
Once Upon a Time in the West
Directed by Sergio Leone
1968 · Italy
The western as ritual: Leone holds on faces until the tension turns physical, gives every character a Morricone theme, and makes three hours feel like a ceremony.
★ 9.0

The western as ritual: Leone holds on faces until the tension turns physical, gives every character a Morricone theme, and makes three hours feel like a ceremony.

No spaghetti western got higher, and no film score is better known: Leone shoots faces like landscapes, and Morricone's music does as much work as the dialogue.

The spaghetti western became a genre with this, and Clint Eastwood became a star: Ennio Morricone's whistle, a poncho and a cheroot, and a drifter who tells nobody what he wants.

Leone found the shape of his westerns here: two bounty hunters circle each other for two hours, a musical pocket watch counts down the duel, and Morricone times the whole film.