Like a Rolling Stone
1965 · From Highway 61 Revisited
A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.
★ 10.0
Browse by time · decade
1960s
1960 – 1969
Showing 1,164 works across all media from the 1960s
Respect
1967 · From I Never Loved a Man the Way I Loved You
Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.
★ 9.9
Pet Sounds
1966
Brian Wilson made it with session players while the rest of the band toured, using bicycle bells, dog whistles and a Coca-Cola can.
★ 9.9
A Day in the Life
1967 · From Sgt. Pepper's Lonely Hearts Club Band
Two unfinished songs bolted together, an orchestra climbing to nothing, and the last piano chord in pop.
★ 9.9
Revolver
1966
On Tomorrow Never Knows, engineers held five tape loops on pencils and mixed them live. No Beatle plays an instrument on Eleanor Rigby.
★ 9.9
2001: A Space Odyssey
Directed by Stanley Kubrick
1968 · United Kingdom
Kubrick took the audience from the first bone tool to the far side of Jupiter, explained almost nothing, and made every science fiction film since look domestic by comparison.
★ 9.8
(I Can't Get No) SatisfactionThe Rolling Stones
(I Can't Get No) Satisfaction
1965 · From Out of Our Heads
Keith dreamt the fuzz riff, taped it half-asleep, and woke up holding the sound of teenage frustration.
★ 9.8
Good Vibrations
1966 · From Smiley Smile
Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.
★ 9.8
Highway 61 Revisited
1965
Al Kooper was not the organ player and sat down at it anyway, which is the sound everybody remembers from Like a Rolling Stone.
★ 9.8
Lawrence of Arabia
Directed by David Lean
1962 · United Kingdom
There is no better argument for seeing a film on the largest screen you can find: Lean's desert swallows the frame, and a British officer dissolves inside it over nearly four hours.
★ 9.8
Strawberry Fields Forever
1966 · From Magical Mystery Tour
Two takes in different keys and tempos spliced into one, a Mellotron haze over Lennon's Liverpool childhood.
★ 9.7
A Change is Gonna ComeSam Cooke
A Change is Gonna Come
1964 · From Portrait of a Legend
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
★ 9.7
God Only KnowsThe Beach Boys
God Only Knows
1966 · From Pet Sounds
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.
★ 9.7
Abbey Road
1969
The last album they recorded together, with side two stitched out of songs nobody had finished. The cover shoot took about ten minutes.
★ 9.7
Whole Lotta Love
1969 · From Led Zeppelin II
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.
★ 9.7
I Want to Hold Your Hand
1963 · From Meet the Beatles!
Handclaps, that leaping chord under "I can't hide," and five weeks later America belonged to them.
★ 9.6
Dr. Strangelove
Directed by Stanley Kubrick
1964
Nuclear annihilation has never been this funny, and never will be again: Kubrick worked out that the strategy was already absurd, and simply let his generals talk.
★ 9.6
Sgt. Pepper's Lonely Hearts Club Band
1967
It took about seven hundred hours of studio time when their first album took one day, and no singles were released from it.
★ 9.6
Here Comes the Sun
1969 · From Abbey Road
Harrison wrote it in Clapton's garden while skipping a business meeting, and it sounds exactly like that relief.
★ 9.6
One Hundred Years of Solitude
1967 · 417 pages
Seven generations of one family in Macondo, where insomnia comes as a plague and the rain lasts four years. García Márquez reports the impossible as plain fact.
★ 9.5
Hey JudeThe Beatles
Hey Jude
1968
Seven minutes, four of them just na-na-na, and somehow nobody has ever wanted it to end sooner.
★ 9.5
Psycho
Directed by Alfred Hitchcock
1960
The film that invented modern horror: Hitchcock broke an unspoken rule about how a story is meant to behave, and every thriller since has been working in the space he opened.
★ 9.5
Yesterday
1965 · From Help!
McCartney dreamt the melody, called it "Scrambled Eggs" for weeks, then let a string quartet make it immortal.
★ 9.5
The Velvet Underground & Nico
1967
Andy Warhol's only real production instruction was to leave the mistakes in. It sold badly enough that the band were dropped soon afterwards.
★ 9.4
Gimme ShelterThe Rolling Stones
Gimme Shelter
1969 · From Let It Bleed
Merry Clayton's voice cracking on "murder" is the sound of the sixties ending, mid-take, in one syllable.
