There Will Be Blood
Directed by Paul Thomas Anderson
2007
Day-Lewis builds an American monster out of oil and resentment, and Jonny Greenwood's score scrapes at the nerves for two and a half hours without once letting up.
★ 9.4
Browse by time · decade
2000s
2000 – 2009
Showing 133 films from the 2000s
In the Mood for Love
Directed by Wong Kar-wai
2000
Longing has never been filmed better than this: Wong Kar-wai gets more out of a stairwell and one repeated waltz than most directors manage with an entire script.
★ 9.3
Spirited Away
Directed by Hayao Miyazaki
2001 · Japan
The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.
★ 9.3
The Dark Knight
Directed by Christopher Nolan
2008
Adults started arguing about superhero films because of this one: Ledger's Joker is so unnerving that the Academy gave a posthumous Oscar to a man in clown makeup.
★ 9.2
The Lord of the Rings: The Return of the King
Directed by Peter Jackson
2003
Eleven nominations and eleven wins, a clean sweep no film has bettered: Jackson closed a decade-long gamble with battles at an unattempted scale and an ending that earns its farewells.
★ 9.1
Mulholland Drive
Directed by David Lynch
2001
Lynch built a Hollywood that runs entirely on dream logic and trusted the audience to assemble it: the whole thing feels like a half-remembered dream, and people keep returning.
★ 9.1
Eternal Sunshine of the Spotless Mind
Directed by Michel Gondry
2004
No romance this century has come close: Kaufman's premise, that you could pay to have someone erased, turns out to be the most honest thing anyone has said about breakups.
★ 8.9
The Lord of the Rings: The Fellowship of the Ring
Directed by Peter Jackson
2001
Everyone said the book could not be filmed: Jackson shot three films at once in New Zealand and delivered a Middle-earth so furnished you stop noticing it was invented.
★ 8.9
No Country for Old Men
Directed by Coen Brothers
2007
The Coens made a chase film with almost no music in it at all: Javier Bardem's killer with a cattle gun became the most frightening figure of the decade.
★ 8.9
City of God
Directed by Fernando Meirelles and Katia Lund
2002
Nothing else moves quite like it: Meirelles cast the favela itself, cut two hours into what feels like twenty minutes, and took a Brazilian crime film to four Oscar nominations.
★ 8.8
Children of Men
Directed by Alfonso Cuaron
2006
It looked like science fiction in 2006 and looks like the news now: Cuaron's roaming takes put you inside a collapsing Britain, and the ambush in the car is astonishing.
★ 8.7
The Lord of the Rings: The Two Towers
Directed by Peter Jackson
2002
Gollum changed what a digital character could be: Andy Serkis acted him fully and the industry rebuilt itself around motion capture, all inside a four-month night siege in the rain.
★ 8.6
Pan's Labyrinth
Directed by Guillermo del Toro
2006
Del Toro put a child's fairy tale and Franco's Spain in the same film and refused to make either one safer: the creature with eyes in its hands follows people home.
★ 8.5
WALL-E
Directed by Andrew Stanton
2008
Pixar's bravest film: the first forty minutes have almost no dialogue at all, and a robot with two expressions carries more feeling than most live actors manage.
★ 8.5
Yi Yi
Directed by Edward Yang
2000
Nothing else captures an ordinary family like this: Yang holds three generations of a Taipei household in one frame, and the small boy photographing people's backs explains the whole method.
★ 8.4
The Lives of Others
Directed by Florian Henckel von Donnersmarck
2006 · Germany
It made an entire country look at its own surveillance state: a Stasi officer listens in on a playwright's apartment, and the last line of the film lands like a blow.
★ 8.3
The Departed
Directed by Martin Scorsese
2006
Scorsese remade a Hong Kong thriller and made it entirely his own: a cop inside the mob, a mobster inside the police, and a pitch that never once relaxes.
★ 8.2
Lost in Translation
Directed by Sofia Coppola
2003
Almost nothing happens and it stays with people for years: jet lag, neon, a Tokyo hotel bar, and two people awake at the wrong hours keeping each other company.
★ 8.2
Memories of Murder
Directed by Bong Joon-ho
2003 · South Korea
Bong made a serial killer film in which the police are the problem: it is based on a real case, and rural Korea itself ends up looking like the suspect.
★ 8.1
Before Sunset
Directed by Richard Linklater
2004
Very little else works the way this does: eighty minutes of two people walking around Paris talking, in close to real time, and it is over far too soon.
