The Godfather
Directed by Francis Ford Coppola
1972
The summit of the American crime film: Coppola turned an immigrant family's rise and rot into the country's own epic, and made damnation look like a coronation.
★ 10.0
Browse by time
The long arc of the canon.
Centuries, unevenly full. Start at the century, open a decade, land on a single year — the works rearrange as you go.
Showing 731 films from all time
Citizen Kane
Directed by Orson Welles
1941
Welles was twenty-five and had never directed a feature before: he built a portrait of a man whose whole life nobody around him can add up, and changed everything.
★ 9.9
Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
Vertigo
Directed by Alfred Hitchcock
1958
Nobody has ever made obsession look this beautiful or this sick: a man falls for an image instead of a person, and Hitchcock follows him past every point it should stop.
★ 9.9
2001: A Space Odyssey
Directed by Stanley Kubrick
1968 · United Kingdom
Kubrick took the audience from the first bone tool to the far side of Jupiter, explained almost nothing, and made every science fiction film since look domestic by comparison.
★ 9.8
Tokyo Story
Directed by Yasujiro Ozu
1953 · Japan
The quiet masterpiece of ordinary life: Ozu finds the ache of a whole century in parents visiting children who have no time for them, and it will find you too.
★ 9.8
The Godfather: Part II
Directed by Francis Ford Coppola
1974
Coppola did what almost nobody manages, and made a sequel with a real claim to surpassing the original: two eras of one family run side by side, and the colder one wins.
★ 9.8
Lawrence of Arabia
Directed by David Lean
1962 · United Kingdom
There is no better argument for seeing a film on the largest screen you can find: Lean's desert swallows the frame, and a British officer dissolves inside it over nearly four hours.
★ 9.8
Schindler's List
Directed by Steven Spielberg
1993
More people have understood the Holocaust through this film than through any other: Spielberg took no fee, shot it in black and white, and gave the last word to the survivors.
★ 9.7
Casablanca
Directed by Michael Curtiz
1942
Proof that a studio picture thrown together in a hurry can outlive everything around it: eighty years on, the lines are still in the language and the romance still lands.
★ 9.7
Singin' in the Rain
Directed by Gene Kelly and Stanley Donen
1952
Nothing else on film is this happy, and the subject is an industry in a panic: Hollywood's terror at the arrival of sound became two hours of pure delight.
★ 9.7
Apocalypse Now
Directed by Francis Ford Coppola
1979
No production has ever gone further off the rails or shown it more clearly: Coppola's Vietnam abandons the war film for pure hallucination, and the helicopters over the trees are permanent.
★ 9.7
Dr. Strangelove
Directed by Stanley Kubrick
1964
Nuclear annihilation has never been this funny, and never will be again: Kubrick worked out that the strategy was already absurd, and simply let his generals talk.
★ 9.6
Goodfellas
Directed by Martin Scorsese
1990
Every gangster film of the last thirty years is arguing with this one: Scorsese made the life so intoxicating for an hour that the comedown lands like a physical event.
★ 9.6
Taxi Driver
Directed by Martin Scorsese
1976
Travis Bickle escaped the picture and entered the language: Scorsese and De Niro made a lonely man's interior so exact that it stopped being about one man at all.
★ 9.6
Raging Bull
Directed by Martin Scorsese
1980
Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.
★ 9.6
Raiders of the Lost Ark
Directed by Steven Spielberg
1981
Every adventure film since is measured against it: Spielberg and Lucas built a machine of chases and near misses so efficient that forty years of imitation have not worn it out.
★ 9.5
Psycho
Directed by Alfred Hitchcock
1960
The film that invented modern horror: Hitchcock broke an unspoken rule about how a story is meant to behave, and every thriller since has been working in the space he opened.
★ 9.5
Pulp Fiction
Directed by Quentin Tarantino
1994
Young filmmakers were allowed to sound different after this one: Tarantino let two hitmen argue about hamburgers for ten minutes, and an entire decade of American cinema followed.
★ 9.5
Star Wars Episode IV: A New Hope
Directed by George Lucas
1977
Modern Hollywood begins here: Lucas told the oldest story there is inside a universe that looked used and lived in, and the blockbuster has run the business ever since.
★ 9.5