Seven Samurai
Directed by Akira Kurosawa
1954 · Japan
Every film about assembling a team for one last job descends from this one: Kurosawa makes seven men matter, then stages a battle in the mud nobody has equaled.
★ 9.9
Browse by time · decade
1950s
1950 – 1959
Showing 713 works across all media from the 1950s
Vertigo
Directed by Alfred Hitchcock
1958
Nobody has ever made obsession look this beautiful or this sick: a man falls for an image instead of a person, and Hitchcock follows him past every point it should stop.
★ 9.9
Kind of Blue
1959
Davis handed the players sketches on the day and most of what you hear is a first take. Two sessions, and it was done.
★ 9.8
Tokyo Story
Directed by Yasujiro Ozu
1953 · Japan
The quiet masterpiece of ordinary life: Ozu finds the ache of a whole century in parents visiting children who have no time for them, and it will find you too.
★ 9.8
Johnny B. GoodeChuck Berry
Johnny B. Goode
1958 · From Chuck Berry Is on Top
Chuck Berry's intro lick is rock's opening statement, a country boy's origin myth now drifting past the solar system.
★ 9.8
Singin' in the Rain
Directed by Gene Kelly and Stanley Donen
1952
Nothing else on film is this happy, and the subject is an industry in a panic: Hollywood's terror at the arrival of sound became two hours of pure delight.
★ 9.7
Heartbreak HotelElvis Presley
Heartbreak Hotel
1956
Elvis's first RCA single, all cavernous echo and empty rooms, the loneliest number one ever cut.
★ 9.6
Tutti-Frutti
1955 · From Here's Little Richard
A nonsense holler cleaned up just enough to press, and the moment rock and roll stopped asking permission.
★ 9.5
Hound Dog
1956
Leiber and Stoller wrote it for Big Mama Thornton; Elvis took it, sped it up, and set it on fire.
★ 9.5
Sunset Boulevard
Directed by Billy Wilder
1950
Hollywood has never been crueler about itself: Louis B. Mayer told Wilder he had disgraced the industry, which is the highest praise the film could possibly have received.
★ 9.5
Some Like it Hot
Directed by Billy Wilder
1959
American comedy has never been funnier, and the Legion of Decency was appalled: Wilder ran a single disguise for two hours without ever letting the joke thin out.
★ 9.4
Rear Window
Directed by Alfred Hitchcock
1954
Suspense has never been constructed more purely, and the real subject is the audience: Hitchcock traps you in one room with a man who cannot stop watching his neighbors.
★ 9.3
So What
1959 · From Kind of Blue
Two chords and all the space in the world, Davis proving that less was the most radical idea in jazz.
★ 9.2
Collected Fictions
1951 · 576 pages
Borges invented a library holding every possible book and a man cursed with perfect memory. The stories run ten pages and leave the world looking like something someone made up.
★ 9.1
Lolita
1955 · 317 pages
Humbert Humbert explains how he became stepfather to a twelve-year-old girl and drove her across America. Nabokov gives the monster the most beautiful prose in English and dares you to enjoy it.
★ 9.1
North by Northwest
Directed by Alfred Hitchcock
1959
Every spy thriller since owes it something, James Bond most of all: Hitchcock chases an innocent man across America by crop duster and over Mount Rushmore, enjoying himself throughout.
★ 9.1
Rashomon
Directed by Akira Kurosawa
1950 · Japan
Kurosawa gave the language a word for irreconcilable testimony and opened Japanese cinema to the world: four accounts of one killing, none of which can be squared with another.
★ 9.1
What'd I SayRay Charles
What'd I Say
1959 · From What'd I Say
Twelve minutes left at a Pennsylvania dance, so Charles improvised it on his Wurlitzer and many stations banned it.
★ 9.0
Invisible Man
1952 · 581 pages
Thrown out of college, then used by a Harlem political movement, a nameless Black man ends up living in a cellar on stolen light. Ellison writes American rage with jazz timing.
