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Teddy Riley sang lead because none of his group liked it, then it ended Macarena's fourteen weeks on top.

Teddy Riley sang lead because none of his group liked it, then it ended Macarena's fourteen weeks on top.

Kelly Price sang the hook uncredited over Stevie J's flip of I'm Coming Out, a posthumous number one.
Pras suggested the cover, the beat lifts Tribe's Bonita Applebum, and Hill sings it like she wrote it herself.

Five-Percenter numerology over a bassline that barely moves, Badu's debut single, and a Grammy at the first attempt.

Flood said it wasn't good enough, so Corgan rewrote it that night and got the band's biggest hit.
Ski looped Lonnie Liston Smith under a Nas vocal, and Jay-Z made money sound like a weary confession.

The Dust Brothers built it around a Mantronix sample, and Beck's two turntables and a microphone became a catchphrase.

An Akai MPC60, a Technics turntable, and David Axelrod's mournful piano lifted into the warmest track on Endtroducing.

Seven weeks at UK number one for a debut single, and a chorus that puts her friends before any suitor.

Uncleared, the Enya sample nearly brought a lawsuit; she heard the finished record and chose to settle instead.

OutKast were booed at the 1995 Source Awards and answered with a title splicing Atlanta and aliens over echo-heavy dub.
A Jeremy Storch piano loop, a drummer's interview about rhythm, and an MPC60 doing the work of a band.

Beck cut that riff himself through a broken twenty-watt amp while the Dust Brothers stacked Purdie drums beneath it.

Tom Tom Club's Genius of Love beat rebuilt as smooth British R&B, and Morrison sounding utterly unbothered about being wronged.

Glazer put the set on wheels and never moved the floor; four VMAs followed, Video of the Year among them.

Half Pint's Loving supplies the chorus, Lady Madonna the verse melody, and Nowell was gone two months before the album.

Carey stacked her own harmonies with Kelly Price behind them, and Jermaine Dupri's shuffle carried her eleventh number one.

Pimp C built it on an Isley Brothers loop, Ronnie Spencer sings the hook, and Texas rap found its elegy.
Dilla looped Ahmad Jamal's "Swahililand" into a warning shot at where hip hop was heading in 1996.

Charles Stone III's video walks the group through every rap-video cliche, which is exactly what the record is arguing.
A bossa nova sketch until the drummer swapped in a disco beat, and Persson made pleading sound like sunshine.

Diane Warren built it from the title alone, Braxton resisted recording it, then held number one eleven weeks.

Built on a bassline lifted from a Robbin' the Hood dub, and issued months after Nowell's death.

Jeff Trott's hook arrived first, the country arrangement went out, and Crow won a Grammy singing her own backlash.

Desire watched from a distance, an acoustic figure circling, and Steve Lillywhite catching all of it at Bearsville.

Guitarist Greg Brown wrote it, McCrea narrates deadpan over trumpet, and the driver keeps racing long after everyone left.
Written for Space Jam, Paul Riser's strings taped in Detroit, the Luv Club Choir massed behind the vocal.

Judd Lander, the harmonica player from Karma Chameleon, gives the record its Stevie Wonder swing over Absolute's production.
Built for Biggie, sold to Def Jam instead: Rashad Smith's beat rides a Grace Jones sample, LeShaun trading verses.

Duritz wrote it before dawn while a friend lay in hospital, and the band cut it almost entirely live.
Steinman wrote it out of Wuthering Heights for Pandora's Box in 1989, and Dion made it enormous.

Two million US copies, a Stockholm session from 1995, and a vocal Nick Carter recorded once his voice settled.

Thomas drew on his mother's cancer fight, and his earlier band Tabitha's Secret put it on record first.

Nowell sings the wrong date, April 26, and the band kept the take anyway; he died before the album arrived.

Wynonna Judd cut it first as country; Babyface gave Clapton a soul groove and the Grammys gave back three.

Jon Blondell's trombone solo quotes Rhapsody in Blue over a ska bounce carrying Nowell's bleakest subject.

Eric Carmen's verse borrowed from Rachmaninoff's Second Concerto, and Dion nailing the high F Foster dared her to try.
Bud'da's beat, Ice Cube, Mack 10 and WC in formation, a West Coast declaration that topped the rap chart.