99 Problems
Rick Rubin's first rap production in years, a Billy Squier drum break, and a second verse about a traffic stop.
Rick Rubin's first rap production in years, a Billy Squier drum break, and a second verse about a traffic stop.

A marching ARC Choir sample, Rhymefest's co-write, and a label convinced nobody would play a rap record about God.

A dembow riddim from Luny Tunes, an uncredited hook from Glory, and a place in the National Recording Registry.

Flowers wrote it after a bad night at a Vegas bar; Britain has kept it charting past 500 weeks.

The Neptunes built it from tongue clicks and almost nothing else, and it gave Snoop his first number one.

Pink passed on it and Duff couldn't hit the notes, so Clarkson asked for heavier guitars and won a Grammy.

Two songs welded together, the tempo dropping a minute in, and a sniper film lending Kapranos his double-edged title.

Brock wrote it in the final days of tracking, fed up with darkness, and built indie rock's warmest chorus.

Denied the Lauryn Hill sample, West had Syleena Johnson sing the part, and got his first solo top ten.

Zinner's looped riff, twenty minutes of writing from Karen O, and a video where the tears are real.

Timbaland's beat is all snap and space, and in 2008 a presidential candidate borrowed the shoulder-brush on a Raleigh stage.

Nigel Godrich's sessions got scrapped, Gordon Raphael came back, and the descending twin-guitar riff turned everything into a sprint.

Aaliyah's death in 2001 clarified what mattered, and Keys answered with piano, gospel restraint and a Grammy-winning vocal.

Armstrong wrote the lyrics alone in an East Village apartment, and that loneliness won Record of the Year.

Gospel choir the Sweet Inspirations, a bassline Flowers traced to Bowie, and a refrain built for arenas.

Flowers called it the story of trying to meet someone in a club; Keuning's hook does the flirting.

Charlie White's video put an animatronic puppet through a real emergency room, six puppeteers digitally erased; fans named it Norman.

Slade wrote it after mentoring a troubled teenager at a Denver camp, and Grey's Anatomy did the rest.

Two verses, two voices, and Jerry Douglas's Dobro; Bill Anderson and Jon Randall wrote country's bleakest modern ballad.