Billie Jean
1982 · From Thriller
That bassline, mixed and remixed until it gleamed, and the four minutes that integrated MTV.
★ 9.8
Browse by time · decade
1980s
1980 – 1989
Showing 1,213 works across all media from the 1980s
Raging Bull
Directed by Martin Scorsese
1980
Scorsese shot boxing as penance rather than sport, and audiences come out feeling bruised: De Niro's jealousy destroys everyone near him, in the blackest black and white imaginable.
★ 9.6
Raiders of the Lost Ark
Directed by Steven Spielberg
1981
Every adventure film since is measured against it: Spielberg and Lucas built a machine of chases and near misses so efficient that forty years of imitation have not worn it out.
★ 9.5
Thriller
1982
Quincy Jones and Jackson remixed the whole record because the first version sounded thin, and Eddie Van Halen played his solo for free.
★ 9.5
The MessageGrandmaster Flash
The Message
1982
The record that proved hip hop could report and not just party, and the edge everyone's been close to since.
★ 9.5
Star Wars Episode V: The Empire Strikes Back
Directed by Irvin Kershner
1980
Everyone learned how to make a sequel from this: the pressure builds for two hours, the tone stays darker than anyone expected, and one line near the close rearranged a generation's childhood.
★ 9.4
Beloved
1987 · 360 pages
Sethe escaped slavery years ago and cannot escape the daughter she lost, who comes back to the house as a young woman. Morrison writes American history's worst chapter with unbearable tenderness.
★ 9.4
Beat It
1982 · From Thriller
Van Halen dropped in, played the solo for free, and Jackson made rock and pop the same building.
★ 9.2
Thriller
1982 · From Thriller
Vincent Price cackling over a disco-funk groove, and a fourteen-minute video that turned pop into event television.
★ 9.2
The Shining
Directed by Stanley Kubrick
1980
Whole documentaries exist about what this film means: Kubrick threw out most of King's novel, sent a Steadicam gliding down those corridors, and left a dread nobody can explain away.
★ 9.2
Blade Runner
Directed by Ridley Scott
1982
It flopped, then quietly redesigned the future: every rainy neon city of the last forty years is borrowing from Ridley Scott, and the mood still outlasts the plot.
★ 9.2
Blood Meridian
1985 · 337 pages
Scalp hunters ride the Mexican border in 1849, among them a runaway Tennessee boy and the hairless giant Judge Holden. McCarthy writes the violence in Old Testament prose and never once looks away.
★ 9.1
Hounds of Love
1985
Bush built her own studio at home so nobody could interfere, then gave over an entire side to a woman drowning through one night.
★ 9.0
It Takes a Nation of Millions to Hold Us Back
1988
The producers used sirens, squeals and feedback as rhythm instruments, which is why it sounds less like music than like an emergency.
★ 9.0
Once in a LifetimeTalking Heads
Once in a Lifetime
1980 · From Remain in Light
Byrne borrowed a preacher's cadence, Eno hummed the chorus melody, and the band looped its own jams like samplers.
★ 9.0
Fight the Power
1989 · From Fear of a Black Planet
Spike Lee asked for a defiant anthem, and the Bomb Squad answered with layered samples and Branford Marsalis's saxophone.
★ 9.0
Love Will Tear Us Apart
1980
The title flips Captain and Tennille into its opposite, and the single arrived a month after Curtis's death.
★ 8.9
Back to the Future
Directed by Robert Zemeckis
1985
Screenwriting teachers use it as the worked example: every joke and every prop planted early comes back later, and the whole machine runs without a single wasted second.
★ 8.8
Remain in Light
1980
Most of it is built on a single chord that never changes, with the interest coming entirely from layers of interlocking rhythm.
★ 8.8
Sign "O" the Times
1987
It was meant to be a triple album and the label refused. Some of it is sung by a sped-up alter ego called Camille.
★ 8.8
ET the Extra-Terrestrial
Directed by Steven Spielberg
1982
Highest grossing film in the world for a decade, and it earns every cent: Spielberg shot at child height so the adults are legs and voices, and wrecks entire cinemas.
★ 8.8
Straight Outta Compton
1988 · From Straight Outta Compton
Dre and Yella built it in a Torrance studio on almost no money, and Compton stopped being invisible.
★ 8.8
Born in the USA
1984 · From Born in the USA
Take four, April 1982, a Yamaha synth from Roy Bittan, and the most misheard chorus in American rock.
★ 8.7
Appetite for Destruction
1987
It sold almost nothing for a year until MTV agreed to play Welcome to the Jungle once, at four in the morning. Then it never stopped.
★ 8.7
Life and Fate
1980 · 896 pages
During the siege of Stalingrad, a Soviet physicist receives his mother's last letter from a Nazi ghetto. Grossman wrote the war at Tolstoy's scale and said plainly that both tyrannies were one thing.
★ 8.7
Sweet Child O' Mine
1987 · From Appetite for Destruction
Slash was goofing through a warm-up he called a circus melody; an hour later the band had this.
★ 8.7
Midnight's Children
1981 · 560 pages
Saleem Sinai is born at the exact midnight India becomes independent, which gives him telepathy and welds his life to the country's. Sixty years of history arrive as one unreliable, delighted confession.
★ 8.7
Ran
Directed by Akira Kurosawa
1985 · Japan
Kurosawa was seventy-five and his eyesight was failing when he made it: King Lear moved to feudal Japan, with a great battle that plays to music and nothing else.
