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1989

Showing 155 works across all media from 1989

Like a Prayer

1989 · From Like a Prayer

Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.

★ 8.5

Free Fallin'

1989 · From Full Moon Fever

Two days of writing with Jeff Lynne, Mike Campbell's twelve-string, and Ventura Boulevard turned into the whole San Fernando Valley.

★ 7.6

When Harry Met Sally

Directed by Rob Reiner
1989

Every romantic comedy since has been trying to write this conversation: two people argue for twelve years about whether men and women can be friends, and Ephron's dialogue wins.

★ 7.2

The Killer

Directed by John Woo
1989 · Hong Kong

Woo shoots gunfights the way other directors shoot musical numbers: two pistols, slow motion, doves, and underneath it a straight-faced story about honor between a hitman and the cop hunting him.

★ 6.8

Glory

Directed by Edward Zwick
1989

The Civil War film that finally noticed who else was fighting it: the 54th Massachusetts fights for boots, for pay equal to white soldiers, and for permission to be used at all.

★ 6.7

Just a Friend

1989

Freddie Scott's "(You) Got What I Need" rebuilt on piano, with Markie singing the hook himself, flat and irresistible.

★ 6.6

Citizens

A Chronicle of the French Revolution
1989 · 948 pages

Violence was not the French Revolution's tragic accident but its engine, Schama argues, and the Terror merely 1789 with a higher body count. The book drew furious rebuttals from historians on the left.

★ 6.4

Barbarians at the Gate

The Fall of RJR Nabisco
Bryan Burrough and John Helyar
1989 · 563 pages

In 1988 the chief executive of RJR Nabisco moved to buy his own company and set off a bidding war that closed at $25 billion. Burrough and Helyar put you inside every meeting.

★ 6.4

Sex, Lies and Videotape

Directed by Steven Soderbergh
1989

American independent film became a business the week Soderbergh took the Palme d'Or at twenty-six: he made it for a million dollars, and it is four people talking about what they want.

★ 6.1

The Little Mermaid

Directed by Ron Clements and John Musker
1989

Disney's renaissance starts here: Howard Ashman and Alan Menken wrote the songs like Broadway numbers, and the studio remembered how to make an animated musical that adults would sit through.

★ 6.1

The Joy Luck Club

1989 · 288 pages

Four women who fled China met over mahjong in San Francisco, and when one dies her daughter takes the empty seat. Tan's sixteen interlocking stories carry the mothers' buried lives across.

★ 6.1

Dead Poets Society

Directed by Peter Weir
1989

Nobody who saw it at the right age has stopped quoting it: Robin Williams plays a teacher who tells boys at a 1959 boarding school that poetry is worth risking something for.

★ 6.0

Like a Prayer

1989

Pepsi paid five million dollars to use the title song, then dropped the advert within a day when the video appeared.

★ 6.0

The Best

1989 · From Foreign Affair

Bonnie Tyler recorded it first; Turner asked Holly Knight for the bridge and key change it lacked.

★ 6.0

Henry V (1989)

Directed by Kenneth Branagh
1989 · United Kingdom

Branagh was twenty-eight and directing himself in Shakespeare, which should have been a disaster: the long single take across the mud after Agincourt is the finest shot in eighties British cinema.

★ 5.8

New York

1989

Two guitars, bass and drums, nothing else, and Reed asked in the sleeve notes that it be listened to in one sitting like a book.

★ 5.4

Coleridge

Early Visions
1989 · 622 pages

The finest modern life of a poet. Holmes walks Coleridge's roads and brings him back talking, from "The Ancient Mariner" and Wordsworth's company to the laudanum and the sailing for Malta.

★ 5.4

Batman

Directed by Tim Burton
1989

Fifty thousand people wrote to Warner Bros protesting the casting of a comedy actor as Batman: Burton and Michael Keaton made the character gothic, and Prince wrote the songs.

★ 5.1
The Heart of the MatterDon Henley

The Heart of the Matter

1989

Campbell cut the track at home before Henley and Souther added words, and forgiveness never sounded so hard-won.

★ 4.8

Hyperion

1989 · 481 pages

The Canterbury Tales in deep space: seven pilgrims travel to the Time Tombs and the blade-covered creature guarding them, each telling the story that brought them. Simmons switches genre with every tale.

★ 4.8

Roam

1989

A rare B-52's lyric from an outsider, Robert Waldrop, and Pierson and Wilson make wanderlust sound weightless.

★ 4.8

Like Water for Chocolate

1989 · 246 pages

Tradition forbids the youngest daughter to marry, so Tita cooks, and everything she feels enters the food. Her quail in rose petal sauce sends a sister off naked with a Mexican revolutionary.

★ 4.7

My Left Foot

Directed by Jim Sheridan
1989

Christy Brown wrote and painted with one foot, and nothing here makes him saintly: Jim Sheridan films a Dublin family that treats him as theirs, loudly and without any ceremony.

★ 4.6

Drugstore Cowboy

Directed by Gus Van Sant
1989

William Burroughs turns up as a defrocked priest and somehow that is not the oddest thing here: Van Sant films a crew robbing pharmacies in 1971 Portland with no lecture attached.

★ 4.5

The Look

1989

An exchange student carried the album home to Minneapolis, one station played it, and Gessle's synth exercise hit number one.

★ 3.8

Driving Miss Daisy

Directed by Bruce Beresford
1989

Jessica Tandy was eighty when she won Best Actress, the oldest ever: twenty-five years of an Atlanta employer and her chauffeur, played so lightly that people underrate what the film is doing.

★ 2.7