
Dear Mama
Pizarro built it from a Joe Sample loop and the Spinners' Sadie, and the Library of Congress later archived it.

Pizarro built it from a Joe Sample loop and the Spinners' Sadie, and the Library of Congress later archived it.

Roger Troutman's talk box over a Joe Cocker sample, and Shakur's first single after Death Row sprang him from prison.

Havoc built the beat in his Queensbridge bedroom from a slowed Herbie Hancock piano figure and a Daly-Wilson drum break.

Barrow looped Isaac Hayes' Ike's Rap II, Utley added the guitar, and Gibbons sings it like a demand.

Organized Noize's horns, a million-dollar F. Gary Gray video, and the first number one record to confront AIDS.

Yorke came straight from a Jeff Buckley gig, sang three takes at RAK, then burst into tears.

Noel's first lead vocal on an Oasis single, a phrase lifted from a Lennon tape, Manchester's anthem ever since.

Flea on bass and Dave Navarro on guitar, recorded in Glen Ballard's home studio, behind the nineties' fiercest kiss-off.

Owen Morris showed Bonehead the root notes for a Mellotron cello, and the track was largely done in a day.
Seven and a half minutes, Paul Weller on lead guitar, and a lyric Noel admits he chose for the rhyme.

Every instrument on it is D'Angelo's, cut at Battery Studios, and the groove barely bothers to move.
A Stevie Wonder interpolation cleared on condition the profanity went, L.V.'s stacked one-man choir, and 1995's biggest-selling single.

A late drive home from Tony Kanal's house, a father's lecture, and Stefani's first song without brother Eric.

Released two days after Shakur's death, Daz Dillinger's loop of DeBarge's A Dream carrying a farewell to lost friends.

Tom Tom Club's Genius of Love, flipped by Dave Hall, and Carey the first woman to debut at number one.
Recut after Eazy-E's death, the elegy spent eight weeks at number one and won the group a Grammy.
Rescued from a 1993 demo the band wrote off as too Rod Stewart, and adored everywhere except by Yorke.

A Club Nouveau hook, Michael Marshall on the chorus, and a Bay Area anthem Jordan Peele later made sinister.
Todd Terry's remix pushed a subdued album cut into New York house, then held the Hot 100 for a year.

DJ U-Neek's beat, Cleveland voices harmonizing at double speed, and welfare day reimagined as a neighborhood holiday.