
Doo-wop (That Thing)
Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.

Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.

Max Martin built it at Cheiron in Stockholm after TLC and the Backstreet Boys passed, and Spears was sixteen.

Mushroom sent the demo to Madonna, got outvoted, and Elizabeth Fraser sang it over harpsichord and a Les McCann loop.

Timbaland built the beat around a baby coo lifted from a sixties sound-effects record, and Aaliyah glides over it.

Dre and Eminem finished it in an hour, over a Labi Siffre interpolation, and Slim Shady existed.
The 45 King looped an Annie showtune, and Jay-Z cleared it with a letter he admitted was a lie.

Andre 3000's stepfather, Reverend Robert Hodo, plays the harmonica breakdown; the woman in the title sued.

Recorded in 1992, shelved, then remixed after his death over Bruce Hornsby's piano; a posthumous Grammy nomination followed.

Julian Koster's singing saw over double-tracked acoustics, cut in Denver with Robert Schneider, and a chorus that faces death smiling.

Every instrument distorted at Schneider's Denver studio, and Mangum turns an elegy for Anne Frank into pure forward momentum.

Gibson wrote it on her first trip home from forestry school, and Lloyd Maines knew it belonged to his daughter.

Hi-Tek loops Don Randi's "The Fox" under a Style Wars monologue, and three MCs read the city at night.

Hi-Tek loops Boogie Down Productions while Mos Def and Kweli revive KRS-One's demand that the violence stop.

Rzeznik tuned every string but one to D, wrote it for City of Angels, and owned airplay for eighteen weeks.

Twain and Lange built it on three men who fall short, and that hooded leopard print did the rest.
Brandy got the idea from a Jerry Springer love triangle, and Darkchild's clipped beat held number one thirteen weeks.

Alexander buried a celebrity taunt in the last verse to prove the press would ignore the politics; it worked.

Schneider got the fuzz from tube preamps and compression, not pedals, and Mangum sings childhood into two minutes flat.

Recorded on portable gear while Chao roamed Latin America, an undocumented migrant's lament carried by the lightest guitar.