
Trans Europa Express
Kraftwerk's rhythm rode a train across Europe, name-checked Bowie and Iggy Pop, then turned up inside Afrika Bambaataa's Planet Rock.

Kraftwerk's rhythm rode a train across Europe, name-checked Bowie and Iggy Pop, then turned up inside Afrika Bambaataa's Planet Rock.

Radiohead opened Kid A with no guitars at all, just a Prophet-5 and Yorke's voice diced in Pro Tools.

Gonzalez built that shrieking hook from his own distorted voice, then let James King's saxophone close the record.

Kane Beatz's synth bounce, a bonus track buried on the Pink Friday deluxe, and Minaj's first solo top ten.

Emile Haynie and Arca build a slow cathedral of bass, and Twigs sings desire in a whisper.

A wordless hum to open, then distortion flooding the chorus; lead single from the Mercury-winning Overgrown.

Cut in the trio's Glasgow basement studio, sibling estrangement wrapped in synth glitter and Mayberry's bright clean vocal.

Recorded low at first until BenZel pushed her up an octave, and the falsetto turned touring loneliness into something weightless.

Justin Meldal-Johnsen co-produced at Sunset Sound, and Gonzalez turns unembarrassed optimism into a wall of synthesizers.

Cut at Miami's Circle House, Jonsin's sparse keys and Lil Wayne's verse gave Rowland seven weeks atop the R&B chart.

Gonzalez wrote it with his brother Yann, and Ken Thomas produced an album that worships John Hughes and eighties synths.

Dr. Luke and Max Martin built the dubstep stomp at Conway; West's verses took it to number one.