What's Going OnMarvin Gaye
What's Going On
1971 · From What's Going On
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
★ 9.9
Browse by time · decade
1970s
1970 – 1979
Showing 312 songs from the 1970s
Bridge Over Troubled Water
1970
Garfunkel's voice climbing a gospel staircase, the last verse arriving like the cavalry.
★ 9.5
Stayin' Alive
1977 · From Saturday Night Fever Soundtrack
Barry Gibb's falsetto over a drum loop so metronomic that paramedics still use it to time chest compressions.
★ 9.4
Born to RunBruce Springsteen
Born to Run
1975 · From Born to Run
Months of wall-of-sound overdubs poured into one getaway car, and every word still sounds like escape.
★ 9.4
Stairway to HeavenLed Zeppelin
Stairway to Heaven
1971 · From Led Zeppelin IV
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.
★ 9.3
I Feel LoveDonna Summer
I Feel Love
1977
Moroder's pulsing synth track, Summer floating above it, and the record Eno reportedly called the sound of the future.
★ 9.3
JoleneDolly Parton
Jolene
1973 · From Jolene
Dolly pleading with her rival rather than fighting her, written the same day as "I Will Always Love You."
★ 9.3
London Calling
1979 · From London Calling
Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.
★ 9.2
Bohemian Rhapsody
1975 · From A Night at the Opera
Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.
★ 9.1
Superstition
1972 · From Talking Book
Wonder wrote that clavinet riff for Jeff Beck, heard it back, and sensibly kept it for himself.
★ 9.1
Dancing Queen
1976 · From Gold: Greatest Hits
Seventeen and gliding across the floor, the rare disco record that sounds like joy and ache at once.
★ 9.1
HeroesDavid Bowie
Heroes
1977 · From "Heroes"
Recorded beside the Berlin Wall, Fripp's feedback howling while Bowie sings himself hoarse over a single defiant day.
★ 9.1
Rapper's Delight
1979
Big Bank Hank auditioned outside the pizzeria where he worked, rapping lines borrowed from Grandmaster Caz's notebook.
★ 9.0
Baba O'Riley
1971 · From Who's Next
That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.
★ 9.0
Dreams (Fleetwood Mac)Fleetwood Mac
Dreams (Fleetwood Mac)
1977 · From Rumours
Nicks wrote it in a black velvet studio room at Sausalito's Record Plant; it remains the band's only US number one.
★ 8.9
Let it Be
1970 · From Let It Be
McCartney dreamed of his mother Mary telling him it would be all right; Harrison cut two different solos.
★ 8.9
Comfortably Numb
1979 · From The Wall
A tranquilizer shot before a 1977 Philadelphia show gave Waters the lyric; Gilmour brought the chords and the solo.
★ 8.9
No Woman, No Cry
1974 · From Natty Dread
Marley credited it to Tata Ford, whose Trenchtown soup kitchen the royalties kept running; the title means woman, don't cry.
★ 8.9
Hotel CaliforniaThe Eagles
Hotel California
1977 · From Hotel California
Felder demoed it on a four-track in Malibu, and his Les Paul duels Walsh's Telecaster through the outro.
★ 8.8
Layla
1971 · From Layla and Other Assorted Love Songs
Clapton wanted his friend's wife; Duane Allman's slide answers every line, then Jim Gordon's piano coda changes everything.
★ 8.7
Blitzkrieg Bop
1976 · From Ramones
Tommy wanted a Bay City Rollers chant; the album around it cost $6,400 and took seven days.
★ 8.7
Kashmir
1975 · From Physical Graffiti
Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.
★ 8.6
Let's Stay TogetherAl Green
Let's Stay Together
1971 · From Greatest Hits
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.
★ 8.6
ParanoidBlack Sabbath
Paranoid
1970 · From Paranoid
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.
★ 8.5
Imagine
1971 · From Imagine
Grapefruit, Ono's book of poems, supplied the idea; Lennon supplied the piano; in 2017 she finally got the credit.
★ 8.5
Go Your Own Way
1977 · From Rumours
Buckingham aimed Mick Fleetwood at the Street Fighting Man groove, then sang a breakup line Nicks demanded he cut.
★ 8.5
Let's Get It On
1973 · From Let's Get It On
Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
★ 8.4
Changes (David Bowie)
1971 · From Hunky Dory
Rick Wakeman's piano, Bowie's own saxophone, and a stutter on the title that flopped before it defined him.
★ 8.3
God Save the QueenThe Sex Pistols
God Save the Queen
1977 · From Never Mind the Bollocks, Here's the Sex Pistols
Written as "No Future," banned by the BBC, and stuck at number two amid loud suspicion of chart rigging.
★ 8.3
Lean On Me
1972
Withers bought a small piano, ran his fingers up the keys, and found the coal-town kinship he missed.
★ 8.3
Papa Was a Rollin' Stone
1972
Nearly four minutes of bass, hi-hat and lone trumpet before anyone sings, and the groove never sags.
★ 8.3
September
1978
Willis wanted real words instead of ba-dee-ya; White refused, and the groove outlived any lyric she could have written.
★ 8.3
Thunder Road
1975 · From Born to Run
Bittan's piano, a harmonica, and a screen door slamming; Springsteen lifted the title from a Robert Mitchum film poster.