★ 8.0
Memento
Directed by Christopher Nolan
2000
Nolan told it backwards and the trick is not a trick: the reverse order strands you exactly where its amnesiac protagonist lives, knowing only the last five minutes.
★ 8.0
Inglourious Basterds
Directed by Quentin Tarantino
2009
Christoph Waltz plays four languages and makes every one of them frightening: Tarantino builds his scenes as long conversations where somebody at the table already knows too much.
★ 7.9
Up
Directed by Pete Docter and Bob Peterson
2009
The four-minute marriage montage is the most devastating thing Pixar has ever done, and it is wordless: after that, an old man flies his house away on balloons.
★ 7.8
Finding Nemo
Directed by Andrew Stanton and Lee Unkrich
2003
It became the highest grossing animated release to that point and pushed what animation could render: an ocean of light and current, and a frightened father crossing it.
★ 7.8
Crouching Tiger, Hidden Dragon
Directed by Ang Lee
2000 · Hong Kong
It won four Academy Awards and remains the highest grossing foreign language film ever released in America: wire work so graceful that gravity stops being a consideration.
★ 7.8
Oldboy
Directed by Park Chan-wook
2003 · South Korea
Korean cinema broke through in the West on the strength of this: fifteen years locked in a room without explanation, and a corridor fight staged in one take.
★ 7.8
Brokeback Mountain
Directed by Ang Lee
2005
It changed what a mainstream American film could be about: Lee filmed twenty years of two men unable to say what they are, almost entirely in silence.
★ 7.7
Cache (Hidden)
Directed by Michael Haneke
2005 · France
The most quietly frightening film anyone has made about guilt: videotapes of a family's own front door start arriving, and Haneke cares far more about what nobody says.
★ 7.7
A Prophet
Directed by Jacques Audiard
2009
The best prison film of this century, and it works like a business education: an illiterate nineteen-year-old walks into a French jail and starts learning very fast.
★ 7.6
Gladiator
Directed by Ridley Scott
2000
It dragged the Roman epic back after thirty-five years of dormancy: Russell Crowe's fury is the whole engine, and the arena sequences still deliver everything they promise.
★ 7.5
The Pianist
Directed by Roman Polanski
2002
Polanski escaped the Krakow ghetto as a child and waited sixty years to film any of it: a pianist left alone in the ruins of Warsaw, and no heroism anywhere.
★ 7.4
Ratatouille
Directed by Brad Bird and Jan Pinkava
2007
Almost nothing else takes both cooking and criticism this seriously: a rat with a palate steers a hapless human around a Paris kitchen, and the food looks extraordinary.
★ 7.3
The Hurt Locker
Directed by Kathryn Bigelow
2009
Bigelow made war feel like an addiction rather than a duty: a bomb disposal sergeant works without much fear, and every defusal is stretched until the room turns physical.
★ 7.3
Y Tu Mama Tambien
Directed by Alfonso Cuaron
2001 · Mexico
A road trip with a narrator who keeps interrupting to tell you things the characters will never know: Cuaron slips a portrait of Mexico under a teenage sex comedy.
★ 7.3
Almost Famous
Directed by Cameron Crowe
2000
Cameron Crowe was writing for Rolling Stone at fifteen and on the road with the Allman Brothers at sixteen: the film gets every detail right, including the boredom.
★ 7.3
A Serious Man
Directed by Coen Brothers
2009
The Coens' most personal film and their least forgiving: a Minnesota physics professor's life comes apart for no reason at all, and nobody in it will explain anything.
★ 7.3
4 Months, 3 Weeks and 2 Days
Directed by Cristian Mungiu
2007
The Romanian New Wave announced itself with this: an illegal abortion arranged across one day in 1987, filmed in long static takes that give you nowhere to look.
★ 7.2
The Prestige
Directed by Christopher Nolan
2006
Nolan built a film about magicians the way a magician builds a trick, and tells you so in the first minute: two rivals destroy each other over one illusion.
★ 7.2
Casino Royale
Directed by Martin Campbell
2006
It stripped Bond back to a man who bleeds: the parkour chase in the opening twenty minutes told audiences immediately that the gadgets and the winking were gone.
★ 7.1
Man on Wire
Directed by James Marsh
2008
Petit walked a wire between the Twin Towers in 1974 and Marsh tells it as a heist: the planning, the break-in, and forty-five minutes in the air.
★ 7.0
Touching the Void
Directed by Kevin Macdonald
2003
You will not believe it is true and it is: two climbers in the Andes, one broken leg, and a decision that neither man has ever fully stopped explaining.