★ 9.4
The Sound of Silence
1965
A folk flop until a producer secretly overdubbed electric guitars, and the duo heard their number one on the radio.
★ 9.4
Stand By Me
1960
That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.
★ 9.4
Blonde on Blonde
1966
The Nashville session men sat around for hours while Dylan finished writing. Sad Eyed Lady of the Lowlands was cut at four in the morning.
★ 9.3
Be My Baby
1963 · From Presenting the Fabulous Ronettes Featuring Veronica
Hal Blaine's four-beat drum intro is the most imitated in pop, and Ronnie Spector owns everything after it.
★ 9.3
I Heard it Through the Grapevine
1968 · From In the Groove
Motown shelved Gaye's version for over a year; it came out sounding like paranoia set to a Funk Brothers groove.
★ 9.3
Are You Experienced?
1967
Hendrix cut it on four tracks in stolen studio hours between gigs, and nobody had heard a guitar do any of it before.
★ 9.3
Rubber Soul
1965
Norwegian Wood has the first sitar on a pop record. The stretched cover photograph happened when a slide slipped during the projection.
★ 9.3
8.5
Directed by Federico Fellini
1963 · Italy
Fellini could not think of a film to make, so he made one about that: the result is a circus of memory and fantasy that every artist since has borrowed from.
★ 9.2
For the loser now will be later to win, For the times they are a-changin'.
The Times They Are a-Changin' (song) · 1964
All Along the Watchtower
1968
Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.
★ 9.2
The White Album
1968
Ringo Starr quit for two weeks during the sessions and Paul played drums in his absence. The cover is plain white with a stamped serial number.
★ 9.2
Blowin' in the Wind
1963 · From The Freewheelin' Bob Dylan
Nine questions, no answers, and the song the civil rights movement adopted whole and never gave back.
★ 9.2
I Want You Back
1969
A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
★ 9.1
Papa's Got a Brand New Bag
1965 · From Papa's Got a Brand New Bag
The record where the beat moved to the one and funk quietly began. James Brown never looked back.
★ 9.1
Once Upon a Time in the West
Directed by Sergio Leone
1968 · Italy
The western as ritual: Leone holds on faces until the tension turns physical, gives every character a Morricone theme, and makes three hours feel like a ceremony.
★ 9.0
In My Life
1965 · From Rubber Soul
Lennon's first draft listed bus stops in Liverpool; Martin's piano solo, taped at half speed, sounds baroque.
★ 9.0
My GirlThe Temptations
My Girl
1964
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.
★ 9.0
Inaugural Address of John F. Kennedy · 1961
A Love Supreme
1964
Coltrane recorded it in one December session and meant it as a prayer. On the last movement he plays a psalm he had written out.
★ 9.0
Eleanor Rigby
1966 · From Revolver
No Beatle plays an instrument on it; George Martin's string octet does everything, sawing away at two solitary lives.
★ 8.9
Astral Weeks
1968
Morrison sat in an isolation booth and barely spoke to the jazz players hired to back him. The whole thing was done in three sessions.
★ 8.9
Bringing It All Back Home
1965
One side plugged in, one side not. A few months later Dylan took the electric half to Newport and the folk crowd turned on him.
★ 8.9
Purple Haze
1967
The intro is a tritone, medieval music's forbidden interval, and Roger Mayer's new Octavia pedal makes the solo scream.
★ 8.9
Electric Ladyland
1968
Hendrix produced it himself, and spent so long in the studio that his manager walked out. One track is thirteen minutes of imagined underwater life.
★ 8.9
Sympathy for the DevilThe Rolling Stones
Sympathy for the Devil
1968 · From Beggars Banquet
Faithfull handed Jagger Bulgakov, Richards turned the folk sketch into samba and played both bass and the solo.
★ 8.9
The Good, the Bad and the Ugly
Directed by Sergio Leone
1966 · Italy
No spaghetti western got higher, and no film score is better known: Leone shoots faces like landscapes, and Morricone's music does as much work as the dialogue.
★ 8.9
(Sittin' on) the Dock of the Bay
1968 · From The Dock of the Bay
Redding cut the vocal three days before the plane crash, and Cropper finished it into the first posthumous American number one.