★ 8.3
One LoveBob Marley and the Wailers
One Love
1977 · From Exodus
A 1965 Studio One ska tune rebuilt for Exodus, with Mayfield credited to keep the borrowing legal.
★ 8.3
Don't Stop 'Til You Get Enough
1979 · From Off the Wall
Jackson wrote it himself and steered the session; a whisper, a water-bottle rattle, then Louis Johnson's bass takes over.
★ 8.3
Anarchy in the UK
1976 · From Never Mind the Bollocks, Here's the Sex Pistols
Lydon picked anarchist because it rhymed with antichrist; EMI dropped the band six weeks later and punk was loose.
★ 8.2
Tangled Up in Blue
1975 · From Blood on the Tracks
Dylan recut it in Minneapolis with his brother producing, then spent decades rewriting a story already told out of order.
★ 8.2
War PigsBlack Sabbath
War Pigs
1970 · From Paranoid
Called Walpurgis until the label balked at the witchcraft, and Butler aimed the lyric at politicians who start wars.
★ 8.1
Walk on the Wild Side
1972 · From Transformer
Herbie Flowers doubled upright and electric bass for a session fee, and Bowie's old sax teacher played the closing solo.
★ 8.1
We Will Rock You
1977 · From Greatest Hits
May came home from a Stafford gig where the crowd sang back, and built a chorus from stomps and claps.
★ 8.1
Trans Europa Express
1977
Kraftwerk's rhythm rode a train across Europe, name-checked Bowie and Iggy Pop, then turned up inside Afrika Bambaataa's Planet Rock.
★ 8.1
I Will SurviveGloria Gaynor
I Will Survive
1978
Buried as a B-side until DJs flipped it, and Gaynor cut the vocal in a back brace after spinal surgery.
★ 8.1
Good Times
1979
Edwards' bassline turned up on Rapper's Delight within months; the settlement put Chic's names on rap's first pop hit.
★ 8.1
Iron ManBlack Sabbath
Iron Man
1970 · From Paranoid
Osbourne heard Iommi's riff and called it a big iron bloke walking; Butler built the science fiction around that.
★ 8.0
Won't Get Fooled Again
1971 · From Who's Next
Eight and a half minutes, a Lowrey organ run through a VCS3, and Daltrey's scream tearing into the final verse.
★ 8.0
Wish You Were Here (Pink Floyd)
1975 · From Wish You Were Here
Gilmour's twelve-string comes through a recorded car radio, and Grappelli's violin sits buried near the very end.
★ 8.0
Highway to Hell
1979 · From Highway to Hell
Mutt Lange took over production, the band cut it in London in 1979, and America finally caught on.
★ 8.0
Get Up (I Feel Like Being a) Sex MachineJames Brown
Get Up (I Feel Like Being a) Sex Machine
1970 · From Sex Machine
One of Brown's first dates with the new J.B.s, Bootsy Collins on bass at eighteen, Bobby Byrd answering every line.
★ 7.9
Another Brick in the Wall Part 2
1979 · From The Wall
Ezrin sent Gilmour to the discos, and twenty-three Islington schoolchildren got forty minutes to sing themselves onto a number one.
★ 7.9
Rocket Man
1972 · From Honky Chateau
Taupin borrowed the title from a Pearls Before Swine song, and Hentschel's ARP put the loneliness in orbit.
★ 7.9
Heart of Glass
1978
A demo kicked around since the mid-seventies, rebuilt on a Roland drum machine that appalled their punk friends.
★ 7.9
Theme from ShaftIsaac Hayes
Theme from Shaft
1971
Skip Pitts on wah-wah, Willie Hall riding sixteenths on hi-hat, and the first Academy Award won by a Black composer.
★ 7.8
Higher Ground
1973 · From Innervisions
Written and taped in a three-hour burst, Wonder on clavinet and drums, the keyboard snarling through a Mu-Tron filter.
★ 7.8
Living for the CItyStevie Wonder
Living for the CIty
1973 · From Innervisions
Wonder played most of it himself, then broke it open with a spoken street scene running past seven minutes.
★ 7.8
Smoke on the WaterDeep Purple
Smoke on the Water
1972 · From Machine Head
Blackmore's four notes in parallel fourths, written after a flare gun burned the Montreux Casino down during a Zappa show.
★ 7.8
Ain't No SunshineBill Withers
Ain't No Sunshine
1971
Withers was building airplane toilets when he cut this, and he left the unfinished bridge as twenty-six repeats.
★ 7.8
Killing Me Softly With His Song (Roberta Flack)
1973
Flack heard Lori Lieberman's version on a plane's in-flight audio, rewrote the chords, and took Record of the Year.
★ 7.8
Immigrant Song
1970 · From Led Zeppelin III
Zeppelin played Reykjavik in 1970, and Plant came back with Vikings, Valhalla, and that double-tracked wail.
★ 7.8
Your SongElton John
Your Song
1970 · From Elton John
Taupin scribbled the lyric over breakfast at a kitchen table, and Buckmaster's strings turned it into John's first Top 10.
★ 7.8
Family Affair (Sly and the Family Stone)
1971 · From There's a Riot Goin' On
A rhythm box edited into a heartbeat, Billy Preston on Pianet, and three weeks at number one.
★ 7.8