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Teddy Riley sang lead because none of his group liked it, then it ended Macarena's fourteen weeks on top.

Teddy Riley sang lead because none of his group liked it, then it ended Macarena's fourteen weeks on top.

Kelly Price sang the hook uncredited over Stevie J's flip of I'm Coming Out, a posthumous number one.
Pras suggested the cover, the beat lifts Tribe's Bonita Applebum, and Hill sings it like she wrote it herself.

Five-Percenter numerology over a bassline that barely moves, Badu's debut single, and a Grammy at the first attempt.

Flood said it wasn't good enough, so Corgan rewrote it that night and got the band's biggest hit.
Ski looped Lonnie Liston Smith under a Nas vocal, and Jay-Z made money sound like a weary confession.

The Dust Brothers built it around a Mantronix sample, and Beck's two turntables and a microphone became a catchphrase.

An Akai MPC60, a Technics turntable, and David Axelrod's mournful piano lifted into the warmest track on Endtroducing.

Seven weeks at UK number one for a debut single, and a chorus that puts her friends before any suitor.

Uncleared, the Enya sample nearly brought a lawsuit; she heard the finished record and chose to settle instead.

OutKast were booed at the 1995 Source Awards and answered with a title splicing Atlanta and aliens over echo-heavy dub.
A Jeremy Storch piano loop, a drummer's interview about rhythm, and an MPC60 doing the work of a band.

Beck cut that riff himself through a broken twenty-watt amp while the Dust Brothers stacked Purdie drums beneath it.

Tom Tom Club's Genius of Love beat rebuilt as smooth British R&B, and Morrison sounding utterly unbothered about being wronged.

Glazer put the set on wheels and never moved the floor; four VMAs followed, Video of the Year among them.

Half Pint's Loving supplies the chorus, Lady Madonna the verse melody, and Nowell was gone two months before the album.

Carey stacked her own harmonies with Kelly Price behind them, and Jermaine Dupri's shuffle carried her eleventh number one.

Pimp C built it on an Isley Brothers loop, Ronnie Spencer sings the hook, and Texas rap found its elegy.