
C.R.E.A.M.
RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.

RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.

Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.

Poke and Combs looped Mtume's Juicy Fruit, and Wallace told the rags to riches story that hip hop kept retelling.

Buckley learned it from John Cale's version and cut over twenty takes at Bearsville; the edit sounds like one breath.

Yauch's bass line started it, Ad-Rock turned a joke about their producer into a scream, and Jonze filmed the rest.

Ahmad Jamal's piano figure, a hook Pete Rock sang himself, and the most hopeful stretch of Illmatic.

A Leslie speaker gives the guitars their swirl, and Cornell built the title from a misheard news broadcast.

Carey and Afanasieff wrote it fast in 1994 from Spector chords, and it reached number one twenty-five years later.

Armstrong rewrote it around his undiagnosed panic attacks, cut it at Fantasy Studios, and sold punk to the suburbs.

Gallagher wrote it in 1991, before Oasis had a record deal, pitching plain optimism against everything grunge was selling.

Chucky Thompson built it on the Isley Brothers' Between the Sheets, and Biggie made charm sound entirely effortless.

Six and a half hours in Stephenson's house, a slide guitar loop, and a hook mocking Beck's own rapping.

AZ's first appearance on record, the only rapper Nas let onto Illmatic, and his father Olu Dara closing on trumpet.

Closing the Unplugged set at Sony Studios, a Lead Belly song, and a last verse Neil Young called unearthly.

No I.D. looped George Benson, Common told hip hop's story as one woman, and Ice Cube took it personally.

Large Professor looped Human Nature into a hush, and Nas closed Illmatic with his most dazzling stretch of technique.

Warren G looped four bars of Michael McDonald in a Long Beach bedroom, and Nate Dogg sang his half.

Cuomo thought it too cheesy to release; Ocasek insisted, then Spike Jonze spliced the band into Happy Days footage.

Q-Tip built the beat in his grandmother's basement from a Ronnie Foster loop, and Phife traded lines with him.

O'Riordan answering the 1993 Warrington bombing by trading jangle for distortion, then six weeks atop America's alternative chart.