
Saving Private Ryan
War films look different since the first twenty minutes of this one: Spielberg put the camera in the surf at Omaha Beach and veterans left cinemas unable to speak.

War films look different since the first twenty minutes of this one: Spielberg put the camera in the surf at Omaha Beach and veterans left cinemas unable to speak.

Rosa Parks sued them over the song named after her, and the case ran for a decade. The record itself goes everywhere at once.

It underwhelmed in cinemas and then grew a festival, a religion and a vocabulary: the Coens built a Chandler plot around a man whose only ambition is getting his rug replaced.

Hill recorded much of it in Bob Marley's old studio in Kingston, and the classroom scenes between songs use actual schoolchildren.

Hill wrote and produced it herself, aimed one verse at women and one at men, and debuted at number one.

Max Martin built it at Cheiron in Stockholm after TLC and the Backstreet Boys passed, and Spears was sixteen.

Two young poets calling themselves visceral realists vanish into the Sonoran desert hunting a woman who published a single poem decades earlier. Forty voices over twenty years piece together where they went.

Jeff Mangum wrote it after reading Anne Frank's diary, played a musical saw on it, and then more or less disappeared for a decade.

The three of them fell out badly making it, and Elizabeth Fraser sang Teardrop while grieving for Jeff Buckley, who had just drowned.

Psychiatrists named a delusion after it: a man begins to suspect his whole town is a set and everyone in his life is paid, and 1998 had no idea.

Mushroom sent the demo to Madonna, got outvoted, and Elizabeth Fraser sang it over harpsichord and a Les McCann loop.

Timbaland built the beat around a baby coo lifted from a sixties sound-effects record, and Aaliyah glides over it.

Dre and Eminem finished it in an hour, over a Labi Siffre interpolation, and Slim Shady existed.
The 45 King looped an Annie showtune, and Jay-Z cleared it with a letter he admitted was a lie.

Malick came back after twenty years and made a war film about grass, light and the voices in men's heads: Guadalcanal, filmed as though the island were the subject.

Andre 3000's stepfather, Reverend Robert Hodo, plays the harmonica breakdown; the woman in the title sued.

Recorded in 1992, shelved, then remixed after his death over Bruce Hornsby's piano; a posthumous Grammy nomination followed.