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1977

Showing 138 works across all media from 1977

Stayin' Alive

1977 · From Saturday Night Fever Soundtrack

Barry Gibb's falsetto over a drum loop so metronomic that paramedics still use it to time chest compressions.

★ 9.4
I Feel LoveDonna Summer

I Feel Love

1977

Moroder's pulsing synth track, Summer floating above it, and the record Eno reportedly called the sound of the future.

★ 9.3

Rumours

1977

Two couples in the band were breaking up while they recorded, and kept writing songs about each other that the other had to sing.

★ 9.1
HeroesDavid Bowie

Heroes

1977 · From "Heroes"

Recorded beside the Berlin Wall, Fripp's feedback howling while Bowie sings himself hoarse over a single defiant day.

★ 9.1

Annie Hall

Directed by Woody Allen
1977

The romantic comedy has never recovered from it: Allen talks to the camera, walks into his own memories, drops subtitles over small talk, and breaks every rule the form had.

★ 8.8
Hotel CaliforniaThe Eagles

Hotel California

1977 · From Hotel California

Felder demoed it on a four-track in Malibu, and his Les Paul duels Walsh's Telecaster through the outro.

★ 8.8

Aja

1977

Becker and Fagen ran seven guitarists through the solo on Peg before they kept one, and worked the rest of the record the same way.

★ 8.7

Go Your Own Way

1977 · From Rumours

Buckingham aimed Mick Fleetwood at the Street Fighting Man groove, then sang a breakup line Nicks demanded he cut.

★ 8.5
God Save the QueenThe Sex Pistols

God Save the Queen

1977 · From Never Mind the Bollocks, Here's the Sex Pistols

Written as "No Future," banned by the BBC, and stuck at number two amid loud suspicion of chart rigging.

★ 8.3
One LoveBob Marley and the Wailers

One Love

1977 · From Exodus

A 1965 Studio One ska tune rebuilt for Exodus, with Mayfield credited to keep the borrowing legal.

★ 8.3

Marquee Moon

1977

The two guitars never play the same part, and the singer, Tom Verlaine, refused to double-track anything, so you hear what happened in the room.

★ 8.1
The ChainFleetwood Mac

The Chain

1977 · From Rumours

Razor-blade tape splices turned rejected scraps into the one Rumours song credited to all five, McVie's bass ending it.

★ 7.7

Sir Duke

1977 · From Songs in the Key of Life

Wonder built it for Ellington after his death in 1974, then handed the melody to horns playing in unison.

★ 7.7

Marquee Moon

1977 · From Marquee Moon

Ten minutes captured in one take; Ficca thought it was a rehearsal and Verlaine refused Andy Johns another go.

★ 7.5
Flash LightParliament

Flash Light

1977

Bootsy passed on the bass part, so Worrell chained three Minimoogs together and gave Parliament its first R&B number one.

★ 7.5

The Clash

1977

Recorded across three weekends for about four thousand pounds. The American label refused to release it for two years, calling it unlistenable.

★ 7.4

Alison

1977 · From My Aim is True

Costello glimpsed a supermarket checkout girl, Clover backed him before the Attractions existed, and one line titled his debut.

★ 7.2

On Photography

1977 · 224 pages

Taking a picture is a form of acquisition, close to aggression, Sontag argues, and a world drowning in images loses the power to feel them. You will not photograph casually again.

★ 7.1

Lovely Day

1977

Withers holds the last note for eighteen seconds, Ray Parker Jr. plays guitar, and morning suddenly looks survivable.

★ 7.0
Like a HurricaneNeil Young

Like a Hurricane

1977 · From American Stars 'n Bars

Young wrote it on doctor-ordered voice rest, whistling the melody, then chased Sampedro's Stringman chords for eight electric minutes.

★ 7.0
R&B · Pop

How Deep Is Your Love

1977 · From Saturday Night Fever Soundtrack

Seventeen weeks in the American top ten, and a ballad Stigwood refused to let them hand to Yvonne Elliman.

★ 6.9

White Riot

1977 · From The Clash

Strummer and Simonon were in the 1976 Notting Hill Carnival riot; the single ran under two minutes and reached thirty-eight.