★ 8.8
Let It Bleed
1969
Merry Clayton was called in at midnight, heavily pregnant, to sing on Gimme Shelter. Her voice cracks on the third take and Jagger whoops.
★ 8.8
Crazy (Patsy Cline)Patsy Cline
Crazy (Patsy Cline)
1962 · From Patsy Cline Showcase
Willie Nelson wrote it; Cline, back after a car wreck bruised her ribs, nailed the vocal in one take.
★ 8.8
La Dolce Vita
Directed by Federico Fellini
1960 · Italy
It put the word paparazzi into every language on earth: Fellini drifts through seven Roman nights of parties and beautiful exhaustion, and the fountain at dawn became permanent.
★ 8.8
You've Lost That Lovin' FeelinThe Righteous Brothers
You've Lost That Lovin' Feelin
1964
Spector printed 3:05 on the label of a 3:45 record, and it became the century's most-played song on American radio.
★ 8.8
The Apartment
Directed by Billy Wilder
1960
A comedy that breaks your heart and stays funny while doing it: Wilder took the sourest possible subject, a man lending his bed to his bosses, and made it warm.
★ 8.8
Campbell's Soup Cans
1962 · Museum of Modern Art, New York City
Thirty-two canvases, one for every variety Campbell's then sold, hung in a row like stock on a supermarket shelf.
★ 8.8
The Weight
1968 · From Music From Big Pink
Robertson saw Nazareth stamped inside his 1951 Martin, and Helm sang the burden every verse hands over.
★ 8.8
She Loves YouThe Beatles
She Loves You
1963 · From The Beatles' Second Album
Lennon and McCartney started it on a tour bus after a Newcastle show; Martin thought the sixth-chord ending corny.
★ 8.8
I Got You (I Feel Good)
1965 · From I Got You (I Feel Good)
Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.
★ 8.8
The Master and Margarita
1967 · 411 pages
The devil arrives in Stalin's Moscow with a retinue that includes an enormous talking cat, and the literary bureaucrats never recover. Threaded through it runs a stark short novel about Pontius Pilate.
★ 8.7
Come Together
1969 · From Abbey Road
Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
★ 8.7
My GenerationThe Who
My Generation
1965 · From My Generation
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.
★ 8.7
Catch-22
1961 · 524 pages
Trying to get grounded for insanity, a bombardier learns that asking to be grounded proves he is sane. Heller runs that loop through a whole war until the deaths stop being funny.
★ 8.7
The Collected Poems
1963 · 296 pages
Frost's New England of stone walls and deep snow arrives in plain talk held to strict meter, with something much colder underneath. Stopping by Woods on a Snowy Evening offers no comfort.
★ 8.6
At Folsom Prison
1968
Cash's career was finished when he talked Columbia into letting him record for prisoners. The laughter after the Reno line was added afterward.
★ 8.6
Fortunate Son
1969 · From Chronicle: The 20 Greatest Hits
Twenty minutes of writing, and Fogerty had the sound of every draft board sending someone else's son.
★ 8.6
To Kill a Mockingbird
1960 · 376 pages
Scout Finch's father, a lawyer in a small Alabama town, defends a Black man accused of raping a white woman. The trial reaches you through a child who understands less than you do.
★ 8.6
Try a Little Tenderness
1966 · From Complete & Unbelievable: The Otis Redding Dictionary of Soul
A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
★ 8.6
Giant Steps
1960
The title track modulates through three keys so fast that the pianist, Tommy Flanagan, audibly struggles through his solo on the finished take.
★ 8.6
A Love Supreme, Part 1: Acknowledgement
1965 · From A Love Supreme
Garrison's four notes, then Coltrane overdubbing the chant nineteen times, one December day at Van Gelder's.
★ 8.6
I Have a Dream · 1963
Led Zeppelin II
1969
Written and recorded in snatched hours in studios across two continents while touring. Willie Dixon later sued over the words to Whole Lotta Love.
★ 8.6
Led Zeppelin
1969
Guitarist Jimmy Page paid for the sessions himself and the record took about thirty-six hours of studio time. Nobody had heard drums recorded like that.
★ 8.6
Ring of Fire
1963 · From Ring of Fire: The Best of Johnny Cash
Anita Carter cut it first, her sister June wrote it with Merle Kilgore, and Cash added the mariachi trumpets.
