Karma Police
Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.
Named for a tour joke about people behaving badly, with Greenwood's piano circling and a delay unit eating the ending.

Built on an Andrew Oldham Orchestra recording of a Stones song; Jagger and Richards returned the credit in 2019.

Timbaland flipped Ann Peebles into stuttering space, and Hype Williams shot Elliott in an inflated suit through a fisheye.
Four sections in six minutes, named for Douglas Adams's depressed robot, cut in a sixteenth-century manor near Bath.

Drums by Grohl, Hawkins not yet in the band, and Louise Post's backing vocals sung down a phone from Chicago.

Herb Alpert's Rise looped into a strut, released five days before Wallace was killed, number one within weeks.

Radiohead cut version after version and kept the first take, glockenspiel and all, a lullaby about suburban despair.

One lyric repeated 144 times over a synth bassline, and Gondry's video giving each instrument its own dancers.

DMX turned the beat down for sounding too rock; his uncles talked him into it, and Swizz Beatz arrived.

Two minutes and two seconds, track two, number two in Britain, and a whistle on the demo became that woo-hoo.

Apple wrote it in forty-five minutes to give the label its hit, then took a Grammy for the vocal.

A lullaby melody hiding a song about alcohol, and one of three Either/Or tracks in Good Will Hunting.

Hoppus turned bumping into an ex into four chords, a Trombino production, and pop punk's great shrug at adulthood.

Armstrong wrote it in 1993 about a girlfriend leaving for Ecuador; Cavallo added the strings while the band played foosball.
Cameron resisted a pop song entirely, then kept Dion's demo vocal, one take, in the finished film.

An answer song to "Walk on the Wild Side," mistaken for a summer hit; its real subject is addiction.

Seven weeks at number two in America and a straight-in number one in Britain, all from Dupri's Atlanta studio.

Puff Daddy shaping the hook, the Ummah programming the drums, Carey's third record to debut at number one.

An earlier version with different lyrics sat unreleased until Good Will Hunting sent Smith to the Oscars in white.