
City of God
Nothing else moves quite like it: Meirelles cast the favela itself, cut two hours into what feels like twenty minutes, and took a Brazilian crime film to four Oscar nominations.

Nothing else moves quite like it: Meirelles cast the favela itself, cut two hours into what feels like twenty minutes, and took a Brazilian crime film to four Oscar nominations.

Gollum changed what a digital character could be: Andy Serkis acted him fully and the industry rebuilt itself around motion capture, all inside a four-month night siege in the rain.

Polanski escaped the Krakow ghetto as a child and waited sixty years to film any of it: a pianist left alone in the ruins of Warsaw, and no heroism anywhere.

Spielberg hired futurists to design 2054 and most of what they invented has since arrived: gesture screens, targeted advertising, and a police force that arrests you beforehand.

Zhang Yimou shot each retelling of one assassination attempt in a different color: Christopher Doyle's photography is so beautiful that the film's politics start an argument every single time.

Scorsese's The Departed is a remake of this, and the Hong Kong original is fifty minutes tighter: two moles assigned to find each other, and a plot that never stops to explain itself.

Spielberg's lightest film runs on charm and a great John Williams theme: a teenager talks his way into a pilot's uniform and a doctor's coat, with an FBI agent always one hotel behind.

Payne stripped Jack Nicholson of every trick he has: a retired insurance actuary drives a motorhome across Nebraska writing letters to a six-year-old in Tanzania he has never met.

Eminem plays a version of himself and the battle scenes used real crowds: Curtis Hanson films Detroit like a cold documentary, and the first Oscar for a rap song came out of it.

Bob Fosse spent years trying to film his own 1975 stage musical and never did: every number plays inside the head of a woman on trial, and the trial is staged as vaudeville.

Eight children and one spelling bee, and it is unbearably tense: Jeffrey Blitz found that how American families prepare for it reveals everything about them, and the finals are agony.

Miramax delayed releasing it after September 11 because the politics looked unpatriotic: Graham Greene's novel about American certainty in 1952 Saigon, with Michael Caine giving his best late performance.