★ 9.0
The Searchers
Directed by John Ford
1956
Other directors have been stealing from this western for seventy years: Ford put John Wayne's racism on screen without excusing it, and framed his story in a much-copied doorway.
★ 9.0
Waiting for Godot
1953 · 85 pages
Two tramps wait by a tree on a country road for a man who sends word each evening that he will come tomorrow. Beckett stripped drama to this and it never went back.
★ 9.0
Things Fall Apart
1958 · 209 pages
Okonkwo is a wrestler and a hard man in an Igbo village, terrified of resembling his gentle, indebted father, when the missionaries arrive. Achebe builds a whole world before letting it come apart.
★ 8.9
The Lord of the Rings
1954 · 1178 pages
Frodo the hobbit inherits a ring that could rule the world and carries it across a continent to destroy it. Tolkien invented its languages first, and modern fantasy still works inside his world.
★ 8.9
On the Waterfront
Directed by Elia Kazan
1954
Screen acting changed with Brando in the back of that taxi: Kazan made the film to justify naming names, which gives the whole thing an uncomfortable heat.
★ 8.9
I Walk the Line
1956 · From Johnny Cash with His Hot and Blue Guitar
Cash slipped paper under his guitar strings for that snare tick, and hums to find each new key.
★ 8.8
(We're Gonna) Rock Around the Clock
1954
Cut in leftover studio minutes with Sammy Davis Jr. waiting outside, it flopped until Blackboard Jungle put it under the credits.
★ 8.8
12 Angry Men
Directed by Sidney Lumet
1957
Nothing beats it as a filmed argument, and it happens in a single room: eleven jurors want to go home, one will not, and the temperature keeps rising.
★ 8.7
Take Five
1959 · From Time Out
Morello kept soloing in five, so the quartet built him a tune in 5/4; Desmond wrote the theme.
★ 8.7
The Collected Poems
1954 · 583 pages
Stevens sold insurance in Hartford and wrote sumptuous poems about what the imagination makes once God is gone. Read "The Emperor of Ice-Cream" aloud and the sound arrives before the sense.
★ 8.6
Autumn Rhythm (Number 30)
1950 · Metropolitan Museum of Art, New York
Pollock worked on the floor and moved around the canvas instead of standing at an easel, laying black enamel across raw cotton in 1950.
★ 8.6
All About Eve
Directed by Joseph L. Mankiewicz
1950
The sharpest script ever written about ambition: an aging star takes in an adoring young fan, and theater people have been quoting the lines for three-quarters of a century.
★ 8.6
That's Alright MamaElvis Presley
That's Alright Mama
1954 · From The Sun Sessions
Presley started clowning through an Arthur Crudup blues on a break; Sam Phillips heard it and rolled tape.
★ 8.6
The 400 Blows
Directed by Francois Truffaut
1959 · France
The French New Wave announces itself: Truffaut put his own miserable childhood on screen at twenty-seven, and the last shot changed what an ending was allowed to do.
★ 8.6
Pather Panchali
Directed by Satyajit Ray
1955
Indian cinema arrived in the world with this: Ray shot it on weekends with a first-time crew and no money, and the children seeing a train is pure wonder.
★ 8.5
Ikiru
Directed by Akira Kurosawa
1952 · Japan
Kurosawa's answer to how a life should be spent: a bureaucrat gets one piece of terrible news and starts spending what is left deliberately, which will change how you see your job.
★ 8.5
Smoke Stack Lightning
1956 · From Moanin' in the Moonlight
One chord, no changes, Sumlin's guitar circling, and Wolf's howl answering the trains whose sparks named the song.
★ 8.5
Doctor Zhivago
1957 · 673 pages
Yuri Zhivago, a doctor who writes poetry, is carried through war and revolution and away from the women he loves. Pasternak lets history arrive like weather, and the Soviets banned it outright.
★ 8.4
The Leopard
1958 · 336 pages
Everything must change so that everything can stay the same, says the prince's nephew as Garibaldi's rebels land in Sicily. Lampedusa writes a class watching itself end with autumnal calm and beauty.
