
Lose Yourself
Written between takes on a film set, delivered like a man with exactly one shot at everything.

Written between takes on a film set, delivered like a man with exactly one shot at everything.

Rubin handed Cash a Nine Inch Nails song, and Reznor watched the video and said it was no longer his.
Timbaland's beat under a hook Elliott had reversed, a Run-DMC sample, and ten weeks parked at number two.

Reprise rejected the album, Wilco streamed it free, and a sister Warner label put out these swooning strings instead.

A piano riff Martin nearly saved for the next album, rescued by their manager, then Record of the Year.

Storch's clavinet, Timbaland's beat, and a breakup Timberlake spent years declining to explain; the Grammy arrived anyway.

O'Rourke mixed this one song as an audition, won the whole album, and Wilco made it the opening track.

Coyne wrote it during Drozd's recovery, a plain statement about mortality that Oklahoma voted its official state rock song.

Chucky Thompson looped Phil Collins, and Nas rises from a murmur to a roar and back, verse after verse.

One out-of-tune Liverpool piano, an attempt at a Harrison song abandoned, and the chord run Martin kept instead.

Pitchfork's fifteenth-best song of the 2000s, the Dreijer siblings' synth pulse, later stripped to one acoustic guitar by Jose Gonzalez.

The Neptunes flipped Chuck Brown's "Bustin' Loose," and Nelly rode it to number one and the first male solo rap Grammy.

Coyne named his karate warrior after Boredoms drummer Yoshimi P-We, then cast the heroine's disease as pink robots.

Cody ChesnuTT's four-track bedroom original rebuilt by a live band, his guitar hook intact, Questlove pushing the tempo up.

Perry wrote it for herself, then refused Aguilera a retake; the demo vocal is what reached number two.

Bowser's beat interpolates Patti LaBelle, Kelly Rowland sings the hook, and it spent ten weeks at number one.

Five mics from The Source for The Fix, a Mike Dean beat, and Scarface drawing his Houston block affectionately.

Just Blaze built the beat for Memphis Bleek, chopped a Rose Royce vocal, and Cam'ron took it to number four.

Moretti woke to hear Casablancas inventing the melody in the bathroom, and it became the warmest song on Is This It.
Piano, bass and a single nagging guitar figure, with Daniel making aimlessness sound like the best available plan.