★ 8.6
The Wild Bunch
Directed by Sam Peckinpah
1969
Peckinpah showed at once what the new ratings system had licensed: slow motion, six cameras firing together, and a body count that made every western before it look polite.
★ 8.6
Music From Big Pink
1968
They wrote it in the basement of a pink house near Woodstock, and Bob Dylan painted the picture on the front.
★ 8.5
Persona
Directed by Ingmar Bergman
1966 · Sweden
More has been written about this film than almost any other: Bergman put two women on an island until their faces merged, and left everyone to explain what happened.
★ 8.5
I have also decided to stick with love...hate is too great a burden to bear.
Where Do We Go From Here? · 1967
The Graduate
Directed by Mike Nichols
1967
A generation was told their parents were wrong and believed it: Nichols made aimlessness look cinematic, and the soundtrack put Simon and Garfunkel into every house in America.
★ 8.5
The Band
1969
They converted the pool house of a rented Hollywood home into a studio. Most of these songs about the American South were written by a Canadian.
★ 8.5
Yojimbo
Directed by Akira Kurosawa
1961 · Japan
Leone took it wholesale for A Fistful of Dollars and Toho forced a settlement out of court: Kurosawa's samurai playing two gangs against each other is the template everyone still uses.
★ 8.4
Mr. Tambourine Man (Bob Dylan)
1964 · From Bringing It All Back Home
Bruce Langhorne's giant Turkish frame drum gave Dylan the image, and the Byrds' cover turned it into folk rock.
★ 8.4
Pale Fire
1962 · 315 pages
A dead poet's 999 lines arrive wrapped in footnotes by a neighbor certain the poem is about his own lost northern kingdom. The ingenuity is total and the grief underneath is real.
★ 8.4
Dancing in the Street
1964
Gaye co-wrote it and cut an early version; Reeves heard block parties in it and needed two takes.
★ 8.4
House of the Rising SunThe Animals
House of the Rising Sun
1964
Hilton Valentine's arpeggio, one take at De Lane Lea, and four and a half minutes when singles ran two.
★ 8.4
Slaughterhouse Five
1969 · 215 pages
Billy Pilgrim comes unstuck in time, between a Dresden meat locker during the firebombing and a zoo on another planet. Vonnegut was in that cellar, and writes "So it goes" after every death.
★ 8.4
You Really Got MeThe Kinks
You Really Got Me
1964 · From Kinks
Dave Davies took a razor blade to his little Elpico amp's speaker cone, and distortion arrived on British radio.
★ 8.3
Mr. Tambourine Man (The Byrds)
1965 · From Mr. Tambourine Man
Session men cut the track and McGuinn's twelve-string Rickenbacker rang over one Dylan verse; folk rock started there.
★ 8.3
The Structure of Scientific Revolutions
1962 · 217 pages
Science does not creep forward by adding facts, Kuhn argues. It works inside one framework until the anomalies pile up and the whole picture flips. Paradigm shift is his phrase and his idea.
★ 8.3
Breathless (A Bout de Souffle)
Directed by Jean-Luc Godard
1960 · France
Modern film editing starts here, and partly by accident: Godard shortened an overlong picture by cutting inside his own shots, and the jump cut has been legal ever since.
★ 8.3
The Autobiography of Malcolm X
Malcolm X and Alex Haley
1965 · 528 pages
Malcolm X was a Michigan boy, then a Harlem hustler, then a convict copying the dictionary, then a speaker no one in America could ignore. He was still changing when he was murdered.
★ 8.3
The Death and Life of Great American Cities
1961 · 458 pages
Jacobs watched her Greenwich Village street and argued that crowded sidewalks, short blocks, and eyes on the street are what keep a city alive. After this, bulldozing a neighborhood stopped looking like progress.
★ 8.3
Waterloo SunsetThe Kinks
Waterloo Sunset
1967 · From Something Else by The Kinks
Davies started it as "Liverpool Sunset," moved it to the Thames, and Dave's tape-delay guitar did the rest.
★ 8.3
Rosemary's Baby
Directed by Roman Polanski
1968
Horror discovered it did not need monsters: Polanski built two hours out of a young wife nobody believes, and the dread comes entirely from politeness and closed doors.
★ 8.3