★ 8.4
The Night of the Hunter
Directed by Charles Laughton
1955
Charles Laughton never directed again after it failed, and critics have spent seventy years calling it a masterpiece: a preacher with tattooed knuckles and two children on a river.
★ 8.4
The Catcher in the Rye
1951 · 240 pages
Holden Caulfield is thrown out of prep school and spends three days loose in New York, telling you about it. Salinger got the voice so exact that teenage fiction has echoed it since.
★ 8.4
I Got a Woman
1954 · From Ray Charles
Charles took a gospel record he heard on tour, swapped the subject, and cut soul music's blueprint in Atlanta.
★ 8.4
A Streetcar Named Desire
Directed by Elia Kazan
1951
Three of its four leads won Academy Awards and the fourth was Brando: this is where screen acting stopped being theatrical and started being something else entirely.
★ 8.4
Maybellene
1955 · From Chuck Berry Is on Top
Ida Red, a 1938 Bob Wills fiddle tune, turned into a car chase, with Johnnie Johnson's piano running underneath.
★ 8.4
The Tin Drum
1959 · 592 pages
Oskar decides on his third birthday to stop growing, keeps his tin drum, and screams glass to pieces while the Nazis take Danzig. Grass forced postwar Germany to look at itself through him.
★ 8.3
Paths of Glory
Directed by Stanley Kubrick
1957
France stayed uncomfortable enough to keep it out of cinemas for eighteen years: Kubrick tracked the camera down the trenches and staged an injustice that still makes people furious.
★ 8.3
Night
1955 · 120 pages
Wiesel was a religious teenager when his town was emptied and he arrived at Auschwitz with his father. He tells it in short flat sentences, and the flatness is unbearable.
★ 8.3
Jailhouse Rock
1957
Leiber and Stoller wrote it as a goof; Scotty Moore's solo nearly derails the take and Presley never blinks.
★ 8.3
The Seventh Seal
Directed by Ingmar Bergman
1957 · Sweden
No image from any film has been parodied more: a knight plays chess with Death on a beach, and Bergman is completely serious about the question underneath it.
★ 8.3
The Bridge on the River Kwai
Directed by David Lean
1957
Lean built an epic about the seduction of a job well done: a British colonel in a Japanese prison camp finds a strange satisfaction in building their bridge properly.
★ 8.2
Don't Be Cruel
1956
Blackwell gave Presley half the writing credit; the Jordanaires hum behind a vocal so relaxed it barely seems to try.
★ 8.2
That'll Be the DayBuddy Holly and the Crickets
That'll Be the Day
1957
Holly took the title from a John Wayne line and recut it in Clovis after Decca shelved the first version.
★ 8.2
Ugetsu
Directed by Kenji Mizoguchi
1953
Mizoguchi's ghost story is the one other directors mention when asked what changed them: two peasants chase money through a civil war, and the crossing through fog is unearthly.
★ 8.2
Mannish BoyMuddy Waters
Mannish Boy
1955 · From The Anthology: 1947-1972
Waters answered Bo Diddley's answer to his own song in 1955, holding one chord and a stop-time riff throughout.
★ 8.1
Folsom Prison Blues
1955 · From Johnny Cash with His Hot and Blue Guitar
A prison film in Germany gave Cash the song; he borrowed the melody from Gordon Jenkins and later paid up.
★ 8.1
Your Cheatin' Heart
1953 · From 40 Greatest Hits
A lyric dictated from a car seat, one last Nashville session, and six weeks at country number one.
★ 8.0
Number 11, 1952 (Blue Poles)
1952 · National Gallery of Australia, Canberra
Eight ragged dark blue poles lean across the poured web and give it a beat. Australia's purchase in 1973 caused a national row.
★ 8.0
Pedro Paramo
1955 · 144 pages
Looking for the father he never met, a man walks into a Mexican town where everyone he speaks to is dead. Voices drift free of their bodies, and magical realism follows.
