
Spirited Away
The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

The high point of hand-drawn animation: Miyazaki invented a spirit world so dense and so unexplained that it took the Animated Feature Oscar away from every American studio.

Lynch built a Hollywood that runs entirely on dream logic and trusted the audience to assemble it: the whole thing feels like a half-remembered dream, and people keep returning.

Everyone said the book could not be filmed: Jackson shot three films at once in New Zealand and delivered a Middle-earth so furnished you stop noticing it was invented.

A road trip with a narrator who keeps interrupting to tell you things the characters will never know: Cuaron slips a portrait of Mexico under a teenage sex comedy.

The most exported French film of its generation: Jeunet saturated Paris into green and gold and sent a shy waitress out to quietly rearrange other people's lives.

Pixar built an entire energy economy out of children's nightmares: the joke is that the monsters are salaried professionals, and the film turns on one of them being frightened of a toddler.

The film where Wes Anderson's dollhouse precision finally serves real grief: Gene Hackman plays a father who lies his way back into a house full of ruined prodigies.

Ridley Scott stripped out almost everything a war film normally has: no arcs, barely any backstory, just eighteen hours in Mogadishu in 1993 rendered as continuous, disorienting noise and dust.

The most relaxed heist film there is: Soderbergh assembles eleven movie stars, lets them amuse one another across two hours, and treats a Las Vegas vault as an excuse for the hangout.

It failed in theaters weeks after September 11 and became a cult object on DVD: Richard Kelly was twenty-six, and nobody has ever fully agreed on what happens in it.

Denzel Washington took an Academy Award playing against everything audiences trusted him with: Antoine Fuqua shot in real Los Angeles neighborhoods, and a rookie narcotics officer gets one day to prove himself.

Ron Howard took Best Picture for a mathematician's biography: Russell Crowe plays John Nash from Princeton prodigy to Cold War code work, and Jennifer Connelly matches him the whole way through.

The World Trade Center had to be digitally erased from the skyline two weeks before release: an idiot male model, and Ben Stiller commits to the stupidity absolutely and without apology.