
Brokeback Mountain
It changed what a mainstream American film could be about: Lee filmed twenty years of two men unable to say what they are, almost entirely in silence.

It changed what a mainstream American film could be about: Lee filmed twenty years of two men unable to say what they are, almost entirely in silence.

The most quietly frightening film anyone has made about guilt: videotapes of a family's own front door start arriving, and Haneke cares far more about what nobody says.

A hundred hours of video shot by a man who camped among Alaskan grizzlies, edited by Werner Herzog, who disagrees with him completely: two views of nature, arguing across the cut.

Serious superhero films begin here: Nolan built the car for real, kept Gotham plausible, and treated a man in a bat costume as a psychological problem rather than a joke.

Philip Seymour Hoffman spent months on the voice and it never sounds like an impression: Truman Capote gets the book of his life out of two condemned men, and knows what that costs.

Joaquin Phoenix and Reese Witherspoon sang everything themselves after months of training: Johnny Cash's early years, filmed with the music treated as the argument rather than the soundtrack.

Fernando Meirelles shot Kenya the way he shot Rio, handheld and saturated: a mild British diplomat starts pulling at what his wife was investigating, and Rachel Weisz took the Oscar for playing her.

Rodriguez shot the whole thing on green screen and used Frank Miller's comic panels as storyboards: monochrome with single splashes of color, and Miller got a co-director credit for it.

James Braddock was a broken-handed longshoreman on relief when he got a fight nobody expected him to survive: Ron Howard films the Depression as the real opponent, and Paul Giamatti steals it.

Owen Wilson and Vince Vaughn talk across each other at speed and the rhythm carries the film: two divorce lawyers crash strangers' weddings as a hobby, with rules they have written down.

The American release swapped the French version's talking penguins for Morgan Freeman narrating, and it became a phenomenon: a colony walks seventy miles inland to breed in the Antarctic winter.

South Africa's first Academy Award for a foreign language film: a Johannesburg gang member steals a car and finds a baby in the back, and the film gives him no easy way out.