★ 8.7
Fuck tha PoliceNWA
Fuck tha Police
1988 · From Straight Outta Compton
Structured as a mock trial with Dre presiding, and it drew a warning letter from an FBI assistant director.
★ 8.6
Back in Black
1980
Their singer had died five months earlier. They hired Brian Johnson, put out a record in an all-black sleeve, and sold fifty million.
★ 8.6
Born in the USA
1984
Reagan's campaign tried to borrow the title song, which is sung by a veteran who cannot get a job. Seven singles went top ten.
★ 8.6
Back in Black
1980 · From Back in Black
Johnson was told the Bon Scott tribute could not be morbid, so he wrote a celebration over Angus Young's riff.
★ 8.6
Aliens
Directed by James Cameron
1986
Almost no sequel changes genre and survives it: Cameron turned Scott's haunted house into a war picture, and an action performance drew a rare Academy Award nomination.
★ 8.6
Come and See
Directed by Elem Klimov
1985 · Russia
No other war film can follow it: Klimov put a boy's face through the destruction of Belarus and let it age visibly, and nobody watches it twice lightly.
★ 8.6
Redemption SongBob Marley and the Wailers
Redemption Song
1980 · From Uprising
A single voice and acoustic guitar close Uprising, with a line lifted from Marcus Garvey and Marley already ill.
★ 8.5
Paul's Boutique
1989
It uses well over a hundred samples, which would be unaffordable to clear today, and it sold so badly the label gave up on them.
★ 8.5
Purple Rain
1984
When Doves Cry has no bass on it at all, which Prince did deliberately. Several tracks were taped live at a Minneapolis club.
★ 8.5
Like a Prayer
1989 · From Like a Prayer
Patrick Leonard co-wrote it, Prince played the intro guitar, and Pepsi pulled its five million dollar ad but paid anyway.
★ 8.5
Straight Outta Compton
1988
The FBI wrote to their record label objecting to one of the songs, which did more for sales than any advertising could.
★ 8.5
Star Wars Episode V: The Empire Strikes Back · 1980
The Joshua Tree
1987
Where the Streets Have No Name took so long to record that Brian Eno considered wiping the tape to force them to start again.
★ 8.4
Welcome to the Jungle
1987 · From Appetite for Destruction
Slash's riff, McKagan's breakdown recycled from his old punk band, and roughly three hours from nothing to finished song.
★ 8.4
The Queen is Dead
1986
The band were in a legal fight with their label while making it, and the title track opens with a clip from a 1962 British film.
★ 8.4
Where the Streets Have No Name
1987 · From The Joshua Tree
Eno reckoned half the album's sessions went into it and nearly wiped the tape; the Edge's delay does the rest.
★ 8.4
Grave of the Fireflies
Directed by Isao Takahata
1988 · Japan
Nobody recommends this one lightly: Takahata put two children through the last months of the war in Japan, and being animated makes it harder to bear, not easier.
★ 8.4
Blue Monday
1983
A die-cut sleeve modelled on a floppy disk, an Oberheim drum machine, and the best-selling twelve-inch single ever pressed.
★ 8.4
The Book of Disquiet
1982 · 468 pages
Pessoa invented an assistant bookkeeper in Lisbon and gave him hundreds of fragments on being alive in a rented room. Open the book anywhere and someone is already thinking your thoughts.
★ 8.4
Love in the Time of Cholera
1985 · 348 pages
Turned down as a young man, Florentino Ariza waits fifty-one years for the woman he loves to be widowed. García Márquez makes old age more erotic than youth.
★ 8.4
Under PressureDavid Bowie
Under Pressure
David Bowie and Queen
1981 · From Hot Space
Bowie lived near Mountain Studios, dropped in, and one evening's jam became a UK number one with a disputed bassline.
★ 8.4
He Stopped Loving Her Today
1980
Jones thought nobody would play something so morbid; Sherrill spent eighteen months coaxing the vocal onto tape.
★ 8.3
There is a Light that Never Goes OutThe Smiths
There is a Light that Never Goes Out
1986 · From The Queen is Dead
Marr faked the strings on an Emulator, credited them to the Hated Salford Ensemble, and Britain waited six years.
★ 8.3
Full Metal Jacket
Directed by Stanley Kubrick
1987
The first half is the most quoted boot camp ever filmed: Kubrick found a real Marine drill instructor, let him write half his own material, and made basic training terrifying.
★ 8.3
3 Feet High and Rising
1989
They sampled so freely that the Turtles sued them, and the case helped make sample clearance the expensive business it has been ever since.
★ 8.2
Planet RockAfrika Bambaataa & the Soulsonic Force
Planet Rock
1982
Bambaataa welded Kraftwerk's Trans-Europe Express to a Roland 808, and Tommy Boy paid Kraftwerk a dollar per record.
★ 8.2
My Neighbor Totoro
Directed by Hayao Miyazaki
1988 · Japan
Children's films almost never dare to have no villain: Miyazaki made eighty minutes of pure safety out of two sisters and a forest spirit, and it became Ghibli's emblem.
★ 8.2
Every Breath You Take
1983 · From Synchronicity
Sting woke at Fleming's Goldeneye with the melody; Summers cut that arpeggio in one take and made surveillance sound tender.
★ 8.2
Do the Right Thing
Directed by Spike Lee
1989
No American film has been braver about refusing to resolve: one Brooklyn block on the hottest day of the year, and Lee will not tell you who was right.
★ 8.2