
Rosemary's Baby
Directed by Roman Polanski
1968
Horror discovered it did not need monsters: Polanski built two hours out of a young wife nobody believes, and the dread comes entirely from politeness and closed doors.
★ 8.3

Horror discovered it did not need monsters: Polanski built two hours out of a young wife nobody believes, and the dread comes entirely from politeness and closed doors.

The ending changed how an entire generation watched films, and it is genuinely unguessable: a child psychologist takes on a boy who is frightened of something very specific.

Aronofsky filmed ballet as body horror and somehow made it work: a dancer's discipline turns on her, and Natalie Portman trained for a year to make it convincing.