★ 6.9

The Living Mountain

1977 · 176 pages

Summits barely register. Shepherd spent a lifetime in the Scottish Cairngorms and writes about going into the mountain rather than up it, attending to water and frost until the seeing becomes the point.

★ 6.9

The Hour of the Star

1977 · 81 pages

Macabéa is a half-starved typist from Brazil's Northeast, and the writer narrating her keeps stopping to ask what right he has to her poverty. Lispector makes that discomfort the whole book.

★ 6.8

Brick House

1977

Drummer Walter Orange stepped out front, LaPread's bass line did the rest, and funk got a permanent floor-filler.

★ 6.4

Easy

1977

Richie traced that Sunday-morning ease to the small Alabama town he grew up in; the singer is walking away relieved.

★ 6.3
Sheena is a Punk RockerThe Ramones

Sheena is a Punk Rocker

1977 · From Rocket to Russia

Joey Ramone spliced a jungle-comics heroine with punk's primal charge, and Britain sent it to number twenty-two.

★ 6.3

Birdland

1977

Zawinul named it for the club where he heard Basie, Ellington and Miles, then made an instrumental a hit.

★ 6.1

Woman at Point Zero

1977 · 128 pages

In an Egyptian prison a woman awaiting execution tells a psychiatrist her life: genital mutilation, forced marriage, prostitution, and the man she killed. El Saadawi drew it from a real condemned prisoner.

★ 6.0

Dispatches

1977 · 260 pages

Herr covered Vietnam for Esquire at twenty-seven and wrote the siege of Khe Sanh and the ruins of Hue at the pitch of a bad trip. Apocalypse Now took its narration from him.

★ 6.0

See No Evil

1977 · From Marquee Moon

Verlaine hired Andy Johns off Goats Head Soup, cut the two guitars to separate channels, and punk got counterpoint.

★ 5.7
Whole Lotta RosieAC/DC

Whole Lotta Rosie

1977 · From Let There Be Rock

Vanda and Young cut it at the Let There Be Rock sessions, reworking a 1976 outtake called Dirty Eyes.

★ 5.7

In Patagonia

1977 · 204 pages

Chatwin traveled Patagonia chasing a scrap of giant sloth skin from his grandmother's cabinet, and collected Welsh settlers, anarchists and Butch Cassidy. He remade travel writing into something as strange as fiction.

★ 5.6

A Lover's Discourse

Fragments
1977 · 234 pages

Waiting in a café for someone who does not come, rereading a letter, saying I love you and hearing it fail: Barthes breaks obsession into figures, each spoken in the lover's voice.

★ 5.2

A Scanner Darkly

1977 · 289 pages

An undercover narcotics agent is assigned to watch a suspect who is himself, and the drug splitting his brain hemispheres keeps him from noticing. Dick closes by naming the friends he lost.

★ 5.2

Learning to Labour

1977 · 336 pages

Working-class boys are not pushed into working-class jobs, Willis found: they choose them. Twelve lads at a Midlands comprehensive laugh their way through school and hand themselves to the factory floor.

★ 5.2

Cold as Ice

1977

A piano riff hammered like a warning, written by Gramm and Jones, later sampled wholesale by M.O.P.

★ 5.0

Fatale

1977 · 98 pages

Aimee Joubert kills for hire. She arrives in a smug French seaside town, learns everyone's secrets over dinner, and sets the notables to destroying each other. Manchette writes crime as class war.

★ 4.9

Slap Shot

Directed by George Roy Hill
1977

Real minor-league players filled most of the roster and three of them became the Hanson Brothers: Paul Newman coaches a dying team that discovers the crowd will pay for violence.

★ 4.1

Baby Come Back

1977

Beckett and Crowley wrote it after two bandmates' breakups, and Lambert and Potter's production held number one for three weeks.

★ 3.6

Cross of Iron

Directed by Sam Peckinpah
1977

Sam Peckinpah's only war film, told entirely from the German side of the Eastern Front: Orson Welles called it the finest anti-war film since All Quiet on the Western Front.

★ 2.7