
Pulp Fiction
Young filmmakers were allowed to sound different after this one: Tarantino let two hitmen argue about hamburgers for ten minutes, and an entire decade of American cinema followed.

Young filmmakers were allowed to sound different after this one: Tarantino let two hitmen argue about hamburgers for ten minutes, and an entire decade of American cinema followed.

It lost money in cinemas and has sat at the top of IMDb's ranking since 2008: a prison friendship, told patiently, that pays off better than almost anything.

Still the highest grossing hand-drawn film ever made: Disney sent a young cub into exile with a Shakespeare plot, and the opening sunrise raises the hair every time.

Its exclusion from the documentary Oscar shortlist caused enough outrage that the Academy changed its rules: five years with two Chicago teenagers, and it is barely about basketball.

People still argue about whether it is sentimental or sly, and both readings hold: a simple man walks through forty years of American history without ever noticing.

Natalie Portman was twelve and had never acted: Besson pairs her with a hitman who waters his houseplant like a dependent, and the film has been argued about ever since.

Jim Carrey had three hits in a single year and this one has aged best: two men drive to Aspen to return a briefcase, understanding nothing about anything at any point.