.

Originally called Indiana Girl, until Petty decided he couldn't sing that line; Stan Lynch's last sessions with the Heartbreakers.

Van Zant and Rossington wrote it in an hour, putting his grandmother's and Rossington's mother's advice into song.
Betts wrote and sang it, borrowing Hank Williams' title; Oakley's bass line was among his last recordings.
A Django Reinhardt tribute written to be playable with two fingers, named for the infant daughter bouncing to it.

Four Alabama day-jobbers paid for their own sessions at a Nashville home studio, and Rolling Stone named it 2012's best.
A Mellotron faking the strings, producer Al Kooper credited as Roosevelt Gook, and Van Zant's rambling farewell.

Duane heard Betts's song, told him to sing it himself, and traded solos on one of his last sessions.

Cut at Ardent Studios in Memphis, re-recorded in 1997 for the band's second album, and a number eleven hit.

Jim Peterik of Survivor co-wrote it with Barnes and Carlisi, and it gave the band their first top ten.

The first ballad Kid Rock ever cut, its opening lines written, by his account, in a jail cell.