★ 8.0
The Wages of Fear
Directed by Henri-Georges Clouzot
1953
Suspense does not get more physical than this: four desperate men drive truckloads of nitroglycerin over mountain roads, and every rut in the surface becomes an ordeal.
★ 7.9
Notes of a Native Son
1955 · 149 pages
Baldwin buries his father on his nineteenth birthday while Harlem riots, and winters as the only Black man in a Swiss village. He turns his own life into an argument about America.
★ 7.9
La Strada
Directed by Federico Fellini
1954 · Italy
It took the very first competitive foreign language Academy Award, and Giulietta Masina is the reason: her face does more with one shrug than most performances manage in full.
★ 7.9
Charlotte's Web
1952 · 184 pages
Wilbur is a runt pig bound for slaughter, saved by a barn spider writing words in her web. Eudora Welty called it just about perfect, and it is where children first meet death.
★ 7.8
Lord of the Flies
1954 · 192 pages
English schoolboys are marooned on an island without adults, hold a vote, and are soon hunting each other. Golding tells it so plainly that you believe every step of the descent.
★ 7.8
A Good Man is Hard to Find and Other Stories
1955 · 276 pages
On a Georgia back road a grandmother who talked her family into a detour meets an escaped killer. O'Connor's stories stay funny until the violence arrives, which is how grace arrives too.
★ 7.8
Wild Strawberries
Directed by Ingmar Bergman
1957 · Sweden
Bergman cast the founding father of Swedish cinema as an old man reckoning with his own coldness: a drive across the country, punctuated by dreams that keep ambushing him.
★ 7.8
Study After Velazquez's Portrait of Pope Innocent X
1953 · Des Moines Art Center, Des Moines
Bacon took Velázquez's composed pope and set him screaming behind a curtain of falling paint. He never saw the original in person.
★ 7.8
The Cairo Trilogy
1957 · 1313 pages
A Cairo merchant rules his household as a tyrant and drinks his nights away with singers while his wife may not step outside. Over three generations, revolution and war reach inside that house.
★ 7.8
Rollin' Stone
1950 · From The Anthology: 1947-1972
One man, one electric guitar, no band; the Chess single that later named a magazine and a British group.
★ 7.8
Long Tall Sally
1956 · From Here's Little Richard
Blackwell built the lyric to run too fast for Pat Boone, and Richard shouted it out at Cosimo Matassa's J&M.
★ 7.8
You Send MeSam Cooke
You Send Me
1957 · From Sam Cooke
Cooke credited it to his brother L.C. to dodge his publisher, then carried it to number one on both charts.
★ 7.8
Whole Lotta Shakin' Goin' On
1957
One microphone, Roland Janes muted behind the boogie piano, and a July 1957 television debut that turned it national.
★ 7.7
Blue Suede Shoes (Carl Perkins)
1956
Cash suggested the phrase, Phillips talked him into changing one word, and Sun got its first million seller.
★ 7.7
On The Road
1957 · 416 pages
Sal Paradise crosses and recrosses America with Dean Moriarty, a car thief who talks nonstop and cannot sit still. Kerouac made restlessness the American subject, and the prose runs on the same fuel.
★ 7.7
Woman I
1950 · Museum of Modern Art, New York City
De Kooning dragged the figure back into abstract painting at the moment that was least acceptable, and worked this canvas over for two years.
★ 7.7
Nights of Cabiria
Directed by Federico Fellini
1957 · Italy
Giulietta Masina gives the performance that everyone remembers from Fellini: a Roman streetwalker keeps hoping harder than her luck deserves, and the film never once pities her.
★ 7.7
Peggy SueBuddy Holly and the Crickets
Peggy Sue
1957
Cut in Clovis as "Cindy Lou" until Allison's girlfriend got the title, and his paradiddles never let up.
★ 7.7
Hoochie Coochie Man
1954 · From The Anthology: 1947-1972
Dixon wrote it, Little Walter blew the harmonica, and that stop-time riff spread through blues and rock alike.
★ 7.7
Roll Over Beethoven
1956 · From Chuck Berry Is on Top
His sister Lucy monopolized the family piano for classical, so Berry wrote his rebuttal, with Johnnie Johnson answering back.
★ 7.7
Great Balls of Fire
1957
Lewis argued theology with Sam Phillips between takes at Sun, decided the devil could wait, and cut it anyway.
★ 7.7
All I Have to Do Is Dream
1958
Two live takes in Nashville, Chet Atkins on guitar, and a harmony that topped three Billboard charts at once.
★ 7.7
Blueberry Hill
1956
Nobody in the room had the lyrics, so Bunny Robyn spliced three broken takes into Domino's biggest hit.
★ 7.6
Touch of Evil
Directed by Orson Welles
1958
The opening crane shot is the most studied three minutes in film school: Welles was fired off his own picture, and the version we watch was restored from his memo.
★ 7.6
La Bamba (Ritchie Valens)
1958
Cut as the B-side of Donna, a Veracruz son jarocho with Carol Kaye on rhythm and Earl Palmer driving.
★ 7.6
All Blues
1959 · From Kind of Blue
A twelve-bar blues in 6/8, take two the only complete one, and Paul Chambers' bass figure underneath everything.
★ 7.6
Bo Diddley
1955 · From Bo Diddley
Jerome Green's maracas, a tremolo guitar shaking like heat haze, and the beat that took Bo Diddley's name.
★ 7.6
Mystery Train
1955 · From The Sun Sessions
Two years after Junior Parker cut it at Sun, Moore's slapback guitar turned the same train into rockabilly.
★ 7.6
Mingus Ah Um
1959
Columbia refused to let him record the words to Fables of Faubus, an attack on a segregationist governor, so it appears as an instrumental.
★ 7.6
In the Still of the Night
1956
February 1956, a New Haven church basement, and a song Parris had written on Army guard duty.
★ 7.5
Shout (The Isley Brothers)
1959
Ronald Isley improvised the call and response onstage extending Lonely Teardrops, and RCA packed the room with friends answering.
★ 7.5
Rocket 88
1951
Kizart's amp fell off the car, Phillips stuffed the blown cone with paper, and distorted guitar entered the language.
★ 7.5
High Noon
Directed by Fred Zinnemann
1952
Written as an allegory about the blacklist by a man about to be blacklisted: a marshal has eighty-five minutes before the noon train, and the film runs them in step.
★ 7.5
Ain't That a Shame
1955
Bartholomew and Domino wrote it, Pat Boone's cover took the number one, and Domino's rolling piano triplets outlasted it.
★ 7.5
Dust My BroomElmore James
Dust My Broom
1951
Johnson's 1936 triplet figure run through an amplifier, Sonny Boy Williamson on harmonica, and a riff everybody stole.
★ 7.5
Earth Angel
1954
Cut as a demo in Ted Brinson's garage, pillows on the drums, then three weeks atop the R&B chart.
★ 7.5
Summertime BluesEddie Cochran
Summertime Blues
1958
Cochran overdubbed his own bass voice for the boss and the senator, Earl Palmer drumming behind the great teenage complaint.
★ 7.4
Three Flags
1954 · Whitney Museum of American Art, New York City
Johns chose things the mind already knows, so that nobody would look past the wax surface. Three flags stacked, each smaller than the last.
★ 7.4
Good Golly, Miss Molly
1958 · From Little Richard
Little Richard lifted the piano intro straight off Rocket 88, and Earl Palmer's drums do the rest.
★ 7.4
Wake Up Little SusieThe Everly Brothers
Wake Up Little Susie
1957
Felice and Boudleaux Bryant's plot is an alibi, Boston banned it as suggestive, and it still topped the pop chart.
★ 7.4
Hey Good Lookin'
1951 · From 40 Greatest Hits
Williams wrote it for Little Jimmy Dickens, recorded it first himself, and held country number one for eight weeks.
★ 7.4
The Shape of Jazz to Come
1959
Coleman played a white plastic saxophone because it was what he could afford, and half the musicians in New York thought he was a fraud.
★ 7.4