★ 7.0
Amelie
Directed by Jean-Pierre Jeunet
2001 · France
The most exported French film of its generation: Jeunet saturated Paris into green and gold and sent a shy waitress out to quietly rearrange other people's lives.
★ 7.0
Million Dollar Baby
Directed by Clint Eastwood
2004
Eastwood spends an hour making you love a boxing underdog story and then does something else entirely: nothing in American film is tougher than where it ends up.
★ 6.9
Traffic
Directed by Steven Soderbergh
2000
Soderbergh color-codes three separate drug-war stories so you always know which one you are in, then declines to let any of them resolve into a tidy lesson.
★ 6.9
Sideways
Directed by Alexander Payne
2004
It measurably dented cheap merlot sales and sent pinot noir soaring: two middle-aged men drive through wine country, one about to be married and one unable to move on.
★ 6.9
Letters from Iwo Jima
Directed by Clint Eastwood
2006
Eastwood made two films about the same battle, and the Japanese one is the better: shot almost entirely in Japanese, with a general nobody in America had heard of.
★ 6.9
Minority Report
Directed by Steven Spielberg
2002
Spielberg hired futurists to design 2054 and most of what they invented has since arrived: gesture screens, targeted advertising, and a police force that arrests you beforehand.
★ 6.8
Kill Bill
Directed by Quentin Tarantino
2003
Tarantino built it out of every film he ever loved: kung fu, spaghetti westerns, anime and samurai pictures, and the House of Blue Leaves fight tops all of them.
★ 6.8
Master and Commander: The Far Side of the World
Directed by Peter Weir
2003
No film has put an audience inside a wooden warship this completely: Weir's frigate is a working machine of rope and rank, chasing a faster enemy across the bottom of the world.
★ 6.8
O Brother, Where Art Thou?
Directed by Coen Brothers
2000
Homer's Odyssey rerouted through Depression-era Mississippi: the soundtrack of gospel and bluegrass sold eight million copies and sent a mass audience back to music first recorded in the 1920s.
★ 6.8
Monsters, Inc.
Directed by Pete Docter and Lee Unkrich
2001
Pixar built an entire energy economy out of children's nightmares: the joke is that the monsters are salaried professionals, and the film turns on one of them being frightened of a toddler.
★ 6.7
Amores Perros
Directed by Alejandro Gonzalez Inarritu
2000 · Mexico
Mexican cinema arrived on the world stage with this: Inarritu's first film braids three Mexico City lives around a single car crash and refuses to soften any of them.
★ 6.7
The Bourne Ultimatum
Directed by Paul Greengrass
2007
Handheld chases got shakier for a decade because of this film: Greengrass films spying as legwork rather than glamour, and the Waterloo Station chase is the most tightly constructed surveillance sequence ever filmed.
★ 6.7
Shaun of the Dead
Directed by Edgar Wright
2004 · United Kingdom
A zombie comedy that works as an actual zombie film: Wright plants every joke twice, so the second half pays off setups you laughed at an hour earlier without noticing they were setups.
★ 6.7
The Diving Bell and the Butterfly
Directed by Julian Schnabel
2007 · France
Schnabel put the camera inside a paralyzed man's one working eye and left it there: the memoir it comes from was dictated letter by letter, by blinking, and the film feels weightless anyway.
★ 6.7
Downfall
Directed by Oliver Hirschbiegel
2004
Bruno Ganz plays Hitler as a man rather than a symbol, and Germany argued about the film for a year: the last twelve days in the bunker, filmed without comment or consolation.
★ 6.7
Hero
Directed by Zhang Yimou
2002 · China
Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.
★ 6.7
Grizzly Man
Directed by Werner Herzog
2005
A hundred hours of video shot by a man who camped among Alaskan grizzlies, edited by Werner Herzog, who disagrees with him completely: two views of nature, arguing across the cut.
★ 6.7
Howl's Moving Castle
Directed by Hayao Miyazaki
2004 · Japan
Miyazaki's most beautiful machine is a walking house held together by magic and bad temper: underneath the wonder is an angry anti-war film, made while he watched the invasion of Iraq.
★ 6.6
Mystic River
Directed by Clint Eastwood
2003
Eastwood's bleakest film: three boys from one Boston block grow into three men, and a murder pulls them back to the afternoon that separated them, with no interest in comforting anyone.
★ 6.6
United 93
Directed by Paul Greengrass
2006
Greengrass cast real air-traffic controllers and military officers as themselves, and shot in real time: the least exploitative film about September 11 because it refuses every note of uplift.
★ 6.6
Requiem for a Dream
Directed by Darren Aronofsky
2000
Nobody who has seen the last twenty minutes forgets them: Aronofsky films four people chasing different highs around Coney Island in split screen and body-mounted cameras, with Clint Mansell's string theme underneath.
★ 6.6
The Royal Tenenbaums
Directed by Wes Anderson
2001
The film where Wes Anderson's dollhouse precision finally serves real grief: Gene Hackman plays a father who lies his way back into a house full of ruined prodigies.
★ 6.6
Infernal Affairs
Directed by Andrew Lau and Alan Mak
2002 · Hong Kong
Scorsese's The Departed is a remake of this, and the Hong Kong original is fifty minutes tighter: two moles assigned to find each other, and a plot that never stops to explain itself.
★ 6.5
The Wrestler
Directed by Darren Aronofsky
2008
Mickey Rourke had been out of serious work for fifteen years and walked straight back into this: a broken-down wrestler working autograph shows in New Jersey, filmed like a documentary from behind.
★ 6.5
Catch Me if You Can
Directed by Steven Spielberg
2002
Spielberg's lightest film runs on charm and a great John Williams theme: a teenager talks his way into a pilot's uniform and a doctor's coat, with an FBI agent always one hotel behind.
★ 6.4
Slumdog Millionaire
Directed by Danny Boyle and Loveleen Tandan
2008 · United Kingdom
Boyle shot Mumbai on small digital cameras in real streets and Rahman's score carried it around the world: a contestant from the slums is detained for cheating, and each question opens a memory.
★ 6.4
Hot Fuzz
Directed by Edgar Wright
2007 · United Kingdom
Wright's parody is better constructed than most of the films it mocks: a London supercop is exiled to a picture-perfect village, and the final act is staged better than the real thing.
★ 6.4
Batman Begins
Directed by Christopher Nolan
2005
Serious superhero films begin here: Nolan built the car for real, kept Gotham plausible, and treated a man in a bat costume as a psychological problem rather than a joke.
★ 6.3
Borat
Directed by Larry Charles
2006
Baron Cohen stayed in character in front of real Americans who had no idea, and they told him what they actually thought: the funniest film of its decade and the most uncomfortable.
★ 6.3
Into the Wild
Directed by Sean Penn
2007
Sean Penn spent ten years persuading the family to let him film this: a graduate burns his savings and walks into the Alaskan interior, and the film neither mocks him nor canonizes him.
★ 6.3
Black Hawk Down
Directed by Ridley Scott
2001
Ridley Scott stripped out almost everything a war film normally has: no arcs, barely any backstory, just eighteen hours in Mogadishu in 1993 rendered as continuous, disorienting noise and dust.
★ 6.3
Mean Girls
Directed by Mark Waters
2004
Tina Fey adapted a parenting book about teenage girls into the most quoted comedy of its decade: the anthropology is accurate, and the cruelty is presented as a system rather than a person.
★ 6.3
Superbad
Directed by Greg Mottola
2007
Seth Rogen and Evan Goldberg began writing it at thirteen and it shows: one night, a catastrophic fake ID, and a friendship neither boy can say anything about directly.
★ 6.0
Up in the Air
Directed by Jason Reitman
2009
Reitman cast people who had actually just been laid off and filmed them reacting for real: a man who fires strangers for a living has arranged his whole existence around not landing.
★ 6.0
Gomorrah
Directed by Matteo Garrone
2008 · Italy
Garrone filmed the Camorra with no glamour, no arc and mostly non-actors from the neighborhood: five strands in a Naples housing block, and organized crime looks like a bad job.
★ 5.9
Gran Torino
Directed by Clint Eastwood
2008
Clint Eastwood cast Hmong non-actors from open auditions across the country and put his own screen history on trial: a widowed Korean War veteran hates his new neighbors and runs out of reasons.
★ 5.9
Friday Night Lights
Directed by Peter Berg
2004
High-school football is the surface; the subject is a town with nothing else: Odessa, Texas in 1988, filmed handheld and close, where a losing season is a civic emergency.
★ 5.9
Ocean's Eleven
Directed by Steven Soderbergh
2001
The most relaxed heist film there is: Soderbergh assembles eleven movie stars, lets them amuse one another across two hours, and treats a Las Vegas vault as an excuse for the hangout.
★ 5.9