Toy Story
Directed by John Lasseter
1995
First feature film animated entirely on computers, and the start of Pixar's extraordinary run: it holds up because underneath the toys it is a sharp story about jealousy.
★ 8.7
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1995
Showing 12 films from 1995
Heat
Directed by Michael Mann
1995
Police forces train on the shootout and every heist film since has copied it: Mann also got De Niro and Pacino into one diner booth for the first time.
★ 8.1
Seven
Directed by David Fincher
1995
The studio wanted the ending changed and Fincher refused, and studios then spent a decade trying to reproduce the atmosphere: a procedural so bleak the rain never stops.
★ 8.1
The Usual Suspects
Directed by Bryan Singer
1995
Almost nobody guesses where it is going the first time: five criminals meet in a police lineup, and the whole story reaches you secondhand from an interrogation room.
★ 7.3
La Haine
Directed by Mathieu Kassovitz
1995
France spent a year arguing over it and the government screened it for ministers: twenty-four hours with three young men in a Paris suburb after a riot.
★ 7.0
Casino
Directed by Martin Scorsese
1995
Scorsese's Las Vegas is a machine for taking money and the film shows you every gear: three hours of narration, costumes and a system that eats everyone inside it.
★ 6.8
12 Monkeys
Directed by Terry Gilliam
1995
Gilliam built it from La Jetee, a French short told in still photographs: a prisoner is sent up from an underground future to trace a plague, and nobody in 1990 believes a word.
★ 6.3
Braveheart
Directed by Mel Gibson
1995
Historians have been correcting it for thirty years and nobody cares: Gibson staged medieval battle with a physical brutality nothing before it had, and the speeches still work on an audience.
★ 6.3
Clueless
Directed by Amy Heckerling
1995
Amy Heckerling relocated Jane Austen's Emma to Beverly Hills without losing a thing: she collected the vocabulary from real teenagers, the film sent it back amplified, and the heroine is never the joke.
★ 6.3
Apollo 13
Directed by Ron Howard
1995
Ron Howard shot the weightless scenes in an aircraft flying parabolas, twenty-three seconds at a time: no effects, real floating, and engineers improvising with only what the crew already had aboard.
★ 6.1
Friday
Directed by F. Gary Gray
1995
Ice Cube wrote it because he was tired of films that made his neighborhood look like a war zone: one Friday, one porch, and a comedy built out of nothing happening.
★ 4.4
Leaving Las Vegas
Directed by Mike Figgis
1995
Mike Figgis shot it on 16mm for almost nothing and Nicolas Cage took the Oscar: a fired screenwriter drives to Las Vegas with no plan beyond drinking, and meets someone who asks nothing.
★ 4.1