Like a Rolling Stone
1965 · From Highway 61 Revisited
A snare crack, a sneer, and Kooper's uninvited organ swirling through the song that split rock open.
★ 10.0
The Songs canon
Sourced and sung.
Every song chosen by hand, with the recording to play it.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Browse all 2,393 songs or filter by genre, subject, artist, and year.
Respect
1967 · From I Never Loved a Man the Way I Loved You
Aretha takes Otis Redding's song away from him for good, spells out the demand, and never gives it back.
★ 9.9
A Day in the Life
1967 · From Sgt. Pepper's Lonely Hearts Club Band
Two unfinished songs bolted together, an orchestra climbing to nothing, and the last piano chord in pop.
★ 9.9
Smells Like Teen Spirit
1991 · From Nevermind
Four chords, a mumble nobody could decipher, and the riff that ended one decade of rock and started another.
★ 9.9
What's Going OnMarvin Gaye
What's Going On
1971 · From What's Going On
Party chatter, a sax that sighs, and Gaye asking the question Motown begged him not to ask.
★ 9.9
(I Can't Get No) SatisfactionThe Rolling Stones
(I Can't Get No) Satisfaction
1965 · From Out of Our Heads
Keith dreamt the fuzz riff, taped it half-asleep, and woke up holding the sound of teenage frustration.
★ 9.8
Good Vibrations
1966 · From Smiley Smile
Brian Wilson's pocket symphony, months and a fortune spent chasing one shimmering theremin line into the sunlight.
★ 9.8
Billie Jean
1982 · From Thriller
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.
★ 9.8
Johnny B. GoodeChuck Berry
Johnny B. Goode
1958 · From Chuck Berry Is on Top
Chuck Berry's intro lick is rock's opening statement, a country boy's origin myth now drifting past the solar system.
★ 9.8
Strawberry Fields Forever
1966 · From Magical Mystery Tour
Two takes in different keys and tempos spliced into one, a Mellotron haze over Lennon's Liverpool childhood.
★ 9.7
A Change is Gonna ComeSam Cooke
A Change is Gonna Come
1964 · From Portrait of a Legend
Cooke wrote it after a motel turned him away, and sang it like a hymn he already knew by heart.
★ 9.7
God Only KnowsThe Beach Boys
God Only Knows
1966 · From Pet Sounds
It opens by admitting doubt and spends the next two minutes refuting it; McCartney still calls it the greatest.
★ 9.7
Whole Lotta Love
1969 · From Led Zeppelin II
Page's riff, Plant's howl, and a theremin freakout in the middle that still sounds like the roof coming off.
★ 9.7
I Want to Hold Your Hand
1963 · From Meet the Beatles!
Handclaps, that leaping chord under "I can't hide," and five weeks later America belonged to them.
★ 9.6
Heartbreak HotelElvis Presley
Heartbreak Hotel
1956
Elvis's first RCA single, all cavernous echo and empty rooms, the loneliest number one ever cut.
★ 9.6
Strange Fruit
1939
A Bronx schoolteacher's poem about lynching, sung in a single spotlight, still the bravest three minutes on record.
★ 9.6
Here Comes the Sun
1969 · From Abbey Road
Harrison wrote it in Clapton's garden while skipping a business meeting, and it sounds exactly like that relief.
★ 9.6
Tutti-Frutti
1955 · From Here's Little Richard
A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.
★ 9.5
Hound Dog
1956
Leiber and Stoller wrote it for Big Mama Thornton; Elvis took it, sped it up, and set it on fire.
★ 9.5
Hey JudeThe Beatles
Hey Jude
1968
Seven minutes, four of them just na-na-na, and somehow nobody has ever wanted it to end sooner.
★ 9.5
The MessageGrandmaster Flash
The Message
1982
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.
★ 9.5
Yesterday
1965 · From Help!
McCartney dreamt the melody, called it "Scrambled Eggs" for weeks, then let a string quartet make it immortal.
★ 9.5
Bridge Over Troubled Water
1970
Garfunkel's voice climbing a gospel staircase, the last verse arriving like the cavalry.
★ 9.5
Stayin' Alive
1977 · From Saturday Night Fever Soundtrack
Barry Gibb's falsetto over a drum loop so metronomic that paramedics still use it to time chest compressions.
★ 9.4
Gimme ShelterThe Rolling Stones
Gimme Shelter
1969 · From Let It Bleed
Merry Clayton's voice cracking on "murder" is the sound of the sixties ending, mid-take, in one syllable.
★ 9.4
Born to RunBruce Springsteen
Born to Run
1975 · From Born to Run
Months of wall-of-sound overdubs poured into one getaway car, and every word still sounds like escape.
★ 9.4
The Sound of Silence
1965
A folk flop until a producer secretly overdubbed electric guitars, and the duo heard their number one on the radio.
★ 9.4
Stand By Me
1960
That four-note bassline, a gospel hymn turned into a promise, and one of the warmest vocals ever recorded.
★ 9.4
Stairway to HeavenLed Zeppelin
Stairway to Heaven
1971 · From Led Zeppelin IV
Eight minutes that climb from recorders to Page's solo, never released as a single and never needing to be.
★ 9.3
Be My Baby
1963 · From Presenting the Fabulous Ronettes Featuring Veronica
Hal Blaine's four-beat drum intro is the most imitated in pop, and Ronnie Spector owns everything after it.
★ 9.3
I Heard it Through the Grapevine
1968 · From In the Groove
Motown shelved Gaye's version for over a year; it came out sounding like paranoia set to a Funk Brothers groove.
★ 9.3
I Feel LoveDonna Summer
I Feel Love
1977
Moroder's pulsing synth track, Summer floating above it, and the record Eno reportedly called the sound of the future.
★ 9.3
JoleneDolly Parton
Jolene
1973 · From Jolene
Dolly pleading with her rival rather than fighting her, written the same day as "I Will Always Love You."
★ 9.3
White Christmas
1942
Berlin's snowless Christmas song, the best-selling physical single ever pressed, and the sound of every soldier's homesickness.
★ 9.3
So What
1959 · From Kind of Blue
Two chords and all the space in the world, Davis proving that less was the most radical idea in jazz.
★ 9.2
Beat It
1982 · From Thriller
Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.
★ 9.2
Thriller
1982 · From Thriller
Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.
★ 9.2
All Along the Watchtower
1968
Hendrix took Dylan's parable and lit it, and Dylan has played it Hendrix's way ever since.
★ 9.2
London Calling
1979 · From London Calling
Strummer borrowing the BBC's wartime call sign to announce the end of the world, and sounding thrilled about it.
★ 9.2
Blowin' in the Wind
1963 · From The Freewheelin' Bob Dylan
Nine questions, no answers, and the song the civil rights movement adopted whole and never gave back.
★ 9.2
I Want You Back
1969
A child singing about regret over the springiest bassline Motown ever cut, and selling it completely.
★ 9.1
Lose Yourself
2002 · From 8 Mile (soundtrack)
Written between takes on a film set, delivered like a man with exactly one shot at everything.
★ 9.1
Bohemian Rhapsody
1975 · From A Night at the Opera
Six minutes with no chorus and so many vocal overdubs the tape wore transparent. Still nothing else like it.
★ 9.1
West End Blues
1928
Armstrong's twelve-second opening cadenza announced that jazz had a soloist, and everything since has been the answer.
★ 9.1
Seven Nation Army
2003 · From Elephant
A guitar pitched down to fake a bass, and the seven-note riff every stadium on earth now sings.
★ 9.1
Superstition
1972 · From Talking Book
Wonder wrote that clavinet riff for Jeff Beck, heard it back, and sensibly kept it for himself.
★ 9.1
Dancing Queen
1976 · From Gold: Greatest Hits
Seventeen and gliding across the floor, the rare disco record that sounds like joy and ache at once.
★ 9.1
HeroesDavid Bowie
Heroes
1977 · From "Heroes"
Recorded beside the Berlin Wall, Fripp's feedback howling while Bowie sings himself hoarse over a single defiant day.
★ 9.1
Papa's Got a Brand New Bag
1965 · From Papa's Got a Brand New Bag
The record where the beat moved to the one and funk quietly began. James Brown never looked back.
★ 9.1
Over the Rainbow
1939
MGM cut it from the film twice until Arthur Freed threatened to quit; Garland was sixteen.
★ 9.0
In My Life
1965 · From Rubber Soul
Lennon's first draft listed bus stops in Liverpool; Martin's piano solo, taped at half speed, sounds baroque.
★ 9.0
Rapper's Delight
1979
Big Bank Hank auditioned outside the pizzeria where he worked, rapping lines borrowed from Grandmaster Caz's notebook.
★ 9.0
Baba O'Riley
1971 · From Who's Next
That opening arpeggio is a Lowrey organ's marimba repeat function; Dave Arbus's violin sends the ending careening.
★ 9.0
My GirlThe Temptations
My Girl
1964
Smokey Robinson wrote it for his wife Claudette, then handed David Ruffin his first Temptations lead vocal.
★ 9.0
What'd I SayRay Charles
What'd I Say
1959 · From What'd I Say
Twelve minutes left at a Pennsylvania dance, so Charles improvised it on his Wurlitzer and many stations banned it.
★ 9.0
Once in a LifetimeTalking Heads
Once in a Lifetime
1980 · From Remain in Light
Byrne borrowed a preacher's cadence, Eno hummed the chorus melody, and the band looped its own jams like samplers.
★ 9.0
Fight the Power
1989 · From Fear of a Black Planet
Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.
★ 9.0
Eleanor Rigby
1966 · From Revolver
No Beatle plays an instrument on it; George Martin's string octet does everything, sawing away at two solitary lives.
★ 8.9
Dreams (Fleetwood Mac)Fleetwood Mac
Dreams (Fleetwood Mac)
1977 · From Rumours
Nicks wrote it in a black velvet studio room at Sausalito's Record Plant; it remains the band's only US number one.
★ 8.9
C.R.E.A.M.
1994 · From Enter the Wu-Tang (36 Chambers)
RZA looped a lonely piano figure from the Charmels, and Inspectah Deck's second verse became hip hop scripture.
★ 8.9
Let it Be
1970 · From Let It Be
McCartney dreamed of his mother Mary telling him it would be all right; Harrison cut two different solos.
★ 8.9
Love Will Tear Us Apart
1980
The title flips Captain and Tennille into its opposite, and the single arrived a month after Curtis's death.
★ 8.9
Purple Haze
1967
The intro is a tritone, medieval music's forbidden interval, and Roger Mayer's new Octavia pedal makes the solo scream.
★ 8.9
Nuthin' But a G Thang
Dr. Dre and Snoop Dogg
1992 · From The Chronic
Dre built G-funk on a Leon Haywood sample, handed Snoop the mic, and gangsta rap reached number two.
★ 8.9
Sympathy for the DevilThe Rolling Stones
Sympathy for the Devil
1968 · From Beggars Banquet
Faithfull handed Jagger Bulgakov, Richards turned the folk sketch into samba and played both bass and the solo.
★ 8.9
Comfortably Numb
1979 · From The Wall
A tranquilizer shot before a 1977 Philadelphia show gave Waters the lyric; Gilmour brought the chords and the solo.
★ 8.9
No Woman, No Cry
1974 · From Natty Dread
Marley credited it to Tata Ford, whose Trenchtown soup kitchen the royalties kept running; the title means woman, don't cry.
★ 8.9
(Sittin' on) the Dock of the Bay
1968 · From The Dock of the Bay
Redding cut the vocal three days before the plane crash, and Cropper finished it into the first posthumous American number one.
★ 8.8
Crazy (Patsy Cline)Patsy Cline
Crazy (Patsy Cline)
1962 · From Patsy Cline Showcase
Willie Nelson wrote it; Cline, back after a car wreck bruised her ribs, nailed the vocal in one take.
★ 8.8
Crazy in Love
2003
Rich Harrison looped a Chi-Lites horn fanfare; Jay-Z turned up at three in the morning and improvised his verse.
★ 8.8
I Walk the Line
1956 · From Johnny Cash with His Hot and Blue Guitar
Cash slipped paper under his guitar strings for that snare tick, and hums to find each new key.
★ 8.8
You've Lost That Lovin' FeelinThe Righteous Brothers
You've Lost That Lovin' Feelin
1964
Spector printed 3:05 on the label of a 3:45 record, and it became the century's most-played song on American radio.
★ 8.8
(We're Gonna) Rock Around the Clock
1954
Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.
★ 8.8
Hotel CaliforniaThe Eagles
Hotel California
1977 · From Hotel California
Felder demoed it on a four-track in Malibu, and his Les Paul duels Walsh's Telecaster through the outro.
★ 8.8
The Weight
1968 · From Music From Big Pink
Robertson saw Nazareth stamped inside his 1951 Martin, and Helm sang the burden every verse hands over.
★ 8.8
Straight Outta Compton
1988 · From Straight Outta Compton
Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.
★ 8.8
She Loves YouThe Beatles
She Loves You
1963 · From The Beatles' Second Album
Lennon and McCartney started it on a tour bus after a Newcastle show; Martin thought the sixth-chord ending corny.
★ 8.8
I Got You (I Feel Good)
1965 · From I Got You (I Feel Good)
Brown recycled a flop he'd cut on Yvonne Fair, added Maceo Parker's alto, and landed his highest-charting single.
★ 8.8
Born in the USA
1984 · From Born in the USA
Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.
★ 8.7
Stan
2000 · From The Marshall Mathers LP
The 45 King looped Dido under four letters, and Eminem's fan character ended up in the Oxford dictionary.
★ 8.7
Sweet Child O' Mine
1987 · From Appetite for Destruction
Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.
★ 8.7
Ms. Jackson
2000 · From Stankonia
Andre 3000 apologizing to Erykah Badu's mother, who liked it enough to buy a Ms. Jackson license plate.
★ 8.7
Layla
1971 · From Layla and Other Assorted Love Songs
Clapton wanted his friend's wife; Duane Allman's slide answers every line, then Jim Gordon's piano coda changes everything.
★ 8.7
Rhapsody in Blue
1924 · From Rhapsody in Blue
Ross Gorman slurred the opening clarinet as a joke in rehearsal, and Gershwin kept the wail for Aeolian Hall.
★ 8.7
Bad Romance
2009
Written on a tour bus in Norway and premiered at Alexander McQueen's last show, all nonsense syllables and appetite.
★ 8.7
Come Together
1969 · From Abbey Road
Lennon started it as a campaign song for Timothy Leary, then Ringo muffled his drums with tea towels.
★ 8.7
Blitzkrieg Bop
1976 · From Ramones
Tommy wanted a Bay City Rollers chant; the album around it cost $6,400 and took seven days.
★ 8.7
N.Y. State of Mind
1994 · From Illmatic
Premier built the beat on the spot; Nas nailed verse one in a take, muttering doubt into the intro.
★ 8.7
Take Five
1959 · From Time Out
Morello kept soloing in five, so the quartet built him a tune in 5/4; Desmond wrote the theme.
★ 8.7
My GenerationThe Who
My Generation
1965 · From My Generation
Entwistle's bass solo needed a Fender after his Danelectro strings snapped, and Daltrey stuttered his way into history.
★ 8.7
Fuck tha PoliceNWA
Fuck tha Police
1988 · From Straight Outta Compton
Structured as a mock trial with Dre presiding, and it drew a warning letter from an FBI assistant director.
★ 8.6
Kashmir
1975 · From Physical Graffiti
Page tuned to DADGAD, Plant wrote it driving through southern Morocco, and none of them had seen Kashmir.
★ 8.6
Fortunate Son
1969 · From Chronicle: The 20 Greatest Hits
Twenty minutes of writing, and Fogerty had the sound of every draft board sending someone else's son.
★ 8.6
Try a Little Tenderness
1966 · From Complete & Unbelievable: The Otis Redding Dictionary of Soul
A 1932 Tin Pan Alley ballad, rearranged by Isaac Hayes, until Redding and Al Jackson tear the roof off.
★ 8.6
Single Ladies (Put a Ring on It)
2008
Beyonce found Bob Fosse's Mexican Breakfast on YouTube; three Grammys and a decade of wedding receptions followed.
★ 8.6
A Love Supreme, Part 1: Acknowledgement
1965 · From A Love Supreme
Garrison's four notes, then Coltrane overdubbing the chant nineteen times, one December day at Van Gelder's.
★ 8.6
Back in Black
1980 · From Back in Black
Johnson was told the Bon Scott tribute could not be morbid, so he wrote a celebration over Angus Young's riff.
★ 8.6
That's Alright MamaElvis Presley
That's Alright Mama
1954 · From The Sun Sessions
Presley started clowning through an Arthur Crudup blues on a break; Sam Phillips heard it and rolled tape.
★ 8.6
Let's Stay TogetherAl Green
Let's Stay Together
1971 · From Greatest Hits
Willie Mitchell and Al Jackson handed Green a track; he reportedly had the lyric in five minutes.
★ 8.6
Ring of Fire
1963 · From Ring of Fire: The Best of Johnny Cash
Anita Carter cut it first, her sister June wrote it with Merle Kilgore, and Cash added the mariachi trumpets.
★ 8.6
ParanoidBlack Sabbath
Paranoid
1970 · From Paranoid
Iommi's riff arrived as three-minute filler for the album, Butler wrote the words fast, and Sabbath had their biggest UK hit.
★ 8.5
I'm So Lonesome I Could Cry
1949 · From 40 Greatest Hits
Issued as a B-side because jukeboxes wanted uptempo, with Jerry Byrd's steel guitar shadowing every line Williams sings.
★ 8.5
Imagine
1971 · From Imagine
Grapefruit, Ono's book of poems, supplied the idea; Lennon supplied the piano; in 2017 she finally got the credit.
★ 8.5
Redemption SongBob Marley and the Wailers
Redemption Song
1980 · From Uprising
A single voice and acoustic guitar close Uprising, with a line lifted from Marcus Garvey and Marley already ill.
★ 8.5
Dear Mama
1995
Pizarro built it from a Joe Sample loop and the Spinners' Sadie, and the Library of Congress later archived it.
★ 8.5
Hurt
2002 · From American IV: The Man Comes Around
Rubin handed Cash a Nine Inch Nails song, and Reznor watched the video and said it was no longer his.
★ 8.5
Get Ur Freak On
2001
Timbaland set a tumbi melody over tabla and left Elliott acres of empty space to fill.
★ 8.5
Like a Prayer
1989 · From Like a Prayer
Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.
★ 8.5
Smoke Stack Lightning
1956 · From Moanin' in the Moonlight
One chord, no changes, Sumlin's guitar circling, and Wolf's howl answering the trains whose sparks named the song.
★ 8.5
Go Your Own Way
1977 · From Rumours
Buckingham aimed Mick Fleetwood at the Street Fighting Man groove, then sang a breakup line Nicks demanded he cut.
★ 8.5
Juicy
1994 · From Ready to Die
Poke and Combs looped Mtume's Juicy Fruit, and Wallace told the rags to riches story that hip hop kept retelling.
★ 8.5
Mr. Tambourine Man (Bob Dylan)
1964 · From Bringing It All Back Home
Bruce Langhorne's giant Turkish frame drum gave Dylan the image, and the Byrds' cover turned it into folk rock.
★ 8.4
Welcome to the Jungle
1987 · From Appetite for Destruction
Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
★ 8.4
Where the Streets Have No Name
1987 · From The Joshua Tree
Eno reckoned half the album's sessions went into it and nearly wiped the tape; the Edge's delay does the rest.
★ 8.4
Let's Get It On
1973 · From Let's Get It On
Ed Townsend conceived it as a spiritual; Gaye kept the backing track, rewrote the lyric, and Billboard number one followed.
★ 8.4
Blue Monday
1983
A die-cut sleeve modelled on a floppy disk, an Oberheim drum machine, and the best-selling twelve-inch single ever pressed.
★ 8.4
Dancing in the Street
1964
Gaye co-wrote it and cut an early version; Reeves heard block parties in it and needed two takes.
★ 8.4
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
House of the Rising SunThe Animals
House of the Rising Sun
1964
Hilton Valentine's arpeggio, one take at De Lane Lea, and four and a half minutes when singles ran two.
★ 8.4