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Ronson cut it at Daptone with the Dap-Kings, sixties girl-group machinery rebuilt around a voice in ruins.

Ronson cut it at Daptone with the Dap-Kings, sixties girl-group machinery rebuilt around a voice in ruins.

Cut live to tape at Daptone in Brooklyn with the Dap-Kings, and it took Record and Song of the Year.

A Willie Hutch loop left alone at the top, and Andre 3000's verse reportedly returned with the drums stripped off.

Timberlake sang it in a distorted low register borrowed from Prince, and it held number one for seven weeks.

Ne-Yo pitched it as country, written with Shania Twain in mind; Beyoncé turned it into ten weeks at number one.

Twenty minutes for melody and title, by Flowers' account, and Flood and Moulder gave it Born to Run scale.

Ronson cut it at Daptone in Brooklyn with the Dap-Kings, Winehouse writing about infidelity and offering no apology.
DJ Toomp turned a Roberta Flack interpolation into a synth fanfare, and T.I. won a Grammy for the performance.

One microphone, mono, caught during a studio break when the headphones failed, and Gibbard's breath before the first chord.

Jean and Duplessis rebuilt his 'Dance Like This' around Jerry Rivera's salsa trumpet line; number one in eighteen countries.

Tompkins and Kear wrote it hoping Gretchen Wilson would cut it; Underwood's version stayed sixty-four weeks on the Hot 100.

Nicknamed the BlackBerry Song because every line could be text-messaged, and Timbaland trades verses instead of just producing.

Produced by the Runners in 2005, it drew bids from Bad Boy and Murder Inc. before Def Jam won.

Yttling whistled a placeholder melody, ran it through tape delay, and kept it; Bergsman answers line for line.

Lil Jon's beat never cracked the Hot 100, yet it became Too Short's signature, later borrowed by Drake and Saweetie.

One character, tracked across three albums to her death, and a Frusciante outro built on Purple Haze.

Pizzicato cello, a title lifted from Douglas Coupland, and a circus wedding video that won Video of the Year.

Lightbody's father compared him to a dog chasing a car; a Grey's Anatomy finale sent it worldwide.

3.2 million ringtones sold, a Grammy won, and Play-N-Skillz's beat under a hook about racial profiling.

Alicia Keys sings backing behind Pino Palladino's bass, and Mayer called it the